At Piano Nobile

Eleanor Birne: Jean Cooke, 18 April 2019

... at the Central School of Arts and Crafts, where she studied illustration and textile design and took life drawing classes with Bernard Meninsky, who was known for his heavy black charcoal lines (Cooke preferred a 3H pencil). She went on to study sculpture at Goldsmiths – getting the highest mark in the country in her first exam – and pottery at ...

Things the King Liked to Hear

Blair Worden: Donne and Milton’s Prose, 19 June 2014

Sermons of John Donne Vol. III: Sermons Preached at the Court of Charles I 
edited by David Colclough.
Oxford, 521 pp., £125, November 2013, 978 0 19 956548 1
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Complete Works of John Milton Vol. VI: Vernacular Regicide and Republican Writings 
edited by N.H. Keeble and Nicholas McDowell.
Oxford, 811 pp., £125, December 2013, 978 0 19 921805 9
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... John Donne​ is a modern rediscovery. His reputation, high among his contemporaries, fell after their time, along with those of other 17th-century metaphysical poets who would wait equally long for rehabilitation. The late 17th century and the 18th, committed to orderliness of metre and feeling, disliked the ‘forced’ and ‘unnatural’ rhythms of his verse, his ‘false’ conceits, his unruly sensuality ...

Popper’s World

John Maynard Smith, 18 August 1983

The Open Universe: An Argument for Indeterminism 
by Karl Popper, edited by W.W. Bartley.
Hutchinson, 185 pp., £15, July 1982, 0 09 146180 4
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... to show that it does not follow from our knowledge of science. Further, it would not follow if we took an entirely Newtonian view of physics: Popper’s rejection of determinacy does not rest on the indeterminacy of quantum physics, which he is in any case unwilling to accept at face value – but that is an argument I do not want to get into. He argues that ...

Signs of the Times

Mark Ford, 21 February 2008

... the barracks adjacent, and military sirens tearing Open the heavy heat.            It took – or seemed To take – no time at all for the venom to prove, point By careful point, what it meant. I found Myself sweating too, trying To recall the serpentine journeys made by adventurers such as Mungo Park And Richard Burton, and the weeping jungles ...

Maritime (1934-67)

Mick Imlah, 7 February 2002

... She rose from the not-so-bonny Bank of Clyde (Bombed to a pit for its pains in ’41). Meanwhile, John Masefield wrote a handsome poem (‘Shredding a trackway like a mile of snow . . .’) And Harry Lauder roamed the yard with pride. She ploughed across the Atlantic in four days, Loud with the ‘rich and famous’, only the seasick Inlaid pianos suffering ...

Doing what doesn’t come naturally

John Sturrock, 16 December 1993

French Lessons: A Memoir 
by Alice Kaplan.
Chicago, 221 pp., £15.95, September 1993, 0 226 42418 9
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... the stacked corpses and the few skeletal survivors in the Nazi death camps. After he died, Kaplan took some of these terrible photographs to school, to show them to other children, either to shock them or else because she missed her father: ‘I was trying to do what he would do, be like him.’ His is the approval, actual while he was still alive, fantasmal ...

Becoming a girl

John Bayley, 25 March 1993

Philip Larkin: Writer 
by James Booth.
Harvester, 192 pp., £9.95, March 1992, 0 7450 0769 4
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... the connection is clear: ‘All my kirbigrips have vanished for a start this morning (yes, and WHO took them?), so what with searching for them and trying to find a slide, I hadn’t time to get my hymn-book before prayers – and of course the Badger had to choose today to inspect them, as she said she’s seen too many girls sharing recently. I suppose she ...

Foreigners

John Lanchester, 5 January 1989

Arabesques 
by Anton Shammas, translated by Vivian Eden.
Viking, 263 pp., £11.95, November 1988, 0 670 81619 1
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Blösch 
by Beat Sterchi, translated by Michael Hofmann.
Faber, 353 pp., £11.95, September 1988, 0 571 14934 0
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A Casual Brutality 
by Neil Bissoondath.
Bloomsbury, 378 pp., £12.95, September 1988, 0 7475 0252 8
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... offered in the end but the evils of their actions, had propagated but the baser instincts, which took root and flourished so effortlessly in this world they called, with a kind of black humour, new.’ The polity of Casquemada begins to collapse and violence, both random and politically-motivated, becomes common. Bissoondath’s delightful talent for the ...

As a Button to a Coat

John Lloyd: Gennady Andreev-Khomiakov, 20 August 1998

Bitter Waters: Life and Work in Stalin’s Russia 
by Gennady Andreev-Khomiakov, translated by Ann Healy.
Westview, 195 pp., $30, September 1997, 0 8133 2390 8
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... that it would be better not to spread the word about what life was like there?’   ‘Oh, I took that for granted!’ I also stood up. ‘Can I ask you one question?’   ‘Of course, ask away!’   ‘I fear that I may have difficulty getting hired. If they will not take me because of my past, can I turn to you?’   ‘Yes, yes, of ...

Agitated Neurons

John Sturrock: Michel Houellebecq, 21 January 1999

Whatever 
by Michel Houellebecq, translated by Paul Hammond.
Serpent’s Tail, 160 pp., £8.99, January 1999, 1 85242 584 9
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Les Particules élémentaires 
by Michel Houellebecq.
Flammarion, 394 pp., frs 105, September 1998, 2 08 067472 2
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... Houellebecq, who was born in 1957, has either turned against, or never in the first place took to, the sexual liberalism in which his post-’68 generation grew up. In Whatever he conflates that liberalism in a cursory but effective way with the economic kind, to establish a harsh continuity between the ideology of laisser-faire which operates to ...

Supersellers

John Sutherland, 8 November 1979

The Devil’s Alternative 
by Frederick Forsyth.
Hutchinson, 479 pp., £5.95
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The Four Hundred 
by Stephen Sheppard.
Secker, 374 pp., £5.25
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... the world that The Devil’s Alternative was composed in 44 days (some nine days more than it took him to write The Day of the Jackal, but lest one suspect a weakening of the authorial sinews, he reminds us that the earlier novel was 50,000 words shorter). Patterson asserts that ‘each of his books seldom takes longer than three months to write.’ And ...

Progressive Agenda

John Brewer, 18 March 1982

The Watercolours and Drawings of Thomas Bewick and his Workshop Apprentices 
by Iain Bain.
Gordon Fraser, 233 pp., £125, July 1981, 0 86092 057 7
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... technical and aesthetic. Unlike most earlier book illustrators, he worked in wood, not copper. He took a vernacular skill and made it into an art, transforming the rude woodcut which had formerly been relegated to the local tavern wall into an elegantly executed image of sufficient sophistication to find its way into a gentleman’s library. Bewick perfected ...

Heliotrope

John Sutherland, 3 December 1992

Robert Louis Stevenson: Dreams of Exile 
by Ian Bell.
Mainstream, 295 pp., £14.99, November 1992, 1 85158 457 9
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... with the agility of Jack Tar. She easily outlived her son. But during his childhood her ill-health took precedence over his. While she was cossetted, the sickly Lewis (as he was then called) was left to the charge of ‘Cummy’, the nurse who slept in his room until he was ten and who drove him into night terrors that only she could calm. Her entertainments ...

Seeing Things

John Bayley, 18 July 1996

The World, the World 
by Norman Lewis.
Cape, 293 pp., £18.99, April 1996, 0 224 04234 3
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Omnibus: ‘A Dragon Apparent’, ‘Golden Earth’, ‘A Goddess in the Stones’ 
by Norman Lewis.
Picador, 834 pp., £9.99, January 1996, 0 330 33780 7
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... and News from Tartary, which is still better, succeeded so well because their author instinctively took to heart the advice of Dryden’s heroine. We cross Tartary on a daily basis, not so much pleased with seeing more as interested in what can be found to eat, what the weather’s like, how the camels come to reveal their personalities. This is the simplest ...

Pine Trees and Vices

John Bayley, 9 April 1992

The Oxford Book of Gothic Tales 
edited by Chris Baldick.
Oxford, 533 pp., £16.95, March 1992, 0 19 214194 5
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... pine trees and vices of the south’. (Not of the north, interestingly enough. Gothicism never took root in the Scottish background which Sir Walter had made his own, and where even barbarous old custom was healthy and bracing as well as picturesque.) Yet like the Magic Realists Angela Carter used the genre to make her views over-explicit, incidentally ...