“... whether we want the disaster to have come about by design or not. In his sonnet ‘Design’, Robert Frost tells of finding a dreadful little scene on a morning walk: a fat white spider on a white flower holding up a dead moth – ‘assorted characters of death and blight’, he calls them. He asks why that particular flower, normally blue, was ...”

“... dramatic, case-by-case study of a family in crisis. On the other hand, he isn’t immune to what Robert Frost once called ‘the august occasions of the state’, and this makes his drama all the stronger. In Episode 3, when George VI is dead and the aforementioned David turns up at Marlborough House to have tea with Queen Mary, the atmosphere is ...”

“... in the country’s burgeoning university system. Of the great modernists of the previous era, only Robert Frost assumed the role of pedagogue to undergraduates, taking his first job at Amherst College in 1917. Pound, Eliot, Wallace Stevens, William Carlos Williams, Marianne Moore, Hart Crane all lived by other means; though it’s worth pointing out that ...”

“... in a language that was not their first. Native language matters more than native place. Robert Frost was a Californian who entrenched himself in New England. T.S. Eliot, for all his Russell Square papistry, came from St Louis. These poets grew to be associated with the territories they adopted and which adopted them. The idea that a place or ...”

“... a resonant if pretty yukky farewell to life. Sadly, when I got home, I found it was a quote from Robert Frost. Even so, Tony didn’t just pass away and wanted to be remembered for not doing so. Perhaps he died of disappointment at not even being able to think up an epitaph of his own. Mostly, disappointment of one kind or another is what my generation ...”

“... by causing readers to think less of his character (as readers may have been led to think less of Robert Frost), but simply by deflecting the focus of people’s attention. Rereading Cheever, it’s hard now not to be on the qui vive for signs of how his complicated, compulsively deceiving sexuality enters the texture of his work: at the time of the ...”

“... am I neglected? is he/she overrated? – they would quickly decline into paranoia. When Robert Frost died, John Berryman’s first response was It’s scary. Who’s Number One? Who’s Number One? Cal’s Number One, isn’t he? – which at least has the virtue of transparency. But as we modestly (and necessarily) insist that we’re just ...”

“... as an adult. But in the mid-20th century he was the most popular poet in the United States after Robert Frost, and from early in his career, among the most admired by writers and critics. It wasn’t just the usual modernist suspects like Pound, Williams, Stevens and Marianne Moore who sang his praises, but other, very different kinds of poet too: ...”

“... by established names, among them Frank Conroy, Stuart Dybeck, Richard Ford, Joyce Carol Oates, Robert Stone and Amy Tan. Those writers known partly for formal experimentation whose work Wolff did include (among them Lorrie Moore, Denis Johnson and Mary Robison) did not, in the stories Wolff selected, engage with the question of how a story convinces us of ...”

“... Parini observes that ‘Like so many gifted writers – F. Scott Fitzgerald, W. H. Auden and Robert Frost among the most prominent of them – Steinbeck could not accommodate himself to the academic grid and grind.’ Were Parini to describe Steinbeck pissing, doubtless we should be told that Shakespeare and Milton were also in the habit of passing ...”

“... on Walt Whitman and ‘the idea that people contain multitudes and contradictions’, and on Robert Frost – ‘The Road Not Taken’, according to Strane, ‘isn’t meant to be a celebration of going against the grain but rather an ironic performance about the futility of choice’. They read Edgar Allan Poe, who (Vanessa knows) married his ...”

“... high tragic conflagration Yeats made of it when he put it to the torch of ‘In Memory of Major Robert Gregory’. Paulin has learnt, probably from Seamus Heaney, how to put his sense of immediate provocation under the protection of natural and epic grandeurs. I’m surprised that the rhetorical procedure – which is just as questionable as Yeats’s ...”

“... and cold and inconsiderate. One begins to see parallels with Lawrance Thompson’s quest for Robert Frost: as Thompson, at first a hero-worshipper, dredged deeper into the material that eventually became his big biography, the hero began more and more to take on the lineaments of a monster. When she set out on her quest for the truth, Polly already ...”

“... is another purpose to the book, aside from the obvious; Hughes’s big bang may be a distraction. Robert Frost once confided to his friend Sidney Cox that ‘I have written to keep the over-curious out of the secret places of my mind both in my verse and in my letters to such as you.’ With his verse and his letters it may be that Hughes, too, has ...”

“... in a way, for the picture-postcard commentary he has always been asked to provide. There was no Robert Frost or Allen Ginsberg in space, but we have Buzz: ‘Our blue and brown habitat of humanity appeared like a jewel of life in the midst of the surrounding blackness. From space there were no observable borders between nations, no observable reasons ...”