“... Chanler clan, in the late 19th century, included II orphaned siblings maternally descended from John Jacob Astor. The eldest orphan had eight children, one of whom married Stanford White’s only child Lawrence. This Chanler lady, if you remember, became ‘Mama’ – Lessard’s grandmother with the second-generation liquid jewel/wine face. The Chanlers ...”

“... Dorothy Wordsworth makes it clear whose eyes her own journal is for, after William and his brother John had left her in Trasmere, and set off to walk into Yorkshire, ‘cold pork in their pockets’: ‘I resolved to write a journal of the time till W and J return, and I set about keeping my resolve, because I will not quarrel with myself, and because I shall ...”

“... he looked at, Lorck looked at in a peculiar way. One bundle of drawings, which the diarist John Evelyn owned, was split up and sold at auction in 1966 – the compilers of this catalogue have been advertising rather forlornly in the art trade press for news of their whereabouts. The catalogue is Fischer’s life’s work. Many have worried about ...”

“... I imagine, who stayed with the intriguing literary eminence kindly characterised, eventually, in John Sutherland’s biography.* Nevertheless, a suspicion persisted. Sharp little verses – by Thom Gunn and John Coleman – were flighted; and Ian Hamilton capped it all with a brilliant and damaging New Yorker ...”

“... the latter half of the Second World War, Ludovic, the deranged and upwardly mobile murderer of Evelyn Waugh’s Sword of Honour trilogy, becomes ‘an addict of that potent intoxicant, the English language’. He begins an obsessive study of books about words, and starts to write a volume of pensées (a piss-take of Cyril Connolly’s The Unquiet ...”

“... if only from simple loyalty to the landowner. Russell’s life was not remarkable, on the surface. Evelyn Waugh said he was ‘exquisitely entertaining’, but this is ambiguous: he may have meant that Russell was a figure of fun, like William Boot. When Russell died in 1947 he was described in the Times as ‘that most endearing of Somerset farmers’ – the ...”

“... pseudonyms of George G. Gilman, Charles R. Pike, Thomas H. Stone. Like his compatriots ‘John G. MeLaglen’ and J.T. Edson, Harknett has ‘appreciation societies’ devoted to his pseudonymous personae. (‘J.T.’, incidentally, the biggest seller of them all, claims his name is genuine. It’s a happy accident.) Multiple pseudonymy as a device of ...”

“... gardening has been the fashion.There have been times, however, when London’s green tide was out. John Evelyn’s intentions in writing Sylva (‘A discourse of forest and the propagation of timber in his majesties dominions’), published in 1664, were practical. The book answered a request from the Commissioners of the Navy to the Royal Society for ...”

“... John Fothergill, the high-handed host of the Spreadeagle at Thame between the world wars, described himself in Who’s Who as ‘Pioneer Amateur Innkeeper’. Evelyn Waugh, sending him a copy of Decline and Fall, inscribed it to ‘Oxford’s only civilising influence’. To those who, in 1931, goggled and giggled at his innkeeping confessions, Fothergill was the contumacious dandy for ever locked in combat with ‘clients’ who fell short of his standards, a man prepared to track down and rebuke a brigadier-general who, with his wife, dropped in to the Spreadeagle to use the lavatory without a please or thank you ...”

“... than those who wore red lipstick and scarlet nail polish?Born Yevonde Philone Cumbers in 1893 (John Galliano boasted ‘she came from Streatham, just like me’), she always went by the single name, as if she were a long-lost tribe. From the start, she moved purposefully: in 1914 she cut short an apprenticeship to a portrait photographer from whom she had ...”

“... for his plots, new scenery,’ reflects the beleaguered hero of The Ordeal of Gilbert Pinfold, Evelyn Waugh’s portrait of the artist as a middle-aged car crash. But really, as Pinfold goes on to say, ‘most men harbour the germs of one or two books only; all else is professional trickery of which the most daemonic of the masters – Dickens and Balzac ...”

“... John Betjeman was the voice of postwar Englishness: at best, humorous, quirky and enthusiastic about some of the oddest things; at worst, parochial and smug shading into bitter. How ironic, in view of later developments and the argument of Timothy Mowl’s book, that Nikolaus Pevsner’s first visit to England, in 1930, was to research a new topic: Englishness in art ...”

“... story Decline and Fall, but it would not have been a bad title. On one level, the last 27 years of Evelyn Waugh’s life make melancholy reading. The book begins with Waugh’s sometimes bizarre career in the Army; it chronicles his prodigious commercial success as the author of Brideshead Revisited. It watches him struggle with madness and depression and ...”

“... seemingly innocent. In another writer it might be malicious or mechanical or just for show. In Evelyn Waugh or Muriel Spark the same kind of observation would have about it a routine conscientiousness, a reminding of the reader what things are like, and a reassurance that the author’s outlook and style are perfectly fitted to do them justice. Pym is not ...”

“... often.’ Margery Dayrell worried that her son Nathaniel could not sleep, though he was drowsy. John Windmill complained that he ‘cannot sleepe nor take any rest on his bed or up or Downe’. Hugh Thomson feared that his son, ‘who he supposeth to be taken or planet stroken’, had been unable to sleep the previous night. Broken and disrupted sleep could ...”