“... who died in 1811, E.H. Coleridge established beyond doubt that the poems were written in memory of John Edleston, a 15-year-old Trinity choirboy with whom Byron fell in love in October 1805. And Marchand has subsequently fleshed out the episode. Edleston (nicknamed ‘the Cornelian’) was working-class, fair, thin (Byron was at the time monstrously fat), and ...”

“... and Sid is strongly suggested by various tricks in the novel. The author makes a personal, rather John Fowles-like, intervention in Chapter Seven, as the best man at Mr Lonely’s wedding. Reproduced photographs (from Morecambe’s ‘private collection’) show him in the wedding group (‘Eric and me, a lovely couple!’). For the rest, Mr Lonely has, as ...”

“... notes as a royal road to Dickensian interpretation. This was followed by Kathleen Tillotson and John Butt’s Dickens at Work (1957), and by the same authors’ ‘Clarendon’ Dickens project, which enshrined a full transcription of the working notes as essential editorial apparatus. If archaeology into the substrata of Dickensian composition is how we ...”

“... publisher) in 1958. Now a top editor, he cultivated the house’s top authors. Auden, Dr Seuss and John O’Hara are recalled here in vivid anecdotes. A bunch of his authors line up to offer puffs for Book Business: ‘brilliant, moving and profoundly insightful’ (Toni Morrison); ‘a putative classic … fine and impeccable style’ (Norman Mailer); ‘an ...”

“... John le Carré has patiently established himself over the last twenty-five years as the discriminating reader’s favourite thriller writer. The BBC’s adaptations of the George Smiley trilogy in 1979 and 1982 made him almost overnight a popular author on the Ian Fleming scale, and it can have done no harm that the TV version of Tinker, Tailor, Soldier, Spy coincided with the Blunt scandal ...”

“... He was subjected to even more abuse from the British press and public than Nasser or John Foster Dulles. In a widely photographed incident, Altrincham was physically assaulted. His assailant shouted to the pressmen he had summoned to watch: ‘This is for insulting the Queen!’ The papers – except the Times, which on advice from the palace ...”

“... back have sold getting on for $900m worth of tickets. C-3PO and R2-D2 are as well known as Pope John Paul or Mickey Mouse. Lucas’s second movie and first hit, American Graffiti (produced by Francis Coppola, conceived and directed by Lucas), was the most profitable investment in Hollywood history: it brought in $117m against a production cost of ...”

“... and his evidently courteous exchanges with recent custodians of the project (Robert Burchfield, John Simpson, Edmund Weiner) Willinsky detects a quaint mixture of ‘afternoon tea and high-speed computer searches’. His conclusion is friendly, but a little condescending: ‘All told, the OED’s literary, prosaic and omitted citations authorise a ...”

“... to go into now.’ Recent sleuthing has filled in some of the gaps. Nicholas Barker and John Collins’s A Sequel to ‘An Enquiry’ (1983) clarifies the role of Wise’s reluctant partner, Harry Buxton Forman. The forgers’ liaison is fleshed out further in the biographical The Two Forgers, which offers the fullest and most readable narrative to ...”

“... achievements as a general trade publisher rank him with Archibald Constable, George Smith, John Blackwood, George Routledge, Frederick Macmillan, David Garnett, Ian Parsons, Allen Lane. It was one of the most highly regarded of today’s younger publishers, Peter Straus (now an agent), who commissioned the book. None of these coat-brushers of genius is ...”

“... Harnforth? Mr Tim Harnforth?’ One and Last Love is Mr Tim Harnforth’s novel as well as Mr John Braine’s. An authorial confidence informs us that it was originally conceived with more melodramatic action to it. The hero was to find himself stricken with a terminal disease and be forced to a climax of love and death. But instead, the novelist was ...”

“... level, there is rivalry among two of Freddie’s pupils to fill the part of Prince Arthur in King John. One boy is crude but magnetic and destined for stardom; the other is finer-grained, a true Thespian. Their opposition is less interesting than Fitzgerald’s sharply accurate evocation of an old-style West End production of Shakespeare, footlights and ...”

“... the heroine (born in 1844 and now 17) has been brought up. The inmates are described, among them John Vroom, ‘a thin, dark, knifish boy about fourteen’ whose doxy is (implausibly) ‘stitching dog-skins onto stolen dogs, to make them seem handsomer breeds than what they really were’, as Vroom himself does ‘a deal with a dog-thief. This man had a ...”

“... Ian Bell protests his disqualifications as a biographer rather too much: ‘I have approached Stevenson in the most unscholarly way. I am a journalist, and do not pretend to be anything else.’ But Bell, as he is at pains to point out, is a Scottish journalist and it is through the privilege of shared race and place of origin that he claims a blood-intimacy denied scholars ...”

“... Authors can be terrible liars, and never more so than when they are in the autobiographical vein. Like salesmen, they are at their most dangerous when most sincere. Roth’s publishers trumpet The Facts: A Novelist’s Autobiography as the facts, a novelist’s autobiography – ‘Roth and his battles, defictionalised and unadorned’. It’s the more suspicious since Roth’s previous writings have played ducks and drakes with factuality and fictionality ...”