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“... A portrait​ of Henry James hangs in the Strangers’ Dining Room at the Reform Club. The picture was acquired in 2008, and is on the same red wall as portraits of Dickens and Thackeray. James is seated and sunlight falls on the left temple of his semi-bald head – he’s in his late sixties – and he looks up, distracted, as if someone had just entered the room ...”

“... years studying the plots of European novels from Cervantes to Pushkin to Tolstoy to Proust to Henry James, she is more sure than ever that the truth about the human condition lies in books:I no longer believed that novels should or could be inspired only by life, and not by other novels. I knew now that this belief was itself a novelistic device ...”

“... changing, both sides know the game. And as the form becomes more self-conscious, the writer – Henry James is the obvious example – indicates both inside and outside his novel how the reader will divide the work with him and share the spoils. In this partnership we become lucid and wise. Even the most unlikely circumstances are arranged for our ...”

“... Henry James Sr was a redoubtable patriarch who received a large inheritance from his father – an Irish immigrant who had made a fortune in upstate New York – and spent it on a life of leisure and religiosity. He shuttled back and forth to Europe on a kind of one-man cultural exchange which combined the grand tour with a Continental education for his children ...”

“... figures primarily as a character in someone else’s story. Ever since Leon Edel’s biography of Henry James, in which she appears as a lonely spinster with an ear trumpet and an unrequited passion for her fellow novelist, speculation over the closeness of her friendship with James and the motives for her suicide has ...”

“... Henry James was a perfectionist, though not a humourless one, about his public appearance and appearances: hence the pleasure taken by certain anecdotalists in showing him out of control – of situations, conversations, himself, others. That he danced a cake-walk in 1899 and was photographed with a mouthful of doughnut intrigues us, as a treasurable departure from the magisterial dignity we mainly like to impute to him ...”

“... Stevenson found the core of his talent. It all started with a spirited exchange in print with Henry James. In September 1884, when Stevenson was new to that oasis of convalescents, he picked up a copy of Longman’s Magazine, which carried James’s essay ‘The Art of Fiction’. He knew ...”

“... from theirs. Evelyn Waugh is often invoked by reviewers of St Aubyn, but Jane Austen and Henry James might be equal influences, the Austen and James whose drawing-room performers are in some ways inseparable, stylistically at least, from the authors’ own performances. In St Aubyn’s world, the upper classes ...”

“... Pearsall Smith, Frederick Prokosch, Edith Wharton, Leonardo Sciascia, Thomas Love Peacock and Henry Miller: ‘If he often sounded like the village idiot, that was because, like Whitman, he was the rest of the village as well.’ But alongside the blessings, kicks and curses is a running lament for the novel, which Vidal sees as being in deep ...”

“... was always an impatience, a sense of insufficiency, haunting the Aesthetic Movement from within. Henry James coming out of the Grosvenor Gallery in 1877 (before Ruskin’s ‘pot of paint’ had set the lines of battle): ‘It may be a narrow point of view, but to be interesting it seems to me that a picture should have some relation to life as well as ...”

“... says. This takes us to David Lodge. A Man of Parts complements his biographical novel about Henry James, Author, Author.* The sliding and evanescent ironies of Henry James tended to elicit from Lodge some over-heavy ironies at the Master’s expense, and as a result the book seemed out of sympathy with its ...”

“... Henry James​ liked to represent himself as hopelessly lagging behind his older brother, but he was also very good at turning childish inadequacy to imaginative account. A year after William’s death in 1910, he set out to edit a selection of William’s letters only to end up producing a remarkable self-portrait ...”

“... When, in the summer of 1898, at the age of 56, William James went to Berkeley, California to deliver a series of lectures on pragmatism, he could have used his own life to illustrate the immensely difficult but successful application of one of its tenets: that truth is best seen as ‘what it is better for us to believe’, not as ‘as an accurate representation of reality’, and that what is better for us to believe is what can be ascertained only in and through our actions, not by consultation with fixed ideas or traditions or, notably in his case, by family example ...”

“... He thought little of Mozart, saying he tinkled. Of his literary dislikes, the most striking is for Henry James, whom he misses few chances to disparage. His treatment of The Ambassadors in Aspects of the Novel is an obvious instance, but there are others, sometimes describable as sly digs, sometimes as pure dislike. He professed to believe that ...”

“... Henry Adams is a rare bird in American letters: rich, autonomous, and socially unassailable; descendant of Presidents, secure within the genteel Establishment, yet holding himself aloof from it; historian of his country, toward which he felt a proprietary concern; and, by his own reckoning, ‘a failure in politics and literature, in society and in solitude, in hatred and in love ...”