“... been Taken multiple times and will not be Taken again. Someone, anyone, must go in his stead. His brown burning face thrusts through Scully’s window, and he tapes her mouth and puts her in the trunk of his car, where her pale irises shine like fish scales. Then Duane Barry drives south through green needles. He does not ...”

“... It’s curious in so many ways, watching the consumer bubble as it shrivels. People don’t stop wanting to buy stuff just because they are frightened. There are so many ways that fear can motivate you to buy yet more. Over the past year, I’ve watched with interest as more and more items in our weekly Sainsbury’s shop have been reassuringly repackaged as Basics, with ugly orange labels and cosy little sayings: Basics potatoes come in ‘all shapes, all sizes’; Basics flour is ‘a little less refined’; Basics houmous has ‘less tahini, just as tasty’, and at 75p for 200g, is actually a little more expensive than the mainstream version, which gives you 300g for £1 ...”

“... are fed to a privileged coterie of writers or journalists on the far right. In Pincher’s work the two obsessions chase each other’s tails: the alleged need to protect national security legitimates the compulsive secrecy, while the need to expose Communist infiltration legtimates attempts to pierce that ...”

“... the fatal tendency of the Conservative governments to which Britain has been subjected since 2010. David Cameron’s declaration in January 2013 that, if the Conservatives won the next election, they would offer a referendum on membership of the EU – which wasn’t a significant concern, never mind a priority, for British ...”

“... genius and renown, the British and American mass audience was thrilling to the reborn version of David Lean’s Lawrence of Arabia. The movie, which is the closest investigation most English people have made of their country’s long, intense, misunderstood encounter with Islam, is ...”

“... who have got to know the hard way where the limits of their theories lie. Donald Davie’s new sequence of poems, ‘Three for Water-Music’ (which fills the first third of his Carcanet paperback), refers not only to pleasant 18th-century entertainments by water, but to something like Yeats’s ‘words for music, perhaps’: or like Eliot’...”

“... Africa​ , it’s said, is the mother of modern civilisation, but it’s probably more accurate to say that Congo is. Consider your mobile phone. Before it was assembled in a Chinese factory, the coltan in its capacitors may have been dug by miners in the Eastern Congo, where millions have died in a series of wars over ‘conflict minerals’, though we give this no more thought than previous generations of Westerners gave to the Congolese origins of the ivory in their piano keys, the rubber in their tyres, the copper in their bullet casings or the uranium in their bombs ...”

“... Bryan Carsberg of Oftel smiles up in soft brown light as he dangles in the mirror on a green office wall. Michael Meyer of Emess Lighting is dissected by the blinds that cut across him and then reassembled from outside – his shirtsleeved figure looming like a target in the formulaic eye of some Hollywood assassin ...”

“... In 1865, a year after John Clare’s death in the Northampton General Lunatic Asylum, Frederick Martin, a former amanuensis of Thomas Carlyle, published the first biography of the ‘peasant poet’. It laid the foundations, Jonathan Bate says in his new Life, ‘for both the enduring myths and some of the key truths about Clare ...”

“... So:​ the last London. It has to be said with a climbing inflection at the end. Every statement is provisional here. Nothing is fixed or grounded. Come back tomorrow and the British Museum will be an ice rink, a boutique hotel, a fashion hub. The familiar streets outside will have vanished into walls of curved glass and progressive holes in the ground ...”

“... delay. I hadn’t looked at the book in front of me in more than thirty years – Norman Mailer’s Miami and the Siege of Chicago, his two convention pieces from 1968 – and just as my phone began to buzz my eye landed on a sentence: ‘The reporter was a literary man – symbol had the power to push him into actions more heroic than himself.’I picked ...”

“... all meat v. no meat at all, GM v. organic, long haul v. local, dirty v. ‘environmental’ and so on; how we prepare a dish, how Heston Blumenthal does it. What makes these conversations possible is the abundance we’re now accustomed to: plenty is the medium in which our anxieties, our pleasures and even our ‘ethics’ thrive. ...”

“... meeting of the member states that fund and supervise the WHO. The opening session of this year’s assembly, forced online by the worldwide lockdown, was anchored from WHO headquarters in Geneva. We were led on a claustrophobic internet tour of ministerial offices and oppressively large desks in three dozen world capitals, some of the speeches crackling and ...”

“... of a wedge-shaped field of corn. He is leaning against some sort of natural cushion, and it’s possible he is asleep, though he has a large book open in front of him so perhaps it’s just that his eyes are cast down to scrutinise its pages. But that would be difficult since it is ...”

“... Lewis Theobald’s Double Falsehood had its premiere at the Theatre Royal on Drury Lane on 13 December 1727. It was a romantic tragicomedy in a Spanish setting; the story was from an episode in Don Quixote. Theobald’s statement that it met with ‘universal applause’ is untrue, but it certainly created a buzz ...”