“... years after Davis arrived in Los Angeles from New York, where he had cut short his studies at the Cooper Union, frustrated by the emphasis on conceptual training over painting as process. ‘I left school because it wasn’t teaching me anything,’ he later said. ‘It shouldn’t be an either/or battle between concepts versus paintings. They can exist ...”

“... rightly a frogmarch, maybe even a toad’s march, to Pseud’s Corner even to bring up the name of William Blake, but historians of English madness, including Porter, help us see the Blakean contradictions: all those élitist mouthings-off about Reason, all that hypochondriacal cool, all those dancing lessons, all culminating, two hundred years later, in ...”

“... William Rubinstein is an expatriate New Yorker who has spent his academic life investigating wealth and the wealthy in modern Britain and overturning cherished ideas by looking at the British from the top down rather than from the bottom up. Who Were the Rich?, compiled from probate records, will identify everyone who died in Britain between 1809 and 1914 leaving personal assets of £100,000 or more – which is equivalent to between £8 and £10 million today ...”

“... to modify that picture, and a contribution to Political Discourse in Early Modern Britain by William Klein examines some of the modifications. The picture is further modified by Michael Mendle’s searching essay on the constitutional programme of Charles I’s Parliamentary opponents in 1641-2. In the emergency created by royal mismanagement, Mendle ...”

“... When, in the summer of 1898, at the age of 56, William James went to Berkeley, California to deliver a series of lectures on pragmatism, he could have used his own life to illustrate the immensely difficult but successful application of one of its tenets: that truth is best seen as ‘what it is better for us to believe’, not as ‘as an accurate representation of reality’, and that what is better for us to believe is what can be ascertained only in and through our actions, not by consultation with fixed ideas or traditions or, notably in his case, by family example ...”

“... was partly based on this episode. Improbably enough, one of the Wager’s sailors was called William Robinson Cruzoe – if he hadn’t deserted ship before it sailed, there might have been a real-life Crusoe among those marooned in the South Seas.Many of the Wager’s survivors later published detailed accounts of their experiences – for profit, to ...”

“... nature which caused her, in 1915, to attempt the rescue of the latest female recruit, Irene Cooper Willis, by introducing her to Bertrand Russell. Ottoline decided Irene could be more usefully employed in providing Russell with children, but Irene, while happy to act as his research assistant, preferred not to stand between Russell and Ottoline at a ...”

“... enlightened sketch-scholars (Alan Tyson, Joseph Kerman, Douglas Johnson, Robert Winter, William Kinderman, Barry Cooper) is to such venal misprisions a corrective of which the beleaguered Beethoven may have hardly dared to ...”

“... Anna Julia Cooper​ ’s collection of essays, A Voice from the South by a Black Woman of the South, published in 1892, identified the conflict over race as the central dilemma of her time, eleven years before W.E.B. Du Bois wrote that ‘the problem of the 20th century is the problem of the colour line.’ Cooper argued that America’s domestic racial formation was intimately linked with international colonialism and that the exploitation and oppression experienced by Asian, Black and Indigenous peoples in the US were an integral part of the imperialist ideology of racial hierarchies ...”

“... years after the war ended. Its first exposure came in fictional form in November 1950, when Duff Cooper published a novel, Operation Heartbreak, that barely concealed the actual facts. The next version, released in 1953, was a non-fiction book by the gambit’s architect, Lieutenant Commander Ewen Montagu of naval intelligence. Three years later, his ...”

“... was rehearsing for a revival of The Miracle. It was produced by Max Reinhardt, with Lady Diana Cooper as the statue of the Madonna and Tilly as the nun who was seduced by a knight and ran away with him. The statue of the Madonna comes alive, steps off her pedestal, dons the nun’s discarded veil and assumes her duties. The Mother Superior accuses her of ...”

“... New Signatures (February 1932), which included contributions from Julian Bell, Richard Eberhart, William Empson, Cecil Day Lewis, Stephen Spender, William Plomer and Lehmann himself. Through Spender he met Christopher Isherwood. The friendship with Spender from the very first seemed edgy, uncertain and uneasy, but durable ...”

“... where he developed interests in medicine and natural philosophy. The patronage of Anthony Ashley Cooper, later the 1st earl of Shaftesbury, drew him into public life. His service as secretary to the Council of Trade and Plantations brought him into contact with American affairs, though at an ocean’s remove, as did a similar scribal role on behalf of the ...”

“... men had got to where they were by doing or seeming to do nothing. It was the fashion. Gary Cooper, Clint Eastwood, Lee Marvin, James Coburn, and in England – and in a different, English way – Michael Caine, seldom did anything else. It was also a manner which could not always be easily distinguished from simple idleness. For the first 25 years of ...”

“... documents, but on the writings of Macaulay, Emily Eden, Lady Canning, Bishop Heber, Kipling, Diana Cooper and Forster; and it comments, sometimes with disfavour, on films like Gandhi, The Far Pavilions and The Jewel in the Crown. If a book on this scale had been written by an American it would have carried acknowledgments to numerous funds and foundations for ...”