Always the Bridesmaid
Terry Castle: Sappho, 30 September 1999
“... Mengin’s ghastly-glorious 1877 painting of the poet, bare-breasted beneath a swirling black sky, gazing mournfully down at the Aegean.) Watching Prins make this particular plunge, Post-Modern tresses lifting in the wind, is to be struck again by how difficult it is, in life or literary criticism, to avoid the classic Sapphic double-bind: take the ... ”