“... We get a glimpse of Cambridge high life: the gluttony and gambling – swans for the eating, Van John all night, with ‘the Dr’ picking up the tabs. Darwin laughed modestly at the paralysis of his faculties through inertia, but the image of enforced idleness at Christ’s is misleading. There was riding (his horse came up too), but more important he was ...”

“... John Keats​ went walking in the Lake District in June 1818. It was the first decent summer since the eruption of an Indonesian volcano three years before had tipped postwar Europe into a crisis of failed harvests, mass hunger and widespread social unrest. In Britain, Lord Liverpool’s government had suspended Habeas Corpus; Luddite organisers, revolutionary Spenceans and radical journalists had been arrested and tried (with mixed results); the Peterloo Massacre and the repressive ‘Six Acts’ lay just ahead ...”

“... really work: readers are not going to do the necessary regression analysis to make sense of it. John Curtice and Michael Steed also produce an immensely careful and laborious analysis of constituency results, their main conclusion being to confirm that the economy was not the master issue which moved the electorate. The Norris and Gavin volume contains a ...”

“... is poignant and strong. There is a slight wobble of intention evident in the blurb of and John Wain’s own prefatory note to Where the rivers meet. The blurb calls it ‘the first of three projected books on the life of Oxford from the 1930s to the present day’, while Wain writes ‘the fact that its narrative ends at 1933 does give me the option ...”

“... In the massive, magisterial The Best American Short Stories of the Century edited by John Updike, Flannery O’Connor is included with one of her much anthologised stories, ‘Greenleaf’, while McCullers and Capote are not only absent, but their absences have gone unremarked by reviewers. Fifty years ago, such a state of affairs would have been ...”

“... it, producing not only Rockwell, Guest and the Saturday Evening Post but also Georges Simenon, John Steinbeck and the New Yorker (‘high-class kitsch for the luxury trade’). With kitsch running wild, like the capitalism which propelled it, authenticity needed defending. For nearly fifty years, Greenberg shouldered the task, separating good art from bad ...”

“... mixing ‘Marxism, narcissism and paganism’, a realisation of the ‘dystopian fantasy of John Lennon’. Talk of ‘white culture’ under threat lit up social media. Commentators wondered if a radical right-wing vision of politics defined by ‘faith, family and flag’ was taking root in the UK. By then, I was long gone. The press officer came ...”

“... come away. 22 February. Switch on Newsnight to find some bright spark from, guess where, the Adam Smith Institute, proposing the privatisation of public libraries. His name is Eamonn Butler and it’s to be hoped he’s no relation of the 1944 Education Act Butler. Smirking and pleased with himself as they generally are from that stable, he’s pitted against ...”

“... disembodied voiceover as we accompany the poets to Minneapolis’s Washington Avenue Bridge, where John Berryman jumped to his death; the White Horse Tavern, where Dylan Thomas supposedly drank the 18 whiskeys that killed him; 23 Fitzroy Road, where Plath laid her head on a folded towel in the gas oven; Missolonghi, per Byron; Rome, to the Keats-Shelley ...”

“... also share the tendency to encapsulate the transition from one epoch to another in pithy slogans: John Lloyd speaks of ‘End-of-History politics’, for example; other contributors of ‘old thinking’. In one important respect, The Alternative does differ from New Times. In 1988 the ideological decay of Thatcherism was only incipient; most of the essays in ...”

“... McEwan, I tried to call you on the radio telephone, when our old flatmate, John Webb, fell overboard in a gale off the coast of Long Island a few years ago and was nearly swept south to Bermuda. But the old Oxford number had been disconnected, and your publisher told me that you were ‘indisputably a hugely important literary phenomenon’ and not taking any calls ...”

“... publicists like G.H. Lewes or G.J. Holyoake, or even established writers like Carlyle or John Stuart Mill, had limited means and little patronage. But most new arrivals found that their heroism on the barricades or their daring escapes meant nothing: ‘these people’, wrote Amalie Struve from ‘the gloomy banks of the Thames’, ‘do not know our ...”

“... either his own or somebody else’s. There is, indeed, much truth in this notion, for, as Adam Smith had implied, the market, together with its twin, private property, was the great invoker of city-building energies and the great though blind mediator of their outcome. But then in the last years of Victoria’s reign the great faults of the cities began to ...”

“... music has also stormed the citadel of literary fiction, and characters in novels such as Karline Smith’s Moss Side Massive and Nick Hornby’s High Fidelity are identified, and minutely differentiated, by their music tastes. The characters in The Black Album tend not to be pinned down by their music tastes. Chili, the central character’s brother, is, in ...”

“... the monumental American Visions: The Epic History of Art in America, the artist of choice would be John Singer Sargent, brilliant pictorial chronicler of the beau monde of the 19th century. Like Sargent, Hughes is a brilliant crowd-dazzler and populariser; like Sargent, he is unadventurous in his choice of precedents; like Sargent, a dashing but flattering ...”