Reality Is Worse

Adam Mars-Jones: Lydia Davis, 17 April 2014

Can’t and Won’t 
by Lydia Davis.
Hamish Hamilton, 304 pp., £16.99, April 2014, 978 0 241 14664 4
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... sways with grief ‘like a stalk of grass in the wind’ and ends by saying: ‘Oh, we writers may think we invent too much – but reality is worse every time!’ He’s not saying that invention is superfluous, just that there is no upper limit of grotesqueness to what happens every day. It isn’t unusual that a writer should be drawn to another ...

The Urge to Strangle

T.J. Clark: Matisse’s Cut-Outs, 5 June 2014

Henri Matisse: The Cut-Outs 
Tate Modern, until 7 September 2014Show More
Henri Matisse: The Cut-Outs 
MoMA, 25 October 2014 to 8 February 2015Show More
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... of Picasso’s Party Line question that matters, but rather the suspicion that Matisse’s answer may be, though he hardly knows it, the whole truth. Decoration without somewhere to decorate – applied art without a realm of pleasure or praxis to apply to – such is modernism’s ‘Why not?’ The problem that follows for the critic is not to decide ...

Toxin in the System

Michael Peel: In Nigeria, 5 February 2015

... of better governance in some areas. Jonathan’s supporters claim that if he wins a second term he may be able finally to tackle the long-standing corruption and political sclerosis that has damaged the country – the legacy of imperialism, dictatorship and the fight for the spoils of oil. But for all the talk of a booming middle class, and a surge in ...

What would the Tahitians say?

Joyce Chaplin: Captain Bligh, 24 May 2012

Bligh: William Bligh in the South Seas 
by Anne Salmond.
California, 528 pp., £27.95, October 2011, 978 0 520 27056 5
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... important point, however, she suggests rather than exhausts the Tahitian side of the story, and may not do justice to the implications of the new globalisation of commodities, of which the breadfruit mission was a part. The 18th-century romanticisation of Polynesia as another Eden, all luscious fruit and naked Eves, was not just an abstraction, but also a ...

My Feet Are Cut Off

Barbara Newman: Lives of the Saints, 3 December 2009

Gilte Legende Vol. I 
edited by Richard Hamer and Vida Russell.
Early English Text Society (Oxford), 496 pp., £65, November 2006, 0 19 920577 9
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Gilte Legende Vol. II 
edited by Richard Hamer and Vida Russell.
Early English Text Society (Oxford), 1036 pp., £65, August 2007, 978 0 19 923439 4
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... to stretch up to thee, nor hands to join before thee; my feet are cut off and my knees, so that I may not bow them to thee.’ How can we explain this carnival of cruelty? Theologically, the saints were of course imitating Christ, who saved the world by his suffering, so martyrdom in the primitive Church was prima facie evidence of sanctity. It was also one ...

Big Head, Many Brains

Colin Burrow: H.G. Wells, 16 June 2011

A Man of Parts 
by David Lodge.
Harvill, 565 pp., £18.99, March 2011, 978 1 84655 496 4
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... I am’. He nonetheless believed that ‘the artistic type relative to the systematising type may have a more vigorous innervation of the cortex, rather more volume in the arteries, a richer or more easily oxygenated blood supply.’ In short, much of our nature is determined by our plumbing. There is no one so deceived as the person who believes that he ...

Confusion is power

David Runciman: Our Very Own Oligarchs, 7 June 2012

The New Few, or a Very British Oligarchy: Power and Inequality in Britain Now 
by Ferdinand Mount.
Simon and Schuster, 305 pp., £18.99, April 2012, 978 1 84737 800 2
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... the reason oligarchies fail in the end: the public tires of being treated in this way. Democracy may well be bubbling up in Russia in ways that the elite will eventually be unable to control. But until they lose control, there is no doubt about who is in charge. If Britain is turning into an oligarchy, as Ferdinand Mount claims, then it’s nothing like the ...

They rode white horses

Peter Canby: Shining Path, 12 September 2013

Intimate Enemies: Violence and Reconciliation in Peru 
by Kimberly Theidon.
Pennsylvania, 461 pp., £49, November 2012, 978 0 8122 4450 2
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... of Theidon’s book is that the movement’s ideology is never properly analysed, although it may be that there’s not a lot to analyse. What she says about its provenance is revealing, however. It took root in institutions in Ayacucho, including a secondary school in the ancient Inca administrative centre of Vilcashuamán and San Cristóbal National ...

Stand and Die

Richard Overy: Rückzug, 10 October 2013

Rückzug: The German Retreat from France, 1944 
by Joachim Ludewig, edited by David Zabecki.
Kentucky, 435 pp., £33.95, September 2012, 978 0 8131 4079 7
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... small attacks, but the local population was, Ludewig suggests, mostly quiet – an attitude that may well have been prompted by the massacre of villagers at Oradour-sur-Glane by Waffen-SS soldiers a few weeks before. Model, on the other hand, had to watch German forces squeeze along the few remaining roads near Falaise, abandoning most of their equipment ...

What does China want?

Jonathan Steele: China in the Stans, 24 October 2013

Restless Valley: Revolution, Murder and Intrigue in the Heart of Central Asia 
by Philip Shishkin.
Yale, 316 pp., £20, June 2013, 978 0 300 18436 5
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The Chinese Question in Central Asia: Domestic Order, Social Change and the Chinese Factor 
by Marlène Laruelle and Sébastien Peyrouse.
Hurst, 271 pp., £40, October 2012, 978 1 84904 179 9
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... empires – Russia past, US present and China future – will be purely economic. Political Islam may be a threat, but jihadi militance is likely to pose more of a problem for the local regimes than for the three outside powers. Indeed, the potential threat from political Islam is more likely to lead to co-operation than conflict among the big three since ...

Rite of Corruption

James Wood: Emma Donoghue’s ‘Room’, 21 October 2010

Room 
by Emma Donoghue.
Picador, 321 pp., £12.99, July 2010, 978 0 330 51901 4
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... the book itself is never far from cuteness – more Adrian Mole than Ivan Denisovich – which may explain the endorsements of Room provided by sentimental popular novelists like Anita Shreve and Audrey Niffenegger. Where is Mark Haddon’s imprimatur? And of course, a novel narrated by a five-year-old kid stretches to breaking point the already uneasy ...

Diary

Jenny Diski: Happiness, 23 September 2010

... named her whole project after it, and gave a fine example of what she means by it and how it may be arrived at when The Happiness Project went straight to the top ten in the US bestseller list:* ‘I’m in shock. I just found out. My book, The Happiness Project, hit #2 on the New York Times bestseller list, its first week out in the world. This is one ...

A Toast at the Trocadero

Terry Eagleton: D.J. Taylor, 18 February 2016

The Prose Factory: Literary Life in England since 1918 
by D.J. Taylor.
Chatto, 501 pp., £25, January 2016, 978 0 7011 8613 5
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... student will one day explain why. Perhaps it has to do with a certain English stiffness, which may be one reason it is rare in the United States. The English don’t like being on first-name terms with strangers, which is what authors and readers generally are to each other. It may also have to do with the doctrine of ...

Grub Street Snob

Terry Eagleton: ‘Fanny Hill’, 13 September 2012

Fanny Hill in Bombay: The Making and Unmaking of John Cleland 
by Hal Gladfelder.
Johns Hopkins, 311 pp., £28.50, July 2012, 978 1 4214 0490 5
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... killers are deviant, while sunlight, death, panic and arthritis are natural. Whatever else they may be, human beings are natural material objects. Normality and convention can be on the side of enlightenment: if being allowed to go on strike isn’t normal, it ought to be; convention dictates that you shouldn’t kick vagrants who ask you for ...

Mud, Mud, Mud

Nathaniel Rich: New Orleans, 22 November 2012

The Accidental City: Improvising New Orleans 
by Lawrence Powell.
Harvard, 422 pp., £22.95, March 2012, 978 0 674 05987 0
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... while the BP oil spill, and the subsequent poisoning of Gulf waters with dispersant chemicals, may surpass Katrina in both economic damage and loss of human life. Disaster is part of the character of the city: not just the trauma of past cataclysms, but the fear of what will come next, and how soon. In New Orleans’s first hundred years, the period ...