“... eyes. The market for male ‘general interest’ magazines has grown massively in the UK, as if young men suddenly needed to be celebrated and serviced in a new way, as if there were a new demand among them for reassurance about the wonders of male normalcy. They look for all this in the way people like Tony Parsons have taught them, in a spirit of ...”

“... while still an undergraduate at Columbia, where Mark Van Doren was his teacher and mentor; and Robert Penn Warren was the editor (at Southern Review) whom he first sought to impress. But if the New Critical aesthetic disciplined Berryman it also inhibited him. It gave him a good technical training, but its insistence on what he later called ‘Eliot’s ...”

“... merged into a single script. Not surprisingly, two highly successful journalists, David Holden and Robert Lacey, decided to turn their talents to an exposition of this fascinating modern legend. Unfortunately Holden, a distinguished reporter with many years’ experience of the Middle East labyrinth, never lived to complete his book. He had written the first ...”

“... in the early 1960s, she nonetheless continued picking up nubile girls with aplomb, including (says Robert Schanke) a ‘tubercular young British actress who was a waitress in a coffee shop’. Once one might have welcomed such a seduction, fang marks, TB and all. I remember much relishing de Acosta’s gossipy 1960 ...”

“... penny when no copies went off – has often been told. In 1861, two years after its appearance, a young Celtic scholar called Whitley Stokes fished several copies out of the bargain box and gave some to friends, including Monckton Milnes, Richard Burton and D.G. Rossetti. Ruskin and Burne-Jones discovered it; Meredith was bowled over by it. By the century’s ...”

“... sense. There isn’t much she hasn’t read, or doesn’t remember. Oscar Wilde, the Brontës, Robert Louis Stevenson, Tennyson, George MacDonald, Charles Reade, Jane Austen, George Eliot, Louisa May Alcott, Wilkie Collins, Mary Braddon, Conan Doyle, Du Maurier, and plenty more. Her literary memory is a compendium of every syllabus in Victorian literature ...”

“... A young man, hectic and dirty, sits on a park bench in a cold city. He is wild, nervous, seems to fiddle with his soul. Beside him, an old man is holding a newspaper. The young man begins a conversation. In its course, the old man reveals that he is blind. He asks the young man where he lives ...”

“... and all such evil behaviour as we see to be in other[s].’ In The Anatomy of Melancholy (1621), Robert Burton made the same point from the victim’s perspective: ‘A bitter jest, a slander, a calumny, pierceth deeper than any loss, danger, bodily pain or injury whatsoever.’ In 17th-century England, people across society defended their honour against ...”

“... W.1, and others. The translations were just as elastic as these cartoon-rubber composites. In the Robert Lowell version actually used by the Sunday Times, ‘Spleen’ opens: I’m like the king of a rain-country, rich but sterile, young but with an old wolf’s itchSteiner’s green-inked envelopes, on the other ...”

“... only one of his author’s novels was in print. And that one was the near-porno Sanctuary, about a young woman who was raped with a corncob, a cheap yarn which Faulkner, then in dire penury, had concocted to sell and which, one hopes to his annoyance, sold more than all his previous works. Today his entire canon is available but no volume that I have looked at ...”

“... here – as are the movies and documentaries, with Albert Finney following Richard Burton and Robert Hardy as a screen Churchill. As for approval ratings, in an admittedly contrived phone-poll BBC2 viewers last November voted him the greatest Briton of all time. Most Churchill biographies have been massive: Roy Jenkins’s weighed in at 1.5 kilos and a ...”

“... bolted Hollywood to run off with Roberto Rossellini, leaving her husband (a Swedish doctor), her young daughter and her place as the world’s most successful and virtuous film star. It couldn’t, could it? she pleads winsomely. Certainly many of the elements in the Bergman-Rossellini drama are as dated as the home permanent. The grande affaire, the world ...”

“... girls look less mad than trapped; they could be acting the part of one of Dickens’s wild, angry young women. Forbidden and shocking images proliferated. Pornographers found photography a lucrative medium (although there is nothing of that here), while social reformers made it a persuasive one. In Thomas Annan’s Close No. 118 High Street, from an album ...”

“... speech in the parliamentary debates on the second reading of the first Reform Bill was made by the young MP for the rotten Wiltshire borough of Calne, Thomas Babington Macaulay. He denounced the aristocracy’s blind insensitivity to the upper middle classes from which he came. He stressed the contribution that class could and should make to politics. It was ...”

“... Poland but then part of the Russian Empire. Her family moved to Kyiv when she was three and as a young woman she studied at the newly established Kyiv Art School, leaving after graduation in 1906 for Paris and the Académie de la Grande Chaumière. Here she met Fernand Léger, who became an important friend and supporter, though she was criticised for her ...”