Reasons for Liking Tolkien

Jenny Turner: The Hobbit Habit, 15 November 2001

... gone to heaven? Is he playing a game on his PC?On the voice-over to the first Fellowship trailer, Peter Jackson, who directed the movie, portends: ‘The technology has caught up with the incredible imagination that Tolkien injected into that story of his. And so, this is the time.’ Of the many strange things there are to observe about Tolkien, the way ...

How the Arab-Israeli War of 1967 gave birth to a memorial industry

Norman Finkelstein: Uses of the Holocaust, 6 January 2000

The Holocaust in American Life 
by Peter Novick.
Houghton Mifflin, 320 pp., £16.99, June 1999, 0 395 84009 0
Show More
Show More
... Sixties, however, the Holocaust barely figured in the life of America, or of America’s Jews. As Peter Novick remarks, between the end of World War Two and the late Sixties, only a handful of books and films touched on the subject. Jewish intellectuals paid it little attention. No monuments or tributes marked the event. On the contrary, major Jewish ...

A View of a View

Marina Warner: Melchior Lorck, 27 May 2010

Melchior Lorck 
edited by Erik Fischer, Ernst Jonas Bencard and Mikael Bøgh Rasmussen.
Royal Library Vandkunsten, 808 pp., €300, August 2009, 978 87 91393 61 7
Show More
Show More
... of photographers like Atget and Sander. In a rare essay on Lorck’s drawings from 1955, Peter Ward-Jackson noticed ‘the hallucinatory quality’ of his work, ‘the morbid trend of his imagination’ and ‘his predilection for the weird and the sinister’. Lorck practised bizarre conjunctions and often ...

Todd Almighty

Peter Medawar, 16 February 1984

A Time to Remember: The Autobiography of a Chemist 
by Alexander Todd.
Cambridge, 257 pp., £15, November 1983, 0 521 25593 7
Show More
Show More
... Manchester was a brilliant place in Todd’s day, the staff including Patrick Blackett, Willis Jackson, Michael Polanyi and the historian L.B. Namier. When the war came, Todd was made chairman of the chemical committee responsible for the development and production of chemical warfare agents. After the war I served under Todd on a committee that had to ...

Back of Beyond

John Barrell, 9 April 1992

Keeping a rendezvous 
by John Berger.
Granta, 252 pp., £14.99, January 1992, 0 14 014229 0
Show More
Show More
... or Vermeer, ‘all is visibility.’ In another essay, the same opposition turns up to distinguish Jackson Pollock, who insisted that there was ‘nothing behind’, from the ‘act of faith’ that had distinguished all previous painting ‘from palaeolithic times to Cubism, from Tintoretto ... to Rothko’: the belief that ‘the visible contained hidden ...

Flat-Nose, Stocky and Beautugly

James Davidson: Greek Names, 23 September 2010

A Lexicon of Greek Personal Names. Vol. V.A Coastal Asia Minor: Pontos to Ionia 
edited by T. Corsten.
Oxford, 496 pp., £125, March 2010, 978 0 19 956743 0
Show More
Show More
... school I was surrounded by boys with what I still think of as normal classic names: Simon, Mark, Peter, Andrew, Paul, Martin, Michael, Stephen, Richard, Robert, David. Girls’ names remained more modish: some Sarahs, Anns and Elizabeths and even some residual Marys, but also plenty of Janets, Jackies, Lisas and Debbies, who soared and plummeted through the ...

Hare’s Blood

Peter Wollen: John Berger, 4 April 2002

The Selected Essays of John Berger 
edited by Geoff Dyer.
Bloomsbury, 599 pp., £25, November 2001, 0 7475 5419 6
Show More
Show More
... that of intensity, anger, desire and simplicity.’ In 1949, Gear’s work was exhibited alongside Jackson Pollock’s at the Betty Parsons Gallery in New York. In other words, Gear was part of a large international movement.Berger remained suspicious of this whole trend, which he felt was symptomatic of what he considered ‘a period of cultural ...

Bugger everyone

R.W. Johnson: The prime ministers 1945-2000, 19 October 2000

The Prime Minister: The Office and Its Holders since 1945 
by Peter Hennessy.
Allen Lane, 686 pp., £25, October 2000, 0 7139 9340 5
Show More
Show More
... Peter Hennessy’s new book hasn’t persuaded me that its central preoccupation, the current dispute over prime ministerial power and its extent, is not sterile and, indeed, rather boring – yet it is a splendid read. The truth is that the Westminster system is quite inadequately democratic and transparent, and Hennessy is, if anything, too respectful and conventional in his proposals about how the office might be reformed ...

Writeabout

John Bayley, 9 July 1987

The Songlines 
by Bruce Chatwin.
Cape, 293 pp., £10.95, June 1987, 0 224 02452 3
Show More
Show More
... style and equipment, perhaps by the authors of An Historical Journal of the Transactions at Port Jackson, in which his picture appeared. But the faces of his naked family – father, mother, two children – have the ideal look, not so much of the Noble Savage who was a cliché in cultivated circles at the time, as of a contemporary SDP family, or the ...

Meg, Jo, Beth and Me

Elaine Showalter, 23 March 1995

Little Women 
directed by Gillian Armstrong.
Show More
Show More
... June Allyson as Jo, Janet Leigh as Meg, Elizabeth Taylor as Amy and Margaret O’Brien as Beth. Peter Lawford played a glamorous Laurie – indeed, the screenplay describes Laurie as looking ‘not unlike our idea of Edgar Allan Poe’. Armstrong’s Little Women is the most British and Pickwickian of the movie versions, set in a vague 19th-century ...

A New Twist in the Long Tradition of the Grotesque

Marina Warner: The monstrousness of Britart, 13 April 2000

High Art Lite: British Art in the 1990s 
by Julian Stallabrass.
Verso, 342 pp., £22, December 1999, 1 85984 721 8
Show More
This is Modern Art 
by Matthew Collings.
Weidenfeld, 270 pp., £20, June 1999, 0 297 84292 7
Show More
Show More
... right enemies (and not find himself finessed so that he’s lined up with Sewell – or the late Peter Fuller) and stay out on the left flank; his fury is rather Victorian – Ruskin’s rage against the immoralism of the Baroque. Oddly enough, Matthew Collings – in the book of his Channel Four series – says many of the same things as Stallabrass; he ...

Scoop after Scoop

Ian Jack: Chapman Pincher’s Scoops, 5 June 2014

Dangerous to Know: A Life 
by Chapman Pincher.
Biteback, 386 pp., £20, February 2014, 978 1 84954 651 5
Show More
Show More
... Maurice Oldfield, the former head of MI6, as a homosexual in a book they submitted to Sidgwick & Jackson, the publishers asked Pincher, who was one of their authors, to check the manuscript for accuracy. A great fear of homosexuality then ran throughout the intelligence services, ostensibly because it increased the possibility of blackmail, and intelligence ...

Melinda and Sandy

Andrew O’Hagan: Oprah, 4 November 2010

Oprah: A Biography 
by Kitty Kelley.
Crown, 544 pp., £19.50, April 2010, 978 0 307 39486 6
Show More
Show More
... loose with the dates and the references, claiming for example to have conducted an interview with Peter Lawford, the English actor and member of the rat pack, on a date some time after his death. Kelley is not just mean, or dangerous: she has a very powerful understanding of what makes a modern celebrity. She gets the journey, to use a favourite Oprah ...

Rub gently out with stale bread

Adam Smyth: The Print Craze, 2 November 2017

The Print Before Photography: An Introduction to European Printmaking 1550-1820 
by Antony Griffiths.
British Museum, 560 pp., £60, August 2016, 978 0 7141 2695 1
Show More
Show More
... sense, a mark impressed, engraved or otherwise made on a surface: a brand or stamp or cut. Peter Simon’s engraving of Fuseli’s ‘The Enchanted Island Before the Cell of Prospero’ for Boydell’s Shakespeare Gallery (1797). The Compleat Drawing-Book is an example of the kind of educational artistic guide that flourished in the 18th century. The ...

Ach so, Herr Major

Nicholas Horsfall: Translating Horace, 23 June 2005

Horace: Odes and Epodes 
edited by Niall Rudd.
Harvard, 350 pp., £14.50, June 2004, 0 674 99609 7
Show More
Show More
... Translations are peculiarly ephemeral. It is unnerving to think that a generation assumed that Jackson Knight’s Penguin ‘was’ the Aeneid. For Greek tragedy, Housman’s wildly funny ‘Fragment’ says it all, not so much about the Greek as about the extravagances of late Victorian versions of the tragedians. Murray’s Euripides was well enough ...