At Tate Modern
Hal Foster: Robert Rauschenberg, 1 December 2016
“... were received. In keeping with his own desire to suppress authorship and to invite indeterminacy, John Cage called the White Paintings ‘airports’ for ambient accidents of light, shadow and dust. ‘If one were sensitive enough that you could read [them],’ Rauschenberg added, ‘you would know how many people were in the room, what time it was, and what ... ”