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“... therefore became, so to speak, theatrical squared. Their situation also made them competitive. As Michael Young was to point out in The Rise of the Meritocracy, élites based on education lack the security of the old aristocracies of land and money. To live by one’s wits is a nervous business: every younger brain, each new foot on the educational ladder, is ...”

“... evangelical in the field of Pop. Let it be better made, as lyrics and music were in the days of Cole Porter, Lorenz Hart and Ira Gershwin, is his belief. This is an important aspect of his drive into popular culture: not just to enjoy the warmth of a wider appreciation and so avoid the inward-looking aridity of much experimental art, but to join in with and ...”

“... to the memory of Plath – an argument that certainly pushes to a new level of sophistication the Cole Porter lyric ‘I’m always true to you darling in my fashion’ – it’s hard not to feel that Hughes never escaped the baffling labyrinth into which his relationship with Plath led him. It is to the doomed Minotaur rather than the heroic Theseus that he ...”

“... and every major political system and religion. The book would like to do for free speech what Michael Sandel’s Justice did for justice; and the aspiration in this sort of endeavour is to address a high-minded public without assuming much previous knowledge.An optimistic ground tone is preserved throughout: the multiplication of our connections will ...”

“... amorphous and widespread. N+1 inaudibly conceded as much when it praised Open City, by Teju Cole, a Nigerian writer based in New York City, whose first novel is narrated by a young half-Nigerian, half-German psychiatry intern, and which mixes elements of familiar postcoloniality with W.G. Sebald’s flaneurial émigré sensibility.But to Open City could ...”

“... about ‘the ethics of immigration’, two philosophers, Christopher Heath Wellman and Phillip Cole, ask whether anyone should be able, in principle, to prevent another person from crossing a border. To have this discussion at all is to restore a degree of intention to migrants, as both writers do, even though they disagree about the answer. For ...”

“... Isadora Duncan, Alla Nazimova, Pola Negri, Tamara Karsavina, Katharine Cornell, Marie Laurencin, Michael Strange and Eva Le Gallienne in the 1920s and 1930s to Greta Garbo, Marlene Dietrich, Hope Williams, Libby Holman, Ona Munson (Belle Watling in Gone with the Wind), Poppy Kirk (a Schiaparelli model and prominent diplomat’s wife) and many others in ...”

“... I consulted was the well-regarded blog Informed Comment, maintained and updated every day by Juan Cole, a Middle East specialist at the University of Michigan. This carried a post on 21 February entitled ‘Qaddafi’s bombardments recall Mussolini’s’, which made the point that ‘in 1933-40, Italo Balbo championed aerial warfare as the best means to deal ...”

“... accounts that call on us to denounce Said and to either sanction or fire him,’ Jonathan Cole, its former provost, reported. When Columbia recruited the historian Rashid Khalidi from Chicago, the same thing happened. It was a problem Princeton also faced a few years later when it considered wooing Khalidi away from Columbia. A classic illustration of ...”

“... Rossa were aware of Alfred Nobel’s dynamite compound, invented in 1867. ‘Dynamite,’ as Sarah Cole wrote in her book At the Violet Hour (2012),held highly idealised associations. It offered new vistas of power, not solely for its potential to wreak destruction but also for its ability to terrify a wide public. The connotations of dynamite for radical ...”