“... peculiar flavour ...All novelist’s memoirs exist somewhere on this Nabokov-Powell continuum. Updike’s Self-Consciousness is well up at the art-over-life end of the spectrum; Philip Roth’s record-straightening and strangely flat The Facts is, perhaps surprisingly, of the other type (and his intensely focused Patrimony is somewhere in the ...”

“... Adolf Grünbaum in Pittsburgh, to Richard Swinburne in Oxford, to David Deutsch in Headington, to John Leslie in Canada, to Derek Parfit, again in Oxford. He meets Roger Penrose in New York, has phone conversations with Steven Weinberg and John Updike. These conversations become a way of evoking possibilities as much ...”

“... attempts to mollify Bloom for having cruelly depicted her in his novel Deception; the review by John Updike of Operation Shylock that drives Roth to commit himself to a psychiatric hospital, suffering from a nervous breakdown; the arsenal of psychotropics (Lithium, Halcion, Xanax, Valium, Prozac) used to calm the couple’s respective nervous systems ...”

“... and an action-movie plot. Atwood has never written a novel from a male point of view before, and John Updike was among the reviewers who complained that the men in The Blind Assassin* were mysterious and unlovable. Rather, she is known for her chronicles of women’s victimisation and resistance, and her use of first-person narrative to explore female ...”

“... is harder to create, and more easily destroyed, than Mitchell seems to realise. The result is what John Updike called a ‘million dollar penny dreadful’, a work that is admirable only if you think that ambition and vitality trump every other literary ...”

“... between danger and secrets? Between secrets and waste? DeLillo’s novel, like recent novels by John Updike and Philip Roth with more openly ironic and regretful titles (The Lilies of the Field , American Pastoral ), confronts and re-creates American history. The very word ‘history’ keeps flashing through Underworld as if it were an omen or a ...”

“... its texture, its clichés. Over the years Amis has done a lot of virtuous wincing over clichés. John Fowles is a prominent target: ‘He managed a wan smile’; ‘God, you’re so naive.’ No expensive talk about Descartes, Marivaux, Lemprière and Aristophanes can procure a pardon for that sort of thing. Other reviewers may commend Thomas Harris for ...”

“... if he was charged with representing as his real life what was an outright lie.May I quote John Updike? Asked about my Zuckerman books, he said to an interviewer: ‘Roth’s inventing what looks like a roman à clef but is not.’But if your books are misread, other than by John Updike, isn’t that more ...”

“... want all that. And I want all that and I want all that.’ Or like the fast-food, fast-sex junkie John Self of Money, who always gets less than he bargains for, yet keeps going back for more: ‘I would cheerfully go into the alchemy business, if it existed and made lots of money.’ Amis goes to any length to remind us of our whole-hearted addiction to the ...”

“... had shaken off the dust of Oak Park, Illinois, he was at least in a position to say hullo to John Updike in the office corridor. He had put enough mileage between himself and his origins to achieve urbanity. Yet it takes only a brief comparison between Keillor’s Lake Wobegon stories and Updike’s Rabbit novels ...”

“... the grain of what became fashionable in American fiction, he shares with Raymond Carver and John Updike and others the feeling that homo erectus americanus, the life of any American male, its slow detail, is of intrinsic interest. His novel, when it appeared in 1991, was both praised and sneered at. His florid style and his long sentences and his ...”

“... appear effete and irrelevant’. Over the years, a lot of these effete and irrelevant artists – John Updike, Norman Mailer, Jonathan Franzen – have launched tirades against him. The most concise comes from John Irving, commenting red-faced and furious on live TV: ‘Wolfe’s problem is, he can’t bleeping ...”

“... isn’t hard to see how the idea of signature applies to Nabokov; or, for that matter, to Bellow, Updike, Compton-Burnett, Iain Sinclair, Cormac McCarthy, Roth, Ozick, etc. (Lurking in Wood’s idea is the implication that modern critics and readers make too much of signature.) Nabokov’s signature is often both what initially attracts readers to his ...”

“... used vociferously to demand, who will analyse the analysts, if not the artist? Philip Roth, like John Updike, is a survivor from the glory days of the heavyweights, the Hemingways and the Faulkners and the Bellows. His first book, the story collection Goodbye, Columbus, published in 1959, won the National Book Award, a notable achievement for a tyro in ...”

“... took a while for everyone to notice. In U&I (1991), his witty exploration of his feelings towards John Updike (‘this imaginary friend I have constructed out of sodden crisscrossing strips of rivalry and gratefulness over an armature of remembered misquotation’), he mentions his surprise at being compared to Alain Robbe-Grillet and Francis Ponge by ...”