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Bidding for favours

Nicholas Penny, 19 December 1991

The Altarpiece in Renaissance Italy 
by Jacob Burckhardt, edited and translated by Peter Humfrey.
Phaidon, 249 pp., £75, October 1988, 0 7148 2477 1
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The Civilisation of the Renaissance in Italy 
by Jacob Burckhardt, translated by S.G. Middlemore.
Penguin, 389 pp., £7.99, December 1991, 9780140445343
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The Altarpiece in the Renaissance 
edited by Peter Humfrey and Martin Kemp.
Cambridge, 273 pp., £35, February 1991, 0 521 36061 7
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Painting in Renaissance Siena 
by Keith Christiansen, Laurence Kanter and Carl Stehlke.
Metropolitan Museum of Art, 386 pp., $45, July 1989, 0 8109 1473 5
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... can be no doubt that it is to this notion, so absurd and bizarre, that we owe the existence of Raphael and Correggio.’ This observation, thrown out by Stendhal in his life of Rossini, deserves the attention of all students of the altarpiece. Most altarpieces, after all, do come from such private chapels and the saints depicted on them determine their ...

Such Matters as the Soul

Dmitri Levitin: ‘The Invention of Science’, 22 September 2016

The Invention of Science: a New History of the Scientific Revolution 
by David Wootton.
Penguin, 784 pp., £12.99, September 2016, 978 0 14 104083 7
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... On 11 February​ , David Reitze, executive director of the Laser Interferometer Gravitational-Wave Observatory (Ligo) in the US, announced that his team of almost a thousand scientists had detected evidence of gravitational waves emanating from a pair of black holes 1.3 billion light years from Earth. It was empirical confirmation of Einstein’s theory of general relativity ...

Blood All Over the Grass

Ewan Gibbs: On the Miners’ Strike, 2 November 2023

Backbone of the Nation: Mining Communities and the Great Strike of 1984-85 
by Robert Gildea.
Yale, 469 pp., £25, August, 978 0 300 26658 0
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... half of the 20th century. In The Enemy Within, an account of the 1984-85 strike he co-edited, Raphael Samuel claimed that over decades the Scottish and Welsh coalfields produced men with their ‘own distinctive version of militancy – more “educated”, more communist, more statesman-like’ than their English counterparts. One possible expression of ...

Identity Parade

Linda Colley, 25 February 1993

People and Places: Country House Donors and the National Trust 
by James Lees-Milne.
Murray, 232 pp., £19.99, October 1992, 0 7195 5145 5
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The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660-1769 
by Michael Dobson.
Oxford, 266 pp., £30, October 1992, 0 19 811233 5
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Myths of the English 
edited by Roy Porter.
Polity, 280 pp., £39.50, October 1992, 0 7456 0844 2
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Fields of Vision: Landscape Imagery and National Identity in England and the United States 
by Stephen Daniels.
Polity, 257 pp., £39.50, November 1992, 0 7456 0450 1
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... among different kinds of writers in the Eighties and early Nineties must be understood. As Raphael Samuel has remarked, it was less Mrs Thatcher’s Falklands War that put questions of patriotism and national identity on the agenda in a new way than the Thatcherites’ dereliction of so many previously-accepted patriotic norms.Yet none of us is immune ...

To hell with the lyrics

Peter Campbell, 25 March 1993

The Collected Writings of Robert Motherwell 
edited by Stephanie Terenzio.
Oxford, 325 pp., £35, April 1993, 0 19 507700 8
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... something much deeper and blacker, that we all respected’. In an obituary of the sculptor David Smith he describes the good times they had and adds: ‘we both knew damned well the black abyss in each of us that the sun and the daughters’ skin and the bounty and the drink could alleviate but not begin to fill, a certain kind, I suppose of ...

A Snake, a Flame

T.J. Clark: Blake at the Ashmolean, 5 February 2015

William Blake: Apprentice and Master 
Ashmolean Museum, until 1 March 2015Show More
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... as precious stones.’ The ambition is breathtaking, its objects less so. I would like to believe David Erdman that even Pitt guiding Behemoth is meant as Satanic allegory, with its naked British hero putting, as always, an angelic face on Chaos and Non-Entity. But I have my doubts. Perhaps the verdict of time on the Pitt and Nelson pictures – the one, to ...

Owning Art

Arthur C. Danto, 7 March 1996

Kings and Connoisseurs: Collecting Art in 17th-Century Europe 
by Jonathan Brown.
Yale, 264 pp., £35, September 1995, 0 300 06437 3
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Art & Money 
by Marc Shell.
Chicago, 230 pp., £27.95, June 1995, 0 226 75213 5
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... clothing’ – outclassed paintings in the category of pictorial arts: a set of tapestries after Raphael’s designs (woven in gold and silver, to be sure) was valued at nearly triple the price of the artist’s painting, The Holy Family, though Raphael’s were among the most highly sought-after paintings in the ...

Martinis with the Bellinis

Mary Beard, 31 July 1997

The Roy Strong Diaries 1967-87 
Weidenfeld, 461 pp., £20, May 1997, 0 297 81841 4Show More
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... that the revolution at the Portrait Gallery had already begun under Strong’s predecessor, David Piper (who went on to become director of the Fitzwilliam and later the Ashmolean Museums). Piper had, after all, sponsored Strong’s first ‘theatrical’ exhibition, ‘The Winter Queen’, while he was still a junior keeper, encouraged him to start ...

A Republic of Taste

Thomas Crow, 19 March 1987

The Political Theory of Painting from Reynolds to Hazlitt: ‘The Body of the Public’ 
by John Barrell.
Yale, 366 pp., £16.95, October 1986, 0 300 03720 1
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... of discussion, and there were intermittent episodes of excitement around a Watteau, Greuze or David. When an artist had something revelatory to say, when he found ways to represent previously latent perceptions and structures of feeling, an audience was ready to respond. But in the absence of such exceptional art, the business of painting and sculpture ...

A Wonder and a Scandal

Peter Campbell: Titian, 5 April 2001

Titian: The Complete Paintings 
by Filippo Pedrocco and Maria Agnese Chiari Moreto Weil.
Thames and Hudson, 336 pp., £50, March 2001, 0 500 09297 4
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... latter was our only record Vasari’s enthusiasm would be mysterious in a way that admiration for Raphael’s lost drawing of the Judgment of Paris, for example, which we only know from Marcantonio’s engraving, is not. Titian employed engravers – in particular Cornelis Cort, who learnt to match the light and shade of his paintings in graduated lines and ...

Under the Brush

Peter Campbell: Ingres-flesh, 4 March 1999

Portraits by Ingres: Image of an Epoch 
edited by Gary Tinterow and Philip Conisbee.
Abrams, 500 pp., £55, January 1999, 0 300 08653 9
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Velázquez: The Technique of Genius 
by Jonathan Brown and Carmen Garrido.
Yale, 213 pp., £29.95, November 1998, 0 300 07293 7
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... the footstool and candelabra in the unfinished portrait of Madame Récamier when he was a pupil in David’s studio). The objects represented here can be traced from old inventories; indeed, an academic study exists devoted solely to Ingres’s eloquent mantelpieces. He shows not the slightest hint of embarrassment about the material expression of power ...

Cultivating Cultivation

John Mullan: English culture, 18 June 1998

The Pleasures of the Imagination: English Culture in the 18th Century 
by John Brewer.
HarperCollins, 448 pp., £19.99, January 1997, 0 00 255537 9
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... beautiful prints of Vivares, Bartolozzi or Strange, from the pictures of Claude, Caracci, Raphael and Correggio’. Engravers arrived from all over Europe to make their living in London, which became the centre of the European print trade. Engravings shaped public taste, and the printsellers determined what was worth engraving. Edmund Burke referred ...

Getting on

Humphrey Carpenter, 18 July 1985

In the Dark 
by R.M. Lamming.
Cape, 230 pp., £8.95, June 1985, 9780224022927
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A Glimpse of Sion’s Glory 
by Isabel Colegate.
Hamish Hamilton, 153 pp., £8.95, June 1985, 0 241 11532 9
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Midnight Mass 
by Peter Bowles.
Peter Owen, 190 pp., £8.95, June 1985, 0 7206 0647 0
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The Silver Age 
by James Lasdun.
Cape, 186 pp., £8.95, July 1985, 0 224 02316 0
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The House of Kanze 
by Nobuko Albery.
Century, 307 pp., £9.95, June 1985, 0 7126 0850 8
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... second book; I don’t know the first, The Notebook of Gismondo Cavaletti, but it won the David Higham Prize and is described in a Nina Bawden review quoted on the flap of the new one as ‘confident’. In the Dark has all the marks of a brave but not altogether confident search for something different to say. Few novels have been written about ...

Diary

Patricia Lockwood: America is a baby, 3 December 2020

... with both our Senate seats up for grabs in a run-off that pits the Republicans Kelly Loeffler and David Perdue, two of the wealthiest members of Congress, against the Democrats Raphael Warnock, a minister in Atlanta, and Jon Ossoff, an investigative journalist who runs a documentary production company. Whichever party wins ...

Good enough for Jesus

Charlotte Brewer, 25 January 1990

The State of the Language: 1990 Edition 
edited by Christopher Ricks and Leonard Michaels.
Faber, 531 pp., £17.50, January 1990, 9780571141821
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Clichés and Coinages 
by Walter Redfern.
Blackwell, 305 pp., £17.50, October 1989, 0 631 15691 7
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Rhetoric: The Wit of Persuasion 
by Walter Nash.
Blackwell, 241 pp., £25, October 1989, 0 631 16754 4
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... and Randolph Quirk) jostle with poets and novelists (including Medbh McGuckian and Amy Tan). David Dabydeen writes ‘On Not Being Milton: Nigger Talk in England Today’, and discusses, in impeccably establishment English, a question that might just as well come under ‘Art’: how does a black writer in English find an authentic voice: what does s/he ...

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