Yeats, Auden, Eliot: 1939, 1940, 1941
Colm Tóibín, 22 January 2026
“... a kind of completion. ‘Late style does not admit the definitive cadences of death,’ Edward Said wrote. ‘Instead, death appears in a refracted mode, as irony.’ Cuchulain’s violence is refracted. It is a great irony that he must finally consort with cowards.Unusually for Yeats, as Roy Foster notes in his biography, the poem didn’t need ... ”