“... that’s not why it’s so popular here. The book sets out to display, often brutally, just what Robert Hughes’s ‘fatal shore’ has become: a terrain beset by identity dilemmas and querulous uncertainty. Who dunnit? Well, everybody, in one way or another. Temple’s Joe Cashin fights his way through gangsters and bent cops to reveal Melbourne as the ...”

“... of Richard and Richmond fighting, and I gilded it after which I cut it out with no white.’ This self-assured mixture of literature and art prefigures the preoccupations of Gabriel’s life. It is a medievalist text that draws his attention, and he responds first by acting parts of it out with his siblings and then by constructing a picture. In his early ...”

“... Iron John, a short work of psychological, literary and anthropological speculation by the poet Robert Bly, ‘dominated’ the New York Times best-seller list for nearly a year, and has made, as we shall see, a heavy impact on many aspects of American life. It has not done so well over here. For this there are many reasons, but let us begin with the most ...”

“... That gave you vantage when you would despise: My bankrupt heart has no more tears to spend. Robert Bridges, who, as Martin says, ‘understood perfectly well both Dolben’s role and Hopkins’s emotions in writing’ these sonnets, noted on the autograph copy that they ‘must never be printed’. Had he become a fellow of Balliol and a Classics ...”

“... guests with more than just the keys to their rooms. According to Thompson’s latest biographer, Robert Polito, even as a teenager Thompson ‘moonlighted as a bootlegger, a drug peddler, a grifter, a pimp and a male escort’. His extra-curricular activities often added as much as three hundred dollars to his weekly wage but, at the same time, demanded the ...”

“... it comes at the weary end of a line that stretches through books by Peter Blake, Brent Brolin, Robert Venturi and others right back to Jane Jacobs’s epoch-breaking attack on Le Corbusier in The Death and Life of Great American Cities, over twenty years ago. Of course, all this has guaranteed Wolfe a readership whose anti-modern reflexes had been well ...”

“... trauma, psychological numbing, amnesia, insomnia or other forms of automatic arousal. Readers of Robert Graves, Siegfried Sassoon or Pat Barker should not be surprised that this description of PTSD turns out to have a strong resemblance to the description of shell-shock that has become part of the modern literary tradition: the psychiatrists are, after ...”

“... in [Auden’s] own consciousness’. It expressed ‘an essential uncertainty of purpose and of self’, such that Auden’s ‘assured personal manner’ covered something very different. Taking up Empson’s account of the work, Leavis alluded to Empson’s own poems and their superiority, in mastery of their emotions, to Auden’s. ‘The ...”

“... instance, it was said that as the daughter of Baldwin V, Count of Flanders, and granddaughter of Robert II ‘the Pious’, King of France, she proudly refused a marriage proposal from William Duke of Normandy, on the grounds that he was illegitimate and she would not demean herself to marry a bastard. At this, the story goes, William rode up from ...”

“... brilliance’ and ‘hard, gem-like style’ but backhandedly compared his writing to self-satirising chinoiserie. ‘Forgetting Elena is a masterful piece of work, I have no doubt of that,’ Friedman wrote. ‘The trouble lies in the contrivance.’ Though the language at times was ‘uncannily beautiful’, the narrator was ‘unfailingly ...”

“... propagated Scottish notions of liberty, improvement, politeness and sentimentality. Rather as Robert Darnton a generation ago diverted scholarly attention from the philosophes to the printers, engravers and booksellers of Paris in The Business of Enlightenment: A Publishing History of the ‘Encyclopédie’, so Sher looks through all that Scottish mind ...”

“... own autobiography, Passages in a Wandering Life, but there is far more feverish guilt and self-contradiction in his life than the term ‘wandering’ suggests. The narrative of this life is in no sense straightforward. It has lost that classic linear imperative that characterised the religious quest of Pilgrim’s Progress. What Matthew Arnold ...”

“... into focus out of the historical blur) often with great vividness. The three men, Thomas Evans, Robert Wedderburn and George Cannon, were affiliated with ultra-radicalism and Spence before the letter’s death in 1814 – though Cannon, almost a generation younger than the others, was a late arrival. The first part of Dr McCalman’s study looks at the ...”

“... that Barrett’s poems were unnecessarily ‘obscure’ – a common complaint about the work of Robert Browning which she also repeatedly echoed. Often EBB penitently acknowledges the fault – ‘my obscure devil’ – just as she often insists on the inevitable cloudiness of those who strive after the sublime. Aeschylus, after all, was ‘the sublimest ...”

“... of a poem. ‘These were strange requests, coming from someone who had made contemporary poets self-conscious about their crudities, afraid to rhyme “bone” with “stone”, or to go umpty-umpty-um. Marianne was doing her best, one saw, to go umpty-umpty-um when she sensed that La Fontaine had gone that way, but it seemed to be almost – I use the ...”