Black Electricities

John Sutherland, 30 October 1997

The Collected Letters of Thomas and Jane Welsh Carlyle. Vol. XXV: January-December 1850 
edited by Clyde de L. Ryals and K.J. Fielding.
Duke, 364 pp., £52, September 1997, 0 8223 1986 1
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Reminiscences 
by Thomas Carlyle, edited by K.J. Fielding and Ian Campbell.
Oxford, 481 pp., £7.99, September 1997, 0 19 281748 5
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“... to eat pumpkin, or to any fraction of land that will grow pumpkin, however plentiful such land may be; but has an indisputable and perpetual right to be compelled by the real proprietors of said land to do competent work for his living. And who are these ‘real proprietors’? ‘The Saxon British.’ It was ‘heroic White men’ who turned the ‘oozy ...”
By the Banks of the Neva: Chapters from the Lives and Careers of the British in 18th-Century Russia 
by Anthony Cross.
Cambridge, 496 pp., £60, November 1996, 0 521 55293 1
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“... wore leeks in their hats for childishly naughty revels and received blessings on the lines of ‘May your P & p’ – i.e. Prick & purse – ‘never fail you.’ Offenders against the rules were punished by having their penises smeared with egg yolk and oats and then exposed to the mercy of two hungry ducks. A merchant called Robert Nettleton was awarded ...”

For a Few Dollars More

Frank Kermode, 18 September 1997

Frozen Desire: An Inquiry into the Meaning of Money 
by James Buchan.
Picador, 320 pp., £17.99, September 1997, 0 330 35527 9
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“... not particularly needing anything though within reason able, if you choose, to have it. Money may be Frozen Desire, but when it thaws out Desire may emerge less lively than one had hoped. James Buchan would agree that it isn’t much use talking to economists about these money mysteries, for they will all tell you ...”

Nude Horses

Jerrold Seigel, 3 April 1997

The Plight of Emulation: Ernest Meissonier and French Salon Painting 
by Marc Gotlieb.
Princeton, 264 pp., £33.50, May 1996, 0 691 04374 4
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“... and engrossing, illuminating some dark corners of 19th-century visual culture. Still, readers may end up feeling less than fully persuaded, and doubtful in particular whether Gotlieb’s arguments justify our writing off the old ‘emancipatory narrative’ that relied (as he puts it) on a ‘seemingly Romantic but in fact vague and hackneyed vocabulary ...”

Who owns John Sutherland?

John Sutherland: Intellectual property in the digital age, 7 January 1999

“... effect on academic libraries in the US. If their research programmes are very ambitious, they may have to divert up to 50 per cent of their acquisitions budget to buying Elsevier’s products. Humanities subjects suffer correspondingly from frozen or reduced budgets, those twin toads of academic life. The argument is that students of the humanities can ...”

Mon Charabia

Olivier Todd: Bad Duras, 4 March 1999

Marguerite Duras 
by Laure Adler.
Gallimard, 627 pp., frs 155, August 1998, 2 07 074523 6
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No More 
by Marguerite Duras.
Seven Stories, 203 pp., £10.99, November 1998, 1 888363 65 7
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“... servants, poor whites and planters looked down on the ‘natives’ and up to the bigwigs. It may be that Duras was raped when she was four; in any case, sex came into her life early on and it was a nasty business, although Adler refrains from any obvious psychoanalytical interpretations. From Cambodia the family moved to Cochin China, surviving on Mme ...”

What’s the story?

Audrey Gillan: Trying to find the evidence for mass atrocities in Kosovo, 27 May 1999

“... dotted around Macedonia, but you are not allowed to say that during a war like this, where it may be that bad things are being done on both sides, just as you are not allowed to doubt atrocity. It’s as if Nato and its entourage were trying to make up for the witlessness of the past: trying to show that whatever we do, we won’t be turning a blind ...”

Put it in your suitcase

Nicholas Penny: Sotheby’s, 18 March 1999

Sotheby’s: Bidding for Class 
by Robert Lacey.
Little, Brown, 354 pp., £20, May 1998, 0 316 64447 1
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Sotheby’s: Inside Story 
by Peter Watson.
Bloomsbury, 325 pp., £7.99, May 1998, 0 7475 3808 5
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“... it used to be. Perhaps more important, it makes it feel safer to collect as an investment – this may be something for which Wilson was responsible. The danger lies in the information available on the work of art’s recent history. At the sale of a single collection the recent history of the objects is perfectly clear, but in other sales it tends to be ...”

A Simpler, More Physical Kind of Empathy

Lorna Sage: Haruki Murakami, 30 September 1999

South of the Border, West of the Sun 
by Haruki Murakami, translated by Philip Gabriel.
Harvill, 187 pp., £9.99, July 1999, 1 86046 594 3
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The Wind-Up Bird Chronicle 
by Haruki Murakami, translated by Jay Rubin.
Harvill, 609 pp., £12, May 1998, 9781860464706
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“... intellectual mobile warfare that flared up in the mass media’s tiny time-segments.’ The novel may be sceptical about the good faith of realist writing, but it’s also nauseated by Wataya’s kind, cultural vampires, the new undead. Maintaining this balancing act doesn’t subdue its exuberance: it has the usual metafictional company – the truanting ...”

Vibrating to the Chord of Queer

Elaine Showalter: Eve Kosofsky Sedgwick, 6 March 2003

Touching Feeling: Affect, Pedagogy, Performativity 
by Eve Kosofsky Sedgwick.
Duke, 216 pp., £14.95, March 2003, 0 8223 3015 6
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Regarding Sedgwick: Essays on Queer Culture and Critical Theory 
edited by Stephen Barber and David Clark.
Routledge, 285 pp., £55, September 2002, 0 415 92818 4
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“... scandalous and always controversial focus on sexuality and the socially constructed body to what may be an equally controversial concentration on spirituality and biological drives and affects. This is worthwhile because to many involved in literary studies, especially in feminism and queer theory, Eve Kosofsky Sedgwick’s career seems to provide not only a ...”

How’s the Empress?

James Wood: Graham Swift, 17 April 2003

The Light of Day 
by Graham Swift.
Hamish Hamilton, 244 pp., £16.99, February 2003, 0 241 14204 0
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“... now be self-conscious, deliberate dives into the sublime banal. Nowadays a novelist’s characters may themselves be knowingly aware of the effects of place. Swift’s new novel returns to the South-West London of his first two books. It is set in Wimbledon, but ventures, if that is the word, to Putney, to Hammersmith, to Chislehurst, even to Broadstairs. His ...”

Hoist that dollymop’s sail

John Sutherland: New Victorian Novels, 31 October 2002

Fingersmith 
by Sarah Waters.
Virago, 549 pp., £12.99, February 2002, 1 86049 882 5
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The Crimson Petal and the White 
by Michel Faber.
Canongate, 838 pp., £17.99, October 2002, 1 84195 323 7
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“... You hold in your hands the first great 19th-century novel of the 21st century. In my 25 years this may be the most magnificent, courageous novel I have ever published. Magnificent because it can only be called a great novel, a tour de force, a novel that truly stands beside the Victorian classics.’ Admirers of Fingersmith might contest these ...”

What the hell happened?

Alexander Star: Philip Roth, 4 February 1999

I Married a Communist 
by Philip Roth.
Cape, 323 pp., £16.99, October 1998, 0 224 05258 6
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“... and his stupidity, glimpsing a mind that moves with ‘force’ but not ‘clarity’. Ira may be a courageous idealist, but he is also a thug. As Nathan hears him rant senselessly about the Korean War, and berate his Negro maid for her loyalty to Harry Truman’s Democratic Party, he becomes disgusted, and after a while, ‘profoundly bored’. For ...”

Stubble and Breath

Linda Colley: Mother Germaine, 15 July 1999

The Whole Woman 
by Germaine Greer.
Doubleday, 351 pp., £16.99, March 1999, 0 385 60015 1
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Germaine Greer: Untamed Shrew 
by Christine Wallace.
Cohen, 333 pp., £18.99, March 1999, 1 86066 120 3
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“... Still less were they expected to do them. That such flaunting outrageousness might become a trap may not immediately have been apparent. The conventional media have always celebrated Greer the phenomenon. It saves them from having to weigh and sift her ideas. The coverage of this new book, explicitly billed as a sequel to The Female Eunuch, has been wide and ...”

Teeth of Mouldy Blue

Laura Quinney: Percy Bysshe Shelley, 21 September 2000

The Complete Poetry of Percy Bysshe Shelley: Volume I 
edited by Donald Reiman and Neil Fraisat.
Johns Hopkins, 494 pp., £58, March 2000, 0 8018 6119 5
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“... Francis Ravaillac and Charlotte Cordé’ consists of nine-line stanzas rhymed ababcdcdD. Shelley may have invented this form, his editors suggest, because he could not yet cope ‘with composing in the more complexly rhymed Spenserian stanza (ababbcbcC)’. Though his imagery tends to be trite, Shelley did pretty well with the rhythm of his invented ...”