“... The story of the making of the atomic bomb has been told countless times before, most notably by Richard Rhodes, but Baggott’s book is rare in giving details not just of the successful Anglo-Canadian-American effort at Los Alamos, but the competing efforts in Germany, Japan and the USSR, culminating with the explosion of Joe-1 (the first Soviet bomb) in ...”

“... Beatrice Potter was born in 1858 at Standish on the edge of the Cotswolds. Her father, Richard Potter, was a well-to-do (mainly self-made) businessman to whom she was devoted. Relations with her mother seem, however, to have been uneasy: the diary mentions ‘a kind of feeling of dislike and distrust which I believe is mutual ...”

“... to the work of Tolstoy and Dostoevsky, but also condemned as a melodramatic mishmash. First, Richard Bernstein (last December in the New York Times) called it ‘a startling, piercing work of fiction with a strong claim to being Singer’s masterpiece’. Bernstein kvelled about its ‘largeness, the depth and complexity of its exorbitantly ...”

“... famous because it seemed to recount her adventures with Liszt. Few people now have heard of it. As Richard Bolster and Stock-Morton both observe, her novels are as mediocre as most 19th-century romans à clé. According to Stock-Morton, a modern Marie d’Agoult would probably have visited a psychotherapist instead of writing fiction. No one should regret the ...”

“... The word ‘meme’, popularised by Richard Dawkins in The Selfish Gene, has recently gained entry into the OED as ‘an element of a culture that may be considered to be passed on by non-genetic means, esp. imitation’. But the idea that culture is transmitted by imitation and learning in a manner analogous but not reducible to natural selection has been around for a long time, and many other terms have been used in describing it ...”

“... taxonomic levels, my plant is a member of the Primula ‘family’, and below the species there may be varieties (or sub-species). What count as varieties to some authorities are distinct species to others – but we won’t go into that now. Common (or garden) usage, by comparison, is a mess: you can take your pick between ‘pretty shooting ...”

“... Victorian novelist. His new companions in the Abbey – Dickens, George Eliot and Hardy – may sell more copies of individual novels, but they cannot match the expansiveness of Trollope’s appeal. Forty or more of his works are currently in print – some in as many as five different editions. But for a century, Trollopians have complained about the ...”

“... in six editions during his life, and in two more by 1640. The most popular of the plays were Richard III and Richard II, each of which went through five editions before 1616. Romeo and Juliet went through four; Hamlet appeared in three. For readers since the 18th century, the narrative poems have been at best marginal ...”

“... the Independent Group, the extraordinary band of young artists, architects and critics (including Richard Hamilton, Peter and Alison Smithson, and Lawrence Alloway, among others) who developed, from within the Modernist Institute of Contemporary Art, a Pop sensibility of their own. His revised dissertation, Theory and Design in the First Machine Age, made his ...”

“... reckon, started with Descartes. By contrast, the Recent era started when philosophy, in Richard Rorty’s phrase, took the ‘linguistic turn’. So it started with Frege or Russell, or early Wittgenstein, or the Vienna Circle; take your pick. Modern philosophy was mostly about epistemology: it wanted to understand what makes knowledge ...”

“... nothing in the night-time. But on the whole Holmes’s clues are objects, particularly those that may be detected through a magnifying-glass: Holmes’s glass is almost as famous as his deerstalker cap. Some of the clues, although solid, must be described as transparent too. There is often a largeness, as well as innocence, about these minutiae which ...”

“... version of its structure, but the user’s manual doesn’t limit the ways in which the book may be read. Nothing said about Ulysses seems to spoil it. But Finnegans Wake lacks this imperturbability: it seems to demand to be read in one way, and nobody knows what the way is. Obstinate rather than patient, it holds out against every effort of good ...”

“... its ironic blending of high and low, its whispered implication that things might be different. May not the Linnin of a Tiburn slave, More honour then a mighty Monarke have? That though he dyed a Traytor most disloyall, His Shirt may be transform’d to Paper royall. And may not dirty ...”

“... producing it: that in devious ways social origins reproduce themselves. However oblivious Bourdieu may have been to the contrary force of his own example, he deserves credit for showing that, on the whole, social origins do reproduce themselves – a simple, indignant premise that sent him off to explore a fascinating variety of archives. In Homo ...”

“... at the National Theatre in Tirana, has ordered 60 pints of pigs’ blood for his production of Richard III. He intends to make the theatre’s small musty stage into an abattoir, dress the actors as butchers in blood-splattered white coats and hang ‘the criminals’ from their feet like cattle. This, Agim says, is the only way to illustrate the horrors ...”