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“... question and answer session which followed Anthony Giddens’s first Reith Lecture, the left-wing Stuart Hall argued that globalisation came with a right-wing agenda tied to its tail, one which was destructive of social solidarities, while the right-wing John Redwood objected that it came veined with social-democratic notions which discouraged ...”

“... Sir Peter Hall is a man of Notes. He is a director of plays who has become Director of the National Theatre. The skills of play directors are not those of performers (like his predecessor at the National, Lord Olivier). Play directors pride themselves on their ability to give what they call Notes. This sort of Note (scarcely recognised by dictionaries) is not the sort manual workers make, in notebooks or on notepaper: it is mouth work ...”

“... persuade him that he was a helpless victim? Did William Marshall’s engraving of the sacrificed Stuart, so obviously modelled on the sacrificed Christ, encourage him to endure patiently the ‘solitude and sufferings’ of the Eikon’s title page? Is this why he wallowed in self-pity and spent himself in flirtations and illicit liaisons? Was he relieved to ...”

“... Remarkably, all the major black writers and activists of the Atlantic West, from C.L.R. James to Stuart Hall, followed him in this move from the local to the global. Transcending the parochial idioms of their national cultures, they analysed the way in which the processes of capital accumulation and racial domination had become inseparable early in the ...”

“... Parliament and public for the first time since emancipation. Eyre’s critics were led by John Stuart Mill, his supporters by the likes of Carlyle and Ruskin. But the issue for Mill and liberal opinion was the legality of the punitive actions, not the source of the protest, which was the social, political and economic oppression of the majority black ...”

“... time in the 1960s – when Christopher Logue and Adrian Mitchell have been asked to Hintlesham Hall in Suffolk to do a poetry reading. They ring the doorbell and a liveried footman tells them that they should go to the servants’ entrance. ‘I said, let’s leave. “No,” Adrian said. “We’ve come all this way. We’ll earn our money.” ’ They ...”

“... houses as the background for scenes of Christmas revelry where the classes mingled in the great hall. This was a thinly veiled attack on the exclusivity of the ‘polite’, classical culture of the 18th and early 19th centuries, when magnates distanced themselves from their inferiors, ceased to share their festivities with their tenantry and either closed ...”

“... by a jury in June 1688 coincided with the birth of a male heir to the throne, James Edward Stuart. To the Protestant establishment this was the last straw. While gossip ran around that the child was not the royal couple’s and had been smuggled into the palace in a warming pan, ambitious politicians were converting to Catholicism. The Vicar of ...”

“... Thomas Babington Macaulay – later Lord Macaulay, and ‘Tom’ to Catherine Hall – was the most influential of all British historians. Sales of the first two volumes of his great History of England, published in 1848, rivalled those of Scott and Dickens. The main reason for his popularity, apart from his literary style, was that he flattered the English by crediting them with a unique history of evolving ‘freedom ...”

“... male power, the Palace of Westminster and Westminster Abbey. Like the third storey at Thornfield Hall from whose terrace Jane surveys the landscape, vowing to have her share of life, even if she is a female and ‘poor, obscure and plain’ to boot, Galesia’s ‘garret-closet’ occupies a symbolic space between the life she lives and the life she ...”

“... John Stuart Mill​ approved of dissent. In ‘On Liberty’, he argued that vigorous debate improved society and that unconventional behaviour lit the path to freer and more fulfilling lives. He urged the widest tolerance for opinion, speech and even what he charmingly called ‘experiments of living’. Without such pinpricks, he argued, like-minded majorities would grow intolerant and democracies would slide into despotism ...”

“... Brigade actions’ while ‘some had not.’ This delicately equivocal formulation comes from Stuart Christie, whose hugely engaging memoir includes an account of the Angry Brigade trial. Granny Made Me an Anarchist describes how, after a short flirtation with the flute band of his local Orange lodge in Glasgow, the teenage Christie quickly graduated to ...”

“... makes the new look like the old has been successful partly because it speaks to a fear of change. Stuart Lipton, who as developer of the Broadgate scheme should know, says we, the public at large, don’t like new building, whatever its style. Through support for the conservation lobby and the heritage industry we ask the world to stand still. We want the ...”

“... else they can think of – in Fenton and Fuller’s collaborative book of light verse, Partingtime Hall. I especially enjoyed the public-school master Mountgrace-church MacDiarmid’s taste in literature: Selected John Ashbery, Schuyler, O’Hara, Gravity’s Rainbow, and End as a Man, Young Torless, Cavafy and others bizarrer, Lord Weary, Das Schloss, Lady ...”

“... to have had every girt handed him by the gods: unshakeable homosexuality – no pram in the hall to make war on his early promise; brutal, but stunning handsomeness; an exact and dogged intelligence, and a delight in arguing impossible positions which would have guaranteed him success at the Chancery Bar, had he wanted it; a bibliophile’s flair for ...”