“... with her to the Eternal City her spoiled, neglected, bored, troubled, adolescent son, Joe (Mathew Barry). To Caterina’s guilty horror, she discovers Joe has become addicted to heroin. They are sexually drawn towards one another, but, after Joe has lain between her thighs for a few tense seconds in a seedy hotel room, she tremulously reveals the existence of ...”

“... in short fiction. ‘This fall I have thus far graded 863 writing assignments,’ he told the Paris Review in 2011, ‘and if everybody turns in all of the remaining work, I will have graded 1026 by the end of the semester.’Gary Lutz, doing the Lord’s work teaching composition to state university undergraduates in Townborocityburghton America, is also ...”

“... at the agreement, and particularly those directed against the British. Holding the balance between Paris and Berlin flattered Chamberlain, who likened himself to Castlereagh. On the other hand, assuming obligations to defend both France and Germany against the other ruled out effective co-operation with either. The British made no plans to fulfil their Locarno ...”

“... Do Foucault and Derrida really measure up to the earlier two? With Foucault’s passing, moreover, Paris-watchers are bound to be asking who the next star will be. While Foucault and Derrida knew about some aspects of Anglo-American philosophy, a major influence on their thought has been from Germany, particularly Heidegger. So there is the further question of ...”

“... master, Henri III, or to his own servants? He had been using the diplomatic bag, which passed from Paris through Salisbury Court to Sheffield, where Mary was in detention, if not to encourage then not necessarily to discourage the kinds of plot in which Throckmorton had been mixed up; and somebody on his payroll had shared this useful information with the ...”

“... 88 when its author died, and is 97 now. Still the books keep coming. This latest pair, by Barry Gewen and Thomas Schwartz, have moved beyond outrage to something more like bafflement, tinged with affection. Each begins with an effective admission of authorial uncertainty: why, they ask, am I writing about Henry Kissinger, when so much has been written ...”

“... derived from a keen appetite for fine food and wine indulged in during ‘lavish visits to Paris’. Haughey is compared to Hitler (for his relations with Iveagh House), to Nixon (for his phone-tapping), to Don Giovanni (for his swagger) and to royalty (for his ability to get people to serve him) – all in one paragraph. Elsewhere the ...”

“... lost original. The text’s effectiveness has been tested where it most counts, in the theatre, by Barry Kyle’s recent production at Stratford. This used the A-text, and an all-male ensemble, and achieved at least one moment of shock which nearly had me hastening for the doors like those terrified spectators in Exeter. Its virtues of pace and clarity are to ...”

“... Williams, but also to various editors and patrons: to the somewhat mysterious Margaret Cravens, a Paris-based piano student from Madison, Indiana, who in 1910 bestowed on Pound an annual stipend so he could concentrate on his poetry, only to commit suicide two years later; to John Quinn, a lawyer and collector to whom T.S. Eliot gave the manuscript of The ...”

“... not want to go too close to him. He was dead within three years. More than twenty years later in Paris, the French critic Nicole Zande told me that she had met Suzanne Beckett, the wife of the author, if you can imagine such a wedding ceremony, one day on the street – as you did, I suppose, it being Paris – and asked ...”

“... for me the ecstasy of the body and the torture of the mind.’ When he was 20, Agate went to Paris, to see the actress Réjane and provoke her into giving a better performance. He was devoted to the Great Actresses of his time, the women for whom the dramatists wrote their plays. He once wrote: ‘In my life I have seen six great actresses and six ...”

“... with a dog. One can go shopping with people, or cook, as I did with the late, great Jean Renoir in Paris, or deal with pigeons on a terrace as I did with Woody Allen. Earlier in the Seventies, as a working critic, Gilliatt spent rewarding afternoons watching films. She is at her best when, after a session of classics, perhaps at the Museum of Modern Art, she ...”

“... The latter were rarely writers and the books they produced are undistinguished. Tom Barry’s Guerrilla Days in Ireland and Dan Breen’s My Fight for Irish Freedom have their charms, but there was no Herzen or Trotsky capable of distilling the Irish revolutionary mentality and experience into a classic memoir: except for Ernie ...”

“... in the early 1960s was a feat of rediscovery as well as organisation. The Cinémathèque in Paris played an important role, but the Museum of Modern Art in New York was the key venue for the preservation of Hollywood’s greatest period of achievement. Hollywood itself never was, and Peter Bogdanovich’s originality as a curator lay in his awareness ...”

“... with ‘democratic’ values. ‘Often the word difficult comes up,’ the interviewer from the Paris Review said. ‘Like a Victorian wedding night, yes,’ Hill replied, a good example of his lugubrious wit, before mounting a defence: ‘Human beings are difficult. We’re difficult to ourselves, we’re difficult to each other … I would add that ...”