At Tate Britain
Peter Campbell: Lucian Freud, 25 July 2002
“... down; when I stood up I never sat down again.’ Which makes you think about sitting and standing self-portraits: Hogarth sitting – keen, you feel, to get closer to the canvas. Velázquez in Las Meninas standing – clearly needing to move back to see how his latest mark is working. In Freud’s later, freer pictures the puckering of cheek or belly is ... ”