“... a choice in what he produced – if there’s a choice something is wrong – rather as Agnes Martin felt doomed to paint grids (‘My god, am I supposed to paint that?’). As a complication, what the exhibition makes clear is that the later figuration has everything to do with his abstractions, and little to do with his earlier figuration.The Tate can ...”

“... Girl, the movie about Edie Sedgwick, the ultimate 1960s poor little rich girl. The film opens with Andy Warhol (Guy Pearce) in a confessional box – always a good start – telling his priest how sad he is that someone else, not him, got to be punched at a party by Norman Mailer. ‘Why can’t I be punched by Norman Mailer?’ says the artist. Lennon is ...”

“... Inside Antifa’s Radical Plan to Destroy Democracy by the right-wing social media personality Andy Ngo. ‘Winston being cancelled is a big part of why Paul is the way he is now,’ someone who works in Marshall’s media empire told me.In 2023, Marshall gave £1 million to another new project fronted by Peterson, the Alliance for Responsible ...”

“... I would only add that using words like ‘inversion’, ‘warped’ – or, in a piece on Andy Warhol, ‘abnormal’ – doesn’t help matters along. This type of bracketing, in which ‘minorities’ appear as footnotes (however long) to white male heterosexual experience, is surprising in view of Hughes’s frequently slated political ...”

“... as much as Les Misérables, which she had read before she was nine. She also read Jack London’s Martin Eden, a book about a self-taught writer which she later suspected had given her inspiration for her future life. A schoolteacher called Mr Starkie, recognising an unusual capacity in the girl, lent her The Sorrows of Young Werther. She started keeping a ...”

“... On 16 March 1810​ a Mrs Martin, a ‘labourer’s wife’, was working a field near Holy Trinity Church in Stratford-upon-Avon when she turned up an old gold signet ring bearing on its bezel the initials ‘W.S.’ It was bought for 36 shillings by Robert Bell Wheler, a local historian, and later donated to the Shakespeare Birthplace Trust, where it still resides ...”

“... the not yet of the futures that popular modernism trained us to expect.’Fisher was a big fan of Andy Beckett’s histories of the 1970s and 1980s, which noted that British households were at their most equal economically, as measured by the Gini coefficient, in 1977. Just as importantly for Fisher’s purposes, Beckett also observed that the UK music papers ...”

“... meum’; Joyce at a fancy-dress party where he managed to wangle first prize dressed as Handy Andy, Joyce reciting Yeats and saying, ‘No Surrealist poet can ever equal this for imagination’; Joyce commenting on a picture of the Christ-child, ‘Doesn’t he look as if he had just robbed the hen-house’; Joyce weeping over his beloved daughter ...”

“... picture cameras did it better justice. You can see it the moment she enters the Factory for her Andy Warhol Screen Test (1964), in the youthful footage of her in the documentary Regarding Susan Sontag (2014) and in the feminist fight club classic Town Bloody Hall (1979), where, from the audience, she takes Norman Mailer to task for his patronising use of ...”

“... points out that ‘you’re not even Irish, you English cunt’ is like something out of Beckett. Andy wonders whether ‘you can stick it up your bollocks’ is an Irish expression or a stroke of inspiration on Keane’s part. Myself, I take a more Derridean/psychoanalytic view and think this is a classic example of an aporia: since it is physically ...”

“... her Hamlet as a triple impertinence: not merely French and feminine, but Jewish as well’.) Andy Warhol, among others, seems to have been intrigued by the Jewish Bernhardt. In his gorgeous (and curiously undersung) silkscreen series Ten Portraits of Jews of the 20th Century (1980), Bernhardt, Gertrude Stein and Golda Meir are the three stately ladies in ...”

“... York Times declared that Bacon had ‘certainly left no discernable trace on American painting’, Andy Warhol, who was at the opening, confessed that he was influenced by Bacon’s use of background colour. Leiris refers to ‘large areas [of Bacon’s canvases] treated with apparent indifference (backgrounds in flat tints)’. Bacon had mocked his own work ...”

“... West Germany’s 8-3 loss to Hungary in the group stage in 1954 is explicated via the theologian Martin Schloemann’s hypothesis that the saying derives not as commonly assumed from a remark of Luther’s, but rather from a 19th-century woodcut depiction of Luther that became a common symbol of reconstruction after the Second World War. There are footnotes ...”