On the Secret Joke at the Centre of American Identity

Michael Rogin: Ralph Ellison, 2 March 2000

Juneteenth 
by Ralph Ellison, edited by John Callaghan.
Hamish Hamilton, 368 pp., £16.99, December 1999, 0 241 14084 6
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... black and immigrant fiction: the worry that successful upward mobility left one’s former self and people behind. Passing was one version of that negative identity in American literature; its double was ghettoisation-by-recognition, as when Time called the author of Invisible Man the ‘best of US Negro writers’. Then in the 1960s Ellison’s effort ...

Like a Dallas Cowboys Cheerleader

John Lloyd: Globalisation, 2 September 1999

The Lexus and the Olive Tree 
by Thomas Friedman.
HarperCollins, 394 pp., £19.99, May 1999, 0 00 257014 9
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Global Transformation 
by David Held and Anthony McGrew.
Polity, 515 pp., £59.50, March 1999, 0 7456 1498 1
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... project of global empire-building or geopolitics, globalisation today reflects the varied and self-conscious political or economic projects of national élites and transnational social forces pursuing often conflicting visions of world order. Moreover the institutionalisation of world politics has transformed the politics of contesting and managing ...

The Señor and the Celtic Cross

John Murray, 17 February 1983

... when the bay here was deserted. Had she tailed him in order to make one last bootless act of self-abasement manifest itself in Stone? He entered the ferry, no more than a full-size rowing boat, and waved goodbye to Miss Kate. She waved goodbye perhaps affectionately. Startled, doltish-looking Jane reappeared with ice-creams from the store. She noted ...

A Dream in the Presence of Reason

Clive James, 15 October 1981

L’opera in versi 
by Eugenio Montale, edited by Rosanna Bettarini and Gianfranco Contini.
Einaudi, 1225 pp., £26.15
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Xenia and Motets 
by Eugenio Montale, translated by Kate Hughes.
Agenda, 45 pp., £3, December 1980, 0 902400 25 8
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The Man I Pretend to Be: The Colloquies and Selected Poems of Guido Gozzano 
edited by Michael Palma.
Princeton, 254 pp., £9.30, July 1981, 0 691 06467 9
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... Miss Hughes makes you momentarily wonder if she knows whom she is dealing with. Montale’s self-imposed task was to divest Italian poetry of cheaply poeticised effects, not to increase their number. Examples, alas, could be multiplied. Nevertheless Miss Hughes is right to see that Xenia is a good way for the English-speaking reader to begin acquiring ...

Shall we tell the children?

Paul Seabright, 3 July 1986

Melanie Klein: Her World and her Work 
by Phyllis Grosskurth.
Hodder, 516 pp., £19.95, June 1986, 0 340 25751 2
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Bloomsbury/Freud: The Letters of James and Alix Strachey 1924-1925 
edited by Perry Meisel and Walter Kendrick.
Chatto, 360 pp., £14.95, February 1986, 0 7011 3051 2
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... especially since – as Grosskurth herself deftly uses them to show – Libussa was a dominant and self-dramatising person whose own accounts of people and events were often highly coloured. One particular episode is important. In 1908, Libussa informed Melanie that her sister Emilie had been conducting an adulterous affair as well as ruining her husband by ...

Writing and Publishing

Alan Sillitoe, 1 April 1982

... might be brought against the ideas he intended to put forward. Perhaps, not so much a mark of self-assurance, it was merely a mannerism to confound his enemies, but it made an impression on me because my consciousness found such a tactic congenial. Otherwise, why remember an incident from a film of so long ago, when scores more are totally ...

The Past’s Past

Thomas Laqueur, 19 September 1996

Sites of Memory, Sites of Mourning: The Great War in European Cultural History 
by Jay Winter.
Cambridge, 310 pp., £12.95, September 1996, 0 521 49682 9
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... birth to Modernism it powerfully mobilised elements of a prewar cultural crisis and gave it new, self-conscious definition predicated on rupture. Against this orthodoxy several scholars – the art historians Kenneth Silver and Romi Golan, for example – have recently argued that, on the contrary, French art in the Twenties and Thirties was far more ...

Alan Bennett chooses four paintings for schools

Alan Bennett: Studying the Form, 2 April 1998

... a great deal of trouble getting paid for his commission. Both groom and boy look quite stern and self-possessed, and though both are the owner’s servants, they seem anything but servile and are so indifferent to our regard as to appear almost arrogant. The reason may be that they have a skill which we do not share. They know about horses and this horse in ...

The Vulgarity of Success

Murray Sayle: Everest and Empire, 7 May 1998

Eric Shipton: Everest and Beyond 
by Peter Steele.
Constable, 290 pp., £18.99, March 1998, 0 09 478300 4
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... can accomplish with no more than normal difficulty. The result for dyslexics is often low self-esteem and poor achievement. There are, however, compensations. Dyslexia does not affect intelligence or verbal skill, and in finding their own ways of reading and writing they (or perhaps I should say, we) often develop novel viewpoints and new approaches ...

Vuvuzelas Unite

Andy Beckett: The Trade Union Bill, 22 October 2015

Trade Union Bill (HC Bill 58) 
Stationery Office, 32 pp., July 2015Show More
Trade Union Membership 2014: Statistical Bulletin 
Department of Business, Innovation and Skills, 56 pp., June 2015Show More
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... in trade unions for four years. In 2012 Moyer-Lee helped found the IWGB in order, as its sometimes self-dramatising, revolutionary red website puts it, to organise ‘the unorganised, the abandoned and the betrayed’. In June, when I first visited the offices, Moyer-Lee told me it already had six hundred members. ‘The vast majority are cleaners, bicycle ...

The Shoreham Gang

Seamus Perry: Samuel Palmer, 5 April 2012

Mysterious Wisdom: The Life and Work of Samuel Palmer 
by Rachel Campbell-Johnston.
Bloomsbury, 382 pp., £25, June 2011, 978 0 7475 9587 8
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... cannot be got too black,’ he jotted in his sketchbook in a characteristic spirit of self-exhortation.) The picture is finished off with a varnish that has aged into a rich yellowy-brown: the total effect is sometimes said to resemble an etching, which is true enough, though it resembles something else even more, as Colin Harrison says in his ...

A Nation like Lava

Neal Ascherson: Piłsudski’s Vision, 8 September 2022

Jozef Piłsudski: Founding Father of Modern Poland 
by Joshua D. Zimmerman.
Harvard, 623 pp., £31.95, June, 978 0 674 98427 1
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... people over another.’ A federation, an association of independent nations or a single state with self-governing minority regions? He never finally decided.His lifelong rival and adversary Roman Dmowski stood for ‘modern, scientific’ nationalism: the exclusive version based on race, force and mass unity that developed in the 19th century. Deeply ...

Unquiet Bodies

Thomas Laqueur: Burying the 20th Century, 6 April 2006

Retroactive Justice: Prehistory of Post-Communism 
by István Rév.
Stanford, 340 pp., £19.95, January 2005, 0 8047 3644 8
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... Rév is the guardian of great stores of the past century’s lies and half-truths, deceptions and self-deceptions, representations and re-representations of mass horror and private mendacity, at all levels from the highest councils of state to the lowliest policeman. With sober, biting but never ingenuous hopefulness, he wrings its truths from the dross of ...

Make Something Happen!

Julian Bell: Paint Serious, Paint Big, 2 December 2010

Salvator Rosa: Bandits, Wilderness and Magic 
by Helen Langdon, Xavier Salomon and Caterina Volpi.
Paul Holberton, 240 pp., £40, September 2010, 978 1 907372 01 8
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Painting for Profit: The Economic Lives of 17th-Century Italian Painters 
by Richard Spear and Philip Sohm et al.
Yale, 384 pp., £45, 0 300 15456 9
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Caravaggio: A Life Sacred and Profane 
by Andrew Graham-Dixon.
Allen Lane, 514 pp., £30, July 2010, 978 0 7139 9674 6
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The Moment of Caravaggio 
by Michael Fried.
Princeton, 304 pp., £34.95, 0 691 14701 9
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... original in my ideas, I must live up to expectations.’ Rosa also sent Ricciardi a philosophic self-portrait – the poseur in cavalier ringlets contemplating a skull, as if Russell Brand were to land the role of Hamlet. But composure was not Rosa’s métier. He took fright when the Chigi, butts of his satire, took over the papacy in 1655, sent his ...

Madame Matisse’s Hat

T.J. Clark: On Matisse, 14 August 2008

... modernity are closely linked. Could we imagine something like Birkin’s words, minus the nasty self-righteousness, spoken gently – spoken out of love? For Spurling is right: love is at stake here. And of course the words in question (transposed into an ironic, puzzled, even admiring register) are addressed by Matisse not just to Amélie but to himself ...