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“... station, bearing leaflets, carrying messages as proudly as the freshly baked loaves in Ridley Scott’s celebrated commercial, shot in 1973, on the picturesque slopes of Shaftesbury. Carl Barlow, the youth who featured in the advertisement, underscored by the slow movement of Dvorak’s Symphony No 9, arranged for brass, went on to become a fireman in ...”

“... The week​ before he was fired from MGM, late in 1931, Scott Fitzgerald was having lunch with the screenwriter Dwight Taylor in the company canteen when something, or even two things, more disturbing than his own drunken dreams appeared and sat at his table. The apparition was a pair of Siamese twins. ‘One of them picked up the menu,’ Taylor remembered, ‘and, without even looking at the other asked: “What are you going to have?” Scott turned pea-green and, putting his hand to his mouth, rushed for the great outdoors ...”

“... of the most prominent figures missing from Finkelstein and McCleery’s Reader, David Scott Kastan, has riffed on ‘New Criticism’, ‘New Historicism’ and ‘New Bibliography’ to dub his expertise the ‘New Boredom’.) The New Critics took ‘the poem itself’ where they found it, in cheap paperback reprints available even at ...”

“... Afew years ago​ Susan Neiman published an article titled ‘History and Guilt’, which asked whether America can ‘face up to the terrible reality of slavery in the way that Germany has faced up to the Holocaust’. Her new book tries to answer that question, considering the ways in which the US can learn from Germany’s Aufarbeitung der Vergangenheit, its ‘working through the past ...”

“... of rain, or at the end of Lewis’s The Last Battle, with poor old Narnia dark and broken and Susan, with her disgusting lipstick and her nylons, shut out. Sex happens because it has to happen: there wouldn’t be much of a human race without it. And the existence of sex acts like a sentry – like Milton’s cherubim at the gates of Eden – preventing ...”

“... Marlowe, the Shakespeare of Coriolanus, the Milton of Paradise Lost, Byron, Shelley, Fielding and Scott. Most of these were more widely read in pre-Civil War America than were any male American writers. With some notable exceptions early on, like F.O. Matthiessen, Marius Bewley and Leslie Fiedler, in Harold Bloom’s critical admixture of Emerson and ...”

“... the favoured colonial minority was always the Islamic one. Perhaps this was because, as Paul Scott has one of his characters say in The Raj Quartet, the British ‘prefer Muslims to Hindus (because of the closer affinity that exists between God and Allah than exists between God and the Brahma)’. The character is Harry Coomer or Hari Kumar, ground ...”

“... God’s word.)*In Pennsylvania, it is revealed that the Republican candidate for governor, Scott Wagner, lost $631,000 in campaign funds over the summer through unsuccessful investments in a brokerage account.*The Environmental Protection Agency announces plans to dissolve its Office of the Science Adviser, which counsels on the scientific research ...”

“... breaks of blackness, harsh juxtapositions of sound and image, snatches of ‘Pirate Jenny’ and Scott Joplin’s ‘Maple Leaf Rag’. Everything is difficult and uncomfortable and unpleasant, everybody is tired out and knows they’re failing, including, I’d imagine, the filmmakers, who must have known their work would be of no use to the people it was ...”

“... was not just a negative condition of the unfolding of this crisis; it was an active catalyst. As Susan Woodward’s Balkan Tragedy, the commanding scholarly work on the break-up of Yugoslavia, puts it, As early as 1989 Western governments began to declare that the central European countries were better prepared to make the economic and political transition ...”

“... nightly in cinema queues? What, indeed? ‘Aren’t we going to be told who everyone is?’ said Susan, looking around the room and smiling. Effects like these have little in common with the ways of Swann or the beaches of Balbec; let alone celluloid derivatives. Lastly, and in many ways most significantly for reception at large, there is a difference of ...”

“... hallway, waiting for someone … She often wrote with her eyes closed, which Sandra Gilbert and Susan Gubar use for their argument that she was ‘essentially a trance writer’. The debate about how ‘instinctive’ (therefore less impressive to some) her process was doesn’t seem to me to be the best way of evaluating the books, though it would be ...”