“... Smith’s resistance is directed in detail against two anthropologists, Pascal Boyer and Scott Atran, whose analyses of religion are based on evolutionary psychology. Their approach, which she calls the ‘new naturalism’, holds that the operation of human minds can be understood largely through the identification of various subsystems or modules ...”

“... Common Wind, which takes its title from Wordsworth’s sonnet to Louverture, is based on Julius Scott’s 1986 doctoral dissertation. It didn’t find a publisher until 2018, by which time Scott was an emeritus lecturer at Michigan and had given up on his work reaching a wide audience. Photocopies – and, later, PDFs ...”

“... of Horace Vernet’s Mazeppa, to see that there is more than nice observation of weather in Paul Huet’s picture of a lonely rider, Storm at the End of the Day.Dumas’s novel mixes operatic themes with the odd sourly realistic vignette. The exhibition shows how two different visual cultures produced what lives side by side in the novel: scenes of ...”

“... is entirely a matter for you. We have been forced to listen to the whinings of Mr Norman St John Scott, a scrounger, a parasite, a pervert, a worm, a self-confessed player of the pink oboe, a man who by his own confession chews pillows … You may now retire, as indeed should I, carefully to consider your verdict of Not Guilty. When, eight years later, Mr ...”

“... turtles.’ The turtles kettled the marchers to the east. I heard a libertarian carrying a Ron Paul sign discuss capitalism with a socialist. Could a pizza oven be owned by everyone who cooked and served the pizzas? Then it started to rain. One group of stalwarts danced up Tampa Street. The turtles marched away, singing ‘Do Wah Diddy Diddy’. Somebody ...”

“... that took a firm moral line and conveyed a message.’ Dyslexia is similarly indulged; ‘Like Scott Fitzgerald, his contemporary, Steinbeck could neither spell nor punctuate.’ When Steinbeck drops out of Stanford, Parini observes that ‘Like so many gifted writers – F. Scott Fitzgerald, W. H. Auden and Robert Frost ...”

“... nationalist (hence the pre-eminence, as cited sources, of Shakespeare, laureate of England, and Scott, laureate of the Union), and chauvinistically masculine. Jesperson’s luckless observation that ‘the English language seems positively and expressly masculine, it is the language of a grown-up man and has very little childish or feminine about it’ is ...”

“... on Felix, the governor of Caesarea who appears in the Acts of the Apostles being preached to by Paul. (Not Saint, of course: we were all saints.) The humour is not in what happened to Felix, which is sad by any standards: he rejected God’s plan of salvation, threw Paul into gaol and swept out, presumably to ...”

“... manners . . . so ancien régime’. Lévi-Strauss, meeting him afterwards on the Capitaine Paul Lemerle, expected to be intimidated and found himself before a ‘principled old maid’: ‘That hairless face, those fine features, that light voice combined with the stiff, fussy manners, presented the almost asexual character I was later to recognise in ...”

“... an imaginative conviction comparable to that of the work of the predecessors he invokes: Defoe, Scott, Poe, Conrad and Forster. He creates his scene through straightforward narrative (classically elegant and in the timeless present simple tense, the English equivalent of tenseless Chinese), through extracts from diaries, from correspondence and from the two ...”

“... There can’t be many of its readers who want to know about the constitutional implications of the Scott Report. They want: 900 BABIES TIED DOWN WITH VELCROSE FOR TV AD; COP CHEERED AS WE BONKED IN POLICE WAGON; PREGNANT PATSY DUMPS LIAM; and I LIKE MY SAUSAGE BIG AND OFTEN SAYS ULRIKA. ‘Readers don’t give a fuck about politics,’ according to Kelvin ...”

“... subjects of these two books, the second Duke of Westminster and the American oil billionaire J. Paul Getty, almost too perfectly exemplify, at least on the surface, the dichotomy pointed to by Mencken. One a British peer of ancient lineage, the other a self-made man who, through investing skill and fanatical diligence, became the richest of all ...”

“... similar equalities for purposes of telephonic seduction, Tristan-esque trip-taking.’ Now comes Scott Hicks’s Shine, an equally arty but commercially viable biopic about a man – David Helfgott (played by Geoffrey Rush, Noah Taylor and Alex Rafalowicz) – who is abnormally inarticulate. Helfgott’s very first words are: ‘Kissed them all, I kissed ...”

“... theatrical in character, not to say camp’. Pevsner agreed: ‘very pretty’. It was the work of Paul Paget and John Seely, Lord Mottistone. In spirit, if not detail, it is heir to Colen Campbell’s Ebberston Hall near Scarborough: sprightly and miles away from Office of Works Georgian, RAF Neo-Georgian, War Office Georgian.Perhaps the Architecture of the ...”

“... Scott Fitzgerald​ spent his declining years in ‘a hideous town, pointed up by the insulting gardens of its rich, full of the human spirit at a new low of debasement’. Hollywood, he complained in 1940, was ‘a dump, in the human sense of the word. Everywhere there is … either corruption or indifference.’ He used to wear a dark topcoat and homburg; ‘his outfit and pallor,’ his secretary Frances Kroll recalled, ‘were alien to the style and warmth of Southern California – as if he were not at home here, had just stopped off and was dressed to leave on the next train ...”