“... uncompromising and deeply protective. She shied away from the lens, her most recent biographer, Peter Kurth, explains, because ‘she could make no natural motion while posing for the camera.’ Natural motion – as opposed to the engraved arcs and acrobatic tricks of classical ballet, the swooning decadence of the waltz or the silliness of social dancing ...”

“... Paolozzi, Blake, Harold Cohen, Riley, Caulfield, Gilbert and George. Kasmin’s Americans included Newman, Reinhardt, Stella, Noland, Louis, Frankenthaler, Olitski, Poons; his Britons, Caro, Tucker, Latham, Hill, Hockney, Richard Smith, Bernard Cohen, Denny, Hodgkin, Ayres, Buckley, while his one European was Pol Bury. So Kasmin’s choice was focused on ...”

“... preparing to mark the centenary of The Waste Land’s publication. When Christopher Ricks reviewed Peter Ackroyd’s biography of Eliot in the LRB (1 November 1984; the same year Michael Hastings’s play about Eliot’s first marriage was staged), he remarked: ‘Plainly it is the Tom and Viv bits which we are all likely to home in on.’ In 2022, with the ...”

“... in different social and historical situations’, though Wordsworth could have told us that, and Newman did so in his account of ‘connatural senses’ in the Essay in Aid of a Grammar of Assent. And it is for this reason that Gadamer and Jauss find out for us, in these pages, that ‘our present perspective always involves a relationship to the past, but ...”

“... like a cartoon wolf while motorbikes crash in her wake.What’s Up, Doc? was directed by Peter Bogdanovich, fresh from the success of The Last Picture Show. For the first time Streisand was in the hands of a director her own age and a denizen of New Hollywood. Bogdanovich, ever the auteur, had worked out every beat to his own exact specifications. In ...”

“... denunciations. He happily lays into Augustine and Calvin (and folds the cheerless Cardinal Newman into the mix). As he rightly complains, the very idea of depravity ‘depends on our being able to think of some actions and motives as being better than others’. We know that there are small sins and large sins, but if we acknowledge this for practical ...”

“... brief statement of its current force, and a way of holding the whole issue before our minds, in Peter de Bolla’s book Art Matters.2 De Bolla is looking at a Barnett Newman painting (Vir Heroicus Sublimis) in the Museum of Modern Art in New York. He has decided that the usual critical questions – what does this ...”

“... Manhattan gallery owner Betty Parsons and moved back to New York. There, alongside Rothko, Barnett Newman and Ellsworth Kelly – fellow Abstract Expressionists seeking a new way forward after the death of Jackson Pollock – Martin won acclaim for her delicate, somewhat cerebral experiments in geometric form. She was touted by the critics and attracted the ...”

“... a more complex state of enchantment with the theatre. Early in The Tragic Muse, the young diplomat Peter Sherringham, not yet in love with the actress Miriam Rooth, notices that ‘the plastic quality of her person was the only definite sign of a vocation.’ Later, he sees that ‘she was always acting, that her existence was a series of parts assumed for the ...”

“... resources and surveillance time monitoring such well-known left-wing subversives as Jack Straw and Peter Mandelson, as well as CND and Vietnam War protesters. More important, from a counter-terrorist perspective, it was deeply involved in the British state’s confrontation with modern Irish Republican terrorism. Until 1992, the Met Special Branch had sole ...”

“... Antisocial behaviour resulted from antisocial architecture. The American architect Oscar Newman argued that successful architecture offered its users ‘defensible space’, while the British geographer Alice Coleman surveyed 4099 blocks of flats and decided the problems of social housing had less to do with underfunding, unemployment or poverty than ...”

“... that if I had a divorce it would be the greatest misfortune to the Anglican Church since Newman went over to Rome – and Gladstone called that a “catastrophe”,’ referring to one of the great crises of Victorian England, no less. But he was trying to suggest the strength of the taboo, which for him was all-determining: divorce was part of the ...”