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“... D.J. Enright recently celebrated his 70th birthday. In commemoration, Oxford University Press have prepared a rather lean Selected Poems, and a volume of personal reminiscences and critical essays about Enright’s life and work by a variety of writers. This festschrift’s title, Life by Other Means, derives from an Enright poem called ‘Poetical Justice’ which muses rather more ambiguously on the relations between art and life than the stirring phrase might suggest in isolation ...”

“... This is Ciaran Carson’s second collection of poems. His first, The New Estate (1976), revealed an intricate, lyrical poet intensely aware of traditional Irish cultures, and concerned to connect them meaningfully with the sprawl of modern living; these early poems are taut, rather literary, and often very beautiful. His themes are pretty much the same in his equally impressive new book, but his approach to them has changed radically ...”

“... So characteristic of Paul Muldoon’s poetry as to be almost a hallmark is the moment, unnerving and exciting in about equal measures, when his speaker is suddenly revealed to himself as someone else. The whole world expands and changes in ‘Cass and Me’ when, as a boy, he climbs on the older Cass’s shoulders, and they lean out                across the yard As a giant would across the world ...”

“... May the 24th is Bob Dylan’s 50th birthday. To anyone involved with Dylan in the mid-Sixties, say during his medicine-fuelled blaze with the Band through Australia and Europe in 1966, the fact that he is not only alive but still performing twenty-five years later must in itself seem utterly extraordinary. One of the key aspects of the Dylan myth during those roller-coaster years was that he wouldn’t be around much longer ...”

“... Of all the now vanished breed of New Yorker humorists – James Thurber, E.B. White, Dorothy Parker – S.J. Perelman wrote by far the richest, most meticulously crafted prose. His dedication to his art was almost frightening. He was once asked in an interview how many drafts each piece went through. ‘Thirty-seven,’ he replied. ‘I once tried doing 33, but something was lacking, a certain – how shall I say? – je ne sais quoi ...”

“... The poetic legacy of Ezra Pound has been divided up, sifted, plundered by an extraordinary variety of claimants. A list of poets who have profited from his achievement would include Allen Ginsberg and Louis Zukofsky (both Jewish), the Lowell of Notebook, the Orientally-minded Kenneth Rexroth and Gary Snyder on whom Cathay made such an impact, British poets as different from each other as Donald Davie and Jeremy Prynne, Objectivists like Oppen and Reznikoff, and of course the whole group of poets associated with Black Mountain College – Robert Creeley, Denise Levertov, Ed Dorn, Robert Duncan and Charles Olson ...”

“... Despite their ill-fated, short-lived, acrimonious reunion in 1993, the Velvet Underground are still the coolest rock band there ever was. Nowadays, music critics and historians talk of their seminal influence on punk or grunge, and you can buy big boxed CD sets (bearing that irresistible sticker ‘Contains Previously Unreleased Material’) of out-takes and rehearsal sessions, although it seems no live recordings survive from their heyday – that is, before Lou Reed kicked John Cale out of the band, ending three years of almost symbiotic closeness ...”

“... In August 1867, Thomas Carlyle published one of his most virulent diatribes against ‘swarmery’, by which he meant the trend towards democracy. The immediate inspiration for ‘Shooting Niagara: and After?’ was the threat of Disraeli’s Reform Act, which would double the number of adult males entitled to vote, and thus, as Carlyle saw it, unleash untold ‘new supplies of blockheadism, gullibility, bribability, [and] amenability to beer and balderdash’: look at America, the beleaguered Sage of Chelsea argued, and its absurd Civil War, prompted by what he derisively called ‘the Nigger Question’: Essentially the Nigger Question was one of the smallest; and in itself did not much concern mankind in the present time of struggles and hurries ...”

“... When he was 23, A.S.J. Tessimond (Arthur Seymour John, Jack to his family, but known as John in later life) wrote to Ezra Pound, who had recently settled in Rapallo, enclosing some poems and an article on George Bernard Shaw. Tessimond’s letter does not survive, but Pound’s reply does. ‘Dear Sir,’ he wrote, If you were in the least familiar with my work you wd ...”

“... Although​ during his lifetime F.T. Prince (1912-2003) acquired a number of illustrious admirers – including those poetic polar opposites, Geoffrey Hill and John Ashbery – his poetry is still not widely known. ‘Soldiers Bathing’, it’s true, is likely to feature in any anthology or critical account of the poetry of the Second World War, and assiduous scholars of both Hill and Ashbery have explored Prince’s possible influences on their early work ...”

“... sheer unlikeliness of what he’s up to: Einstein bent the Universe     To make war obsolete. Ford swore his wished-for wheels would rush     The century off its feet. The Soviet Butcher Bird announced     The new age with a tweet.The butcherbird is in fact native to Australia, but that doesn’t stop Hughes punning on its name in his off-kilter ...”

“... a poet may not exist, that his writings Are the incomplete circle and straight drop Of a question mark ... In the 18th century Paley deduced the reality of God from a watch: Malley, who, Ethel reports approvingly, ‘made a fair amount of money repairing watches’, is his dark modern opposite, uncertain even of his own existence. Like Odysseus in the ...”

“... their shadows, a body close to their bodies. I write because they left in me their indelible mark, whose trace is writing. Their memory is dead in writing; writing is the memory of their death and the assertion of my life. The autobiographical chapters alternate with a fictional story Perec originally invented when he was 13, centred on ‘W’, an ...”

“... Sand. But Cooper also had the misfortune to inspire one of the funniest hatchet-jobs ever written, Mark Twain’s ‘Fenimore Cooper’s Literary Offences’ (1895), which detects 114 out of a possible 115 offences committed in two-thirds of a page of The Deerslayer (1841), and proves with a wealth of examples – and, it must be said, they’re not hard to ...”

“... Since the age of 15 poetry has been my ruling passion and I have never intentionally undertaken any task or formed any relationship that seemed inconsistent with poetic principles; which has sometimes won me the reputation of an eccentric,’ Graves writes at the start of The White Goddess (1948), his synoptic account of the history of Western myth ...”