At Piano Nobile

Eleanor Birne: Jean Cooke, 18 April 2019

... at the Central School of Arts and Crafts, where she studied illustration and textile design and took life drawing classes with Bernard Meninsky, who was known for his heavy black charcoal lines (Cooke preferred a 3H pencil). She went on to study sculpture at Goldsmiths – getting the highest mark in the country in her first exam – and pottery at ...

Maritime (1934-67)

Mick Imlah, 7 February 2002

... She rose from the not-so-bonny Bank of Clyde (Bombed to a pit for its pains in ’41). Meanwhile, John Masefield wrote a handsome poem (‘Shredding a trackway like a mile of snow . . .’) And Harry Lauder roamed the yard with pride. She ploughed across the Atlantic in four days, Loud with the ‘rich and famous’, only the seasick Inlaid pianos suffering ...

Signs of the Times

Mark Ford, 21 February 2008

... the barracks adjacent, and military sirens tearing Open the heavy heat.            It took – or seemed To take – no time at all for the venom to prove, point By careful point, what it meant. I found Myself sweating too, trying To recall the serpentine journeys made by adventurers such as Mungo Park And Richard Burton, and the weeping jungles ...

Sleeves Full of Raisins

Tom Johnson: Mobs of Wreckers, 13 April 2023

Shipwrecks and the Bounty of the Sea 
by David Cressy.
Oxford, 313 pp., £30, September 2022, 978 0 19 286339 3
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... barrels, bottles and jars and loading them onto horses and carts and repurposed ploughs. People took whatever they could find. Francis Saveer, a mason, boarded the ship and managed to extract a piece of silk, eighteen rows of buttons, a jacket and a waistcoat. His servant took ‘two old jerkins and some old ...

Crotchet Castles

Peter Campbell, 6 December 1984

William Kent 
by Michael Wilson.
Routledge, 276 pp., £30, July 1984, 0 7100 9983 5
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James Gibbs 
by Terry Friedman.
Yale, 362 pp., £40, November 1984, 0 300 03172 6
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Sir John Soane, Architect 
by Dorothy Stroud.
Faber, 300 pp., £32, May 1984, 9780571130504
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The Later Paintings and Drawings of John Constable 
by Graham Reynolds.
Yale, 880 pp., £140, October 1984, 0 300 03151 3
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... of the independence of the worker in stone, plaster, brick or wood accelerated. The drawing-men took over from the making-men. Conception and execution became separate provinces. Thinking, not building, became the architect’s highest achievement. Finally, some time around the third quarter of the 18th century, architecture became a proper profession. The ...

Absent Framers

Andreas Teuber, 31 March 1988

... to the text may not have been so different from that of an author like Jane Austen who, in John Bayley’s words, ‘set her characters going to see what they might do’, or Pushkin, who in the midst of composing Eugene Onegin wrote to a friend: ‘My Tatiana has gone off and got married. I never would have expected it of her.’ No doubt the drafters ...

Never further than Dinner or Tea

Alexander Nehamas: Iris Murdoch, 4 March 1999

Iris: A Memoir of Iris Murdoch 
by John Bayley.
Duckworth, 189 pp., £16.95, September 1998, 0 7156 2848 8
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... The first thing Alzheimer’s disease took away from Iris Murdoch was her luminous powers. At a conference in Israel in 1994, she was unable to answer her audience’s questions. In 1995, she completed, with great difficulty, her 27th novel, Jackson’s Dilemma, in which readers found several errors and inconsistencies; it was to be her last ...

Diary

John Burnside: Death and Photography, 18 December 2014

... length of time and that would be the movie,’ he said. The ‘tests’ – whose subjects include John Ashbery, Lou Reed, Dennis Hopper and Susan Sontag – were shot on 100-foot rolls of black and white film at 24 frames per second, then screened, almost slo-mo, at 16 fps. The results varied: Lou Reed, who had studied drama, brings a Coke bottle as a prop ...

How bad can it be?

John Lanchester: Getting away with it, 29 July 2021

... his innocence to the umpires: look, ump, nothing in my pockets, honest! In the fallout, Bancroft took some of the blame, but even more was taken by the two older players in the leadership group, the captain, Steve Smith, and his right-hand man, David Warner, who had instructed Bancroft to ball-tamper. Smith and Warner were suspended for a year, Bancroft for ...

As if Life Depended on It

John Mullan: With the Leavisites, 12 September 2013

Memoirs of a Leavisite: The Decline and Fall of Cambridge English 
by David Ellis.
Liverpool, 151 pp., £25, April 2013, 978 1 84631 889 4
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English as a Vocation: The ‘Scrutiny’ Movement 
by Christopher Hilliard.
Oxford, 298 pp., £57, May 2012, 978 0 19 969517 1
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The Two Cultures? The Significance of C.P. Snow 
by F.R. Leavis.
Cambridge, 118 pp., £10.99, August 2013, 978 1 107 61735 3
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... teaching in schools, in the Leavis manner, via pairings of admirable against deplorable texts: John Clare compared with ‘a film song’; Mark Twain versus a shampoo advertisement; but also Donne versus Shelley. Because he founded his literary criticism on social criticism, deploring the effects of industrialisation in the 19th century and commodity ...

Spruce

John Bayley, 2 June 1988

A.E. Housman: Collected Poems and Selected Prose 
edited by Christopher Ricks.
Allen Lane, 528 pp., £18.95, April 1988, 0 7139 9009 0
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... Nature of Poetry’, of how some lines and whole verses just came into his head, while the rest took months of labour and were seldom entirely satisfactory. The feeling of two separate processes, though no doubt an experience common with poets, makes Housman’s verse peculiarly satisfying, although there is no need to enter the competition, dangled before ...

Putting Down the Rising

John Barrell, 22 February 1996

The Collected Works of James Hogg. Vol. I: The Shepherd’s Calendar 
edited by Douglas Mack.
Edinburgh, 287 pp., £29.50, July 1995, 9780748604746
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Collected Works of James Hogg. Vol. II: The Three Perils of Woman 
edited by David Groves, Antony Hasler and Douglas Mack.
Edinburgh, 466 pp., £32.50, July 1995, 9780748604746
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Collected Works of James Hogg. Vol. III: A Queer Book 
edited by P.D. Garside.
Edinburgh, 278 pp., £29.50, July 1995, 0 7486 0506 1
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... which has been reprinted in two editions since the war, with introductions by André Gide and John Carey. It is arguably Carey’s edition that has been chiefly responsible not only for the high reputation of the Memoirs and Confessions in England but also for the assumption that none of Hogg’s other fictions is worth bothering with. Carey dismissed ...

Things the King Liked to Hear

Blair Worden: Donne and Milton’s Prose, 19 June 2014

Sermons of John Donne Vol. III: Sermons Preached at the Court of Charles I 
edited by David Colclough.
Oxford, 521 pp., £125, November 2013, 978 0 19 956548 1
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Complete Works of John Milton Vol. VI: Vernacular Regicide and Republican Writings 
edited by N.H. Keeble and Nicholas McDowell.
Oxford, 811 pp., £125, December 2013, 978 0 19 921805 9
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... John Donne​ is a modern rediscovery. His reputation, high among his contemporaries, fell after their time, along with those of other 17th-century metaphysical poets who would wait equally long for rehabilitation. The late 17th century and the 18th, committed to orderliness of metre and feeling, disliked the ‘forced’ and ‘unnatural’ rhythms of his verse, his ‘false’ conceits, his unruly sensuality ...

Lennon Texts

Alan Price, 5 February 1981

... It is sad to know we’ve been robbed of the songs that were to come from John Lennon. He was a master of his craft and made music that was personal and unique. In partnership with Paul McCartney, and later as a solo artist, he wrote songs that have become the soundtrack of the Sixties and Seventies. He covered a wide range of subjects in his work, from the Vietnam conflict and women’s rights to his own search for peace of mind, and in doing so, he became a mirror for two generations ...

Washed in Milk

Terry Eagleton: Cardinal Newman, 5 August 2010

Newman’s Unquiet Grave: The Reluctant Saint 
by John Cornwell.
Continuum, 273 pp., £18.99, May 2010, 978 1 4411 5084 4
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... themselves perhaps only a generation or two away from the farm in Mayo or Meath. The clergy who took the boat to Liverpool were for the most part the sons of so-called strong farmers, men who owned a comfortable number of acres, in contrast to the impoverished small tenants, cottiers and farm labourers. The social background of these aspirants to the ...