“... Every pilgrim who ascends the Acropolis is seized by the splendour of the Parthenon, its ruined elegance, its marmoreal serenity. But the pilgrimage is secular: although we know that the Parthenon was a temple, we do not experience it as a numinous haunt of the gods. The power of its finished form is now perhaps beyond imagination: but it may be doubted whether even the vast chryselephantine statue of Athene which it housed – and which was, by all accounts, incomparable in its vulgarity – added any awfulness to the place ...”

“... got their first chance in that pub. A few of the celebrants are, or have been, English dons – John Fuller, Simon Gray, Dan Jacobson; but even they arrived by what might be called the bohemian route. There are of course other ways in; anybody can see how much space the dons occupy in the respectable papers and magazines. Many moved in by routes that did ...”

“... clarity of seeing, an acknowledgment that this is what painting is. Just as the young John Richardson, visiting Braque’s studio for the first time, felt that he had arrived ‘at the very heart of painting’. But these apparently quiet artists often turn out to have been more far-sighted and more radical than we assume. Corot, for example, once ...”

“... showed two of his early albums to Charles Rado, founder of the Rapho Agency. He passed them on to John Szarkowski, newly installed as photography curator at MoMA, who in 1963 put on what was only his third exhibition, devoted to 46 of Lartigue’s Belle Époque photographs. Lartigue was 69 when it opened. ‘Le tout New York is talking about … my little ...”

“... Picasso the more. One of the great undocumented exchanges – perhaps we shall learn more when John Richardson reaches the war years – came when Picasso spent a week in 1944 trying to persuade Braque to join the Communist Party. Braque denied him, as he also denied a second approach from none other than Simone Signoret (I feel a three-hander play coming ...”

“... achievements as a general trade publisher rank him with Archibald Constable, George Smith, John Blackwood, George Routledge, Frederick Macmillan, David Garnett, Ian Parsons, Allen Lane. It was one of the most highly regarded of today’s younger publishers, Peter Straus (now an agent), who commissioned the book. None of these coat-brushers of genius is ...”

“... rather frightening when people ignore, or don’t understand, jokes made at their expense. Julian Barnes once wrote a salutary essay on this, recalling the great Monty Python sketch about an obscure island completely inhabited by men sounding and looking like Alan Whicker. They paced to and fro, droning horribly and trailing microphones. It was, as ...”

“... which, as Kenneth Lynn cogently expresses it, is not ‘a haunted Nick Adams, or a crippled Jake Barnes, or a hollowed-out Frederic Henry, but an overbearing know-it-all named Ernest Hemingway’. Max Eastman said Hemingway had false hair on his chest. Gertrude Stein, in The Autobiography of Alice B. Toklas, called his courage into question. Of course, there ...”

“... so that when the literary father-figures he has in mind turn out to be Martin Amis, Julian Barnes and Ian McEwan, it’s hard to believe him. Father’s ghost has to be grander. And he is. Adair the novelist’s true problem, which Amis notoriously shares, is with Nabokov. Adair’s 1990 novel, Love and Death on Long Island, ‘currently’, according ...”

“... any other audience’. Thus it defied Reith’s doctrine of a BBC-unified culture, and Sir John was heard to protest. For less exalted reasons, it also irritated most of the press. But for a time it survived the traumas of its birth, and under George Barnes and Harman Grisewood there was a reasonably ...”

“... Weekly – but it was not until it began to win prizes, including the PEN/Faulkner and Barnes and Noble Discover awards, that the book became a real unit-shifter (especially at Barnes and Noble). To criticise it was to incur the charges of élitism and philistinism. The fact that the PEN/Faulkner awards panel ...”

“... included poem). The first half of the book has (in order) Tennyson, Emily Brontë, William Barnes, Elizabeth Barrett and Robert Browning, Clare, Carroll, Clough, Dante Gabriel and Christina Rossetti, and Arnold, who, fittingly, is the pivotal figure. After this, though big names are not lacking, their contribution weighs less, in several cases because ...”

“... control their own fate: ‘We are out for life and all that life can give us,’ the revolutionary John Maclean said at his trial for sedition in 1918. George Square, 31 January 1919 My grandparents met at a Glasgow ILP branch sometime around the end of the First World War, and I’ve always had a rather romantic view of the party and of that ...”

“... and sought to bring a private suit for criminal libel, appeared to have it on the ropes; how John Wells felt that his jokes were ‘ostentatiously removed, spat on and ground into the carpet’ after brainstorming sessions with the others; how, as time went on, Ingrams loved to wind up his colleagues in the office, push his chair back and look on at the ...”

“... over several years. For instance, I was almost sure I would tackle the distinguished art critic John Russell’s Paris (1960), ‘with photographs by Brassaï’, but never got past the pictures. I had slightly less confidence about Maxime Du Camp’s six-volume Paris, ses organes, ses fonctions et sa vie dans la seconde moitié du XIXe siècle ...”