“... men don’t talk of such things,’ Lawrence wrote much later to his confidante, Charlotte Shaw (wife of GBS). Whatever the truth, it left him with a feeling of shame for ever after. Then, last, there’s his escape into anguished anonymity after the war, and his death, at the age of 46, in a motorcycle accident, which opens the ...”

“... Then there were the monumental bronzes: the Madonna and Child in Cavendish Square and the St Michael at Coventry, for example. These were well-liked by most people and liked very much indeed by many. Because they are whole figures, not just heads, you can see how Epstein handled poses: they tend to be solemn, formal and frontal, the palms of the hands ...”

“... leave out the Irish (by birth or upbringing), you lose Congreve, Sheridan, Goldsmith, Wilde and Shaw. The source that gave London The Importance of Being Earnest and Arms and the Man a hundred years ago shows no signs of drying up: Irish writers, whether resident in England or Ireland, remain a considerable presence on the London stage. Of course, Irish ...”

“... Atlantis of the European mind, as vivid beneath the waves as it was above them. Norman Stone and Michael Glenny’s book is a scrapbook of Atlantis, an oral history of survivors from the sinking. Many of them were in their eighties when Glenny’s tape-recorder finally reached them in their close, cluttered rooms and for this alone – preserving these ...”

“... In a Foreword to this very substantial book Michael Ffinch says that G.K. Chesterton ‘was above all things a great champion of Liberty’. He goes on: ‘This being so, it has often come as a surprise that in religion Chesterton should have moved away from the Liberal Unitarianism of his childhood towards Catholicism ...”

“... de Glenstrae’), and Florence Farr, the actress for whose favours he competed for a while with Shaw and others, and for whom he had Dolmetsch make psalteries to accompany the chanting of verse. Foster has much quiet fun with the psalteries, and for good measure reproduces Jack Yeats’s satirical drawing of his brother explaining ‘speaking to the ...”

“... Edward Crankshaw and C.A. Lejeune, a socially and intellectually glamorous world, particularly to Michael Frayn, one of a group of us who went to the exhibition. But, of course, London itself was beginning to seem glamorous then – the Coffee House in Northumberland Avenue, the Soup Kitchen in Chandos Place, films at the Academy on Oxford Street and suppers ...”

“... in his chest, he lit a cigarette to deceive his men as to the seriousness of the wound. Patrick Shaw Stewart, who reminisced longingly of hot baths and starched shirts, wrote: ‘Every time I remember that nearly all my friends are dead I take some form of imaginary morphia, and promise myself work or love or letters, or fall back on the comfortable ...”

“... present in almost all of this kind of Edwardian thinking. It was fully articulated by Bernard Shaw, perfectly acceptable to Wells, and only opposed by such as G.K. Chesterton. Ms Grosskurth also hints, at this point in her book, at Ellis’s anti-semitism. What kind of figure was he then? One hesitates, in the pages of the London Review of Books, with its ...”

“... prophetic books has recently been called into question in a way which has largely confounded Michael Foot’s purpose in writing The History of Mr Wells. It is clear that Foot first conceived his biography as a celebration of Wells’s socialism – more particularly his ‘libertarian’ socialism, which Foot takes to be healthier than the ...”

“... of a black person’s attempt to reclaim and reverse racist imagery through irony’. Thom Shaw, another artist who prefers to be called African-American, commented: ‘We’re still looked at as Sambos.’ Walker admits to drawing on minstrel imagery; Uncle Tom and Aunt Jemima and the Tar Baby reappear in her cast of characters, along with golliwogs ...”

“... been a government-promoted Plan for Coal. No major industry could be allowed to languish. But, as Michael Flinn points out, it was not with the actual process of mining that 18th-century government concerned itself, but with the trading of the product. The coastwise traffic in coal was the largest activity of British shipping, a major training ground of ...”

“... Michael Kelly has produced a vivid, responsible account of his own itinerary, as a contributor to New Republic, the Boston Globe and the New York Times, through the Gulf War: from Baghdad to Amman; on to Egypt, Palestine, Israel, Saudi Arabia; into Kuwait and back into Iraq, via Basra; thence to Kurdistan. There are few sops to terrible beauty, whatever Kelly’s dust-jacket champions may say, and no excessive enthusiasm for the darker side of his material, either in the abandoned Iraqi torture chambers of Kuwait City or on the road to Basra ...”

“... in the form of an objective, linear chronicle, cannot turn these omissions to narrative advantage. Michael Davenport in Young Hearts Crying has been a successful amateur boxer and a waist-gunner in B-17s during the bombing of Germany. Later on he writes what is said to be one of the finest contemporary American poems, ‘Coming Clean’, and later still he ...”

“... the weather been hazier, more care might have been taken and the collision avoided. In that case, Michael Davie suggests, it’s likely that no one would ever have known how close to disaster they’d been: ‘not all near-misses by aircraft are reported now; and the Ice Patrol wonder how many near-collisions by ships were reported then.’ At the inquiries ...”