“... writer ought to be his language,’ and repeats the attack by Bobi Jones, a learner of Welsh, on Dylan Thomas for ‘importing and adapting culture from an uninteresting and impoverished England’. In both statements Welsh-speakers are not only claiming what is certainly their right and privilege, to prefer one culture to another: they are also seeking ...”

“... reviewers seemed to resist were not Hecht’s Audenesque tendencies, but the further influence of Dylan Thomas and Hart Crane, who could not write without overwriting.Born in 1923 in New York City, Hecht had a privileged but disrupted childhood. His father worked at a fake job paid for by his father-in-law. The boy attended private schools, rarely ...”

“... models,’ she writes in this new biography, ‘are Renaissance figures such as John Dowland and Thomas Campion.’ (She might have looked sideways to Noël Coward, Bob Dylan or Cole Porter; to John Cage’s poetry, Ezra Pound’s operas, the compositions of Christopher Fry or Anthony Burgess.) One of the aims of her study ...”

“... any more than we should expect Keats to represent that of the early 19th century, or James Joyce, Dylan Thomas, Ted Hughes, Anthony Burgess, Martin Amis (all OED2 authors) that of today. The opposite is true: we should expect the language of these writers to stand out in a contrasting way from current usage, although this will obviously vary from writer ...”

“... tempting to seek a poetic equivalent for Neruda’s moony-stony-windy-bloody rhetoric in pastiche Dylan Thomas, or for his vatic tone in Ginsberg’s spaced-out measures, but both of these devices would have risked who knows what comic effects. Something new, something that could not be prescribed, was called for. What a pity we do not find it ...”

“... other people. Four Absentees portrays brilliantly George Orwell, Eric Gill, Middleton Murry and Dylan Thomas, Portrait of the Artist as a Professional Man is an acidly amusing account of his twenty-odd years as a radio producer, and the more directly autobiographical The Intellectual Part offers agreeably eccentric views about many matters, including ...”

“... have become themselves, whereas Corvo or Lowry, Hamilton or Conrad Aitken, and maybe poets like Dylan Thomas and John Berryman of more recent date, are celebrated inside their own time-warp, relished as creatures of their epoch. A disillusioned devotee is the worst that can happen to them; and although I enjoyed rereading Twenty Thousand Streets and ...”

“... due to his drinking bouts. Under the prosecutor’s eye he can be made to look like a less amiable Dylan Thomas. The merit of the stories and poems called in to excuse or justify such a life has also been questioned. D.H. Lawrence called ‘The Fall of the House of Usher’ an overdone and vulgar fantasy. Yvor Winters said Poe’s was an art for servant ...”

“... with Hemingway in Key West; the most appropriate Stevens’s refusing to speak at a memorial for Dylan Thomas, whom he thought of as ‘an utterly improvident person’.Stevens, trained as a lawyer, worked for most of his life for the Hartford Accident and Indemnity Company. He was born in 1879, of Dutch-German descent, in ...”

“... He’s seen Guy Burgess and Donald Maclean have a drunken row, Quentin Crisp mincing the streets, Dylan Thomas in an alcoholic stupor reciting poetry in a loud voice, and much else. Including, perhaps, Wittgenstein cruising for rough trade? Surely, one might think, that is what the passage quoted by Sykes is meant to imply. Or is it?So, dogged to the ...”

“... and he has continued to explore the work of words systematically and with a rewarded persistence. Dylan Thomas was an obvious influence on the early poems in this collected volume, but as a new technique the craftsman could make use of, not as a manner to be involuntarily enclosed by. Like his cultural predecessors, and in the same spirit, Graham has ...”

“... Killed in War’, which seems to be a self-accusing revision of the early and inadequate Dylan Thomas imitation, ‘On the Death of a Child’, but is also in part a rewriting of Yeats, contending that the unjust killing of children requires for its comprehension a dimension beyond the humanistic. In Sad Ires (1975) there is the very powerful ...”

“... poetic fashions on offer at the time: clapped-out Audenesque or a torrid Neo-Romanticism that had Dylan Thomas as its vaguely guiding force. Keith Douglas had no particular allegiance to either camp, although he was closer to Auden than to Thomas and had had a poem published in New Verse when he was still at ...”

“... few quotations in literary history where ‘Dylanesque’ could be taken to refer to either Bob Dylan or Dylan Thomas, with roughly equal justice.) Good though the game was, it was sometimes forced on Lennon, as in ‘Norwegian Wood’, where he wished to write about an affair without letting his wife know the ...”

“... and Plath were integral to the English poetry scene, that writers like Larkin and Graves and Dylan Thomas seemed familiar voices in America. (And it was not so many years before that when Auden and Eliot managed to scumble the boundaries of nationality altogether, giving each country some legitimate claim to serving as the poets’ true ...”