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“... incentive to pretend that they were not fictions at all. There is good evidence, well presented by John Barrell in his dicussion of Gainsborough in The Dark Side of the Landscape, that increasing comfort was derived in the late 18th century from the belief that the hard-working, honest, loyal, loving families clustered around cottage doors which were ...”

“... anti-ministerial ‘Advice to a Painter’ satires were absurdly attributed to the royalist poet John Denham); and in the case of published books, the printer’s name and location could be disguised by the use of a false imprint.For Thomas Keymer in his beautifully detailed history, such strategies of evasion are one of the things that make seditious ...”

“... of the law of treason by Eyre (which has recently attracted renewed ironical attention from John Barrell) which was hurled into print on the very eve of the notorious Treason Trials of 1794. The second piece is the ‘Considerations’ on the Two Acts (1795), in which Godwin seemed to come forward (anonymously) to condone legislation against ...”

“... he discusses ‘the (sad) necessity of iconoclasm in a revolutionary situation with my friend John Barrell’. They wonder what they would do ‘if we ever found ourselves part of a mob storming through the portico’. Now, decades later, he ‘finds himself’ in the Getty Museum – in the very institution that radical art historians in ...”

“... even as it eventually turned out not to be. ‘Let’s have lunch on Tuesday,’ suggested Dubble-Barrell (he Pronounced it ‘Jewsday’, as if there had been inserted into the medieval calendar Another liturgical day, devoted to violent expressions of rage Against an unfortunate race, ungracious In its refusals of redemption, tiresome in its endless Ability ...”

“... the process. It also reflects the strikingly ‘novelistic’ character of many of their lives. John Barrell has observed acutely (in the LRB of 2 November 2000) that so-called literary biography seems now to have become markedly less ‘literary’, subordinating or virtually ignoring the work of the writer concerned, except insofar as it can be made ...”

“... and for the cadences of English speech, both grand and passionate, and ordinary off the street’. John Clare was an inspiration. Prynne took Dorn to Northampton to investigate the asylum where the poet spent his last years. John Barrell, another member of the new Essex University cluster, was working on his ...”

“... seen at first sight’ was another of his aphorisms, one that he borrowed from Gotthold Lessing or John Opie, magpie that he was. ‘Every glance is a glance for study,’ he also said. The scene in Rain, Steam and Speed is of an imminent death, the instant of an action caught by a glance. A train rushes across a bridge and is bearing down on a hare that’s ...”

“... In 1865, a year after John Clare’s death in the Northampton General Lunatic Asylum, Frederick Martin, a former amanuensis of Thomas Carlyle, published the first biography of the ‘peasant poet’. It laid the foundations, Jonathan Bate says in his new Life, ‘for both the enduring myths and some of the key truths about Clare ...”

“... but useful in providing provisional relief: some of these things are finely dealt with in John Wiltshire’s Samuel Johnson in the Medical World, recently reviewed in this paper. This is yet another way of being literal-minded, characteristically Johnsonian and quite remote from anything specifically ‘oriental’. Johnson’s Orient is, perhaps ...”

“... the one long propounded in Reynolds’s Discourses, whose ‘political theory of painting’, as John Barrell phrases it, was closely bound up with his support of Burke’s attack on revolution. Blake, who said of the Discourses, ‘This Whole Book was Written to Serve Political Purposes,’ also spoke of what might be concealed in the decent drapery of ...”