“... The title of David Abulafia’s magisterial book comes, as he reminds us, from a Hebrew blessing, to be recited when setting eyes on the Mediterranean: ‘Blessed are you, Lord our God, king of the Universe, who made the Great Sea.’ His book is a two-fold history: first of the trade and the traders who discovered the sea, created its ports and never ceased thereafter to animate it in pursuit of commerce ...”

“... and race ‘functions ornamentally in service to academic publication and career trajectories’. David Sterling Brown’s essay on Shakespeare’s near obsession with white women’s white hands doesn’t bring in his own lived experience, but his monograph Shakespeare’s White Others – in which Titus Andronicus, Hamlet, Antony and Cleopatra and Othello ...”

“... visitation complaints and defamation suits, and the answers have always been ‘it all depends.’ David Cressy’s excellent book suggests a different approach, examining conflicts over ritual and offering stories rather than statistics. Despite Coverdale, Gouge and the Admonition, a wedding was not only a religious ceremony, but the culmination of weeks or ...”

“... in 1591. He spots that it includes a presentation to the Queen by ‘Auberon (Oberon) the fairie King’, and duly writes to Malone to tell him all about it. ‘I leave the inferences, if any, to you.’ Sure enough, the content of Warton’s letter turns up (unacknowledged) in Malone’s essay on the chronology of Shakespeare’s plays in his hugely ...”

“... drive a man to child abuse, so I am delighted to find the Burma excuse put to flight by Francis King, a school contemporary of Trench’s. He remembers Trench the schoolboy as ‘supercilious, capricious and cruel’ long before the Japanese ever laid a finger on him. Mark Peel describes the floggings at Shrewsbury as ‘a real outlet for Trench’s ...”

“... David Freedberg’s new book is illustrated with wonderful, detailed drawings and engravings of plants, fungi, fossils, birds, insects and animals – nearly all made in the 17th century. Freedberg is an art historian; the starting point of his book is a dream he had sometime before 1986 in which Anthony Blunt appeared holding a drawing of an orange ...”

“... ever seen. I text my friends a picture of it, to give them an idea of the infant’s proportions. King Baby, I call him, and steal looks at him throughout the flight; reassured, protected, in the presence of a monument.At the airport, I text my Lady’s Companion, my friend Hope. ‘Were you joking when you invited me to come with you to Rome?’ she wrote to ...”

“... immediately after the war, conditions in Britain, especially in the cities, were pretty grim. As David Kynaston tells it, people were exhausted, low in spirits, their resources depleted, and over everything there hung the threat of another, probably terminal war. The dawn of the postwar era was cold and dark and bleak, but there was a touch of pink in the ...”

“... party, both started out as ‘terrorists’. Begin was behind the 1946 bombing of the King David Hotel, which killed nearly a hundred civilians; Shamir planned the 1948 kidnapping and assassination of the UN representative Folke Bernadotte. Yitzhak Rabin, revered among liberal Zionists as a peacemaker, oversaw the deportation of tens of ...”

“... He maintains that the first modern act of political terrorism in the region was the bombing of the King David Hotel in Jerusalem by Irgun Zvi Leumi under the leadership of Menachem Begin; the assassinations of Lord Moyne, the British Minister Resident, and Count Bernadotte, the UN mediator, by Jewish extremists long preceded that of Anwar Sadat by their ...”

“... servants only two were fit to wait on him; he himself was very ill and very tired. He wrote to the King, saw that his men and invalids were paid and looked after, and then went straight home to San Lucar, which he had never wished to leave. On being offered the command in the first place he had asked to be excused ‘for I know by the small experience I have ...”

“... scribble across the simple mystery of Woman in Blue Reading a Letter. Vermeer is the reverse of a king; his art the very opposite of Lowell’s credo that ‘the artist’s existence becomes his art.’ Vermeer’s pictures are endlessly mysterious and commonplace precisely because the artist is not in them, has been able so completely to exclude himself. And ...”

“... hip-hop artist RAMM:ΣLL:ZΣΣ. She mentions the Queen of Hearts. (But she doesn’t mention the King of Hoods, Kenny in South Park.) In the end it all gets a bit much. Also, the risk of arguing that nothing is what it seems is that nothing seems to mean anything. ‘On top of everything else,’ Kinney writes, ‘hoods are about ...”

“... beside her on the bed. Esther before Ahasuerus (c.1628-30) is pure theatre, depicting the Persian king anachronistically decked out in full commedia dell’arte costume and framed by a red stage curtain; the fainting Esther is washed out not only by her days of fasting but also by the riot of colour that surrounds her. A similar stage curtain appears in ...”

“... of lovers in the Islamic haadith, the Heroides of Ovid and the western courtly romances, and David Swale (all too briefly) discusses the limitations of D.H. Lawrence when read in the light of the German Bildungsroman, with its freedom and spiritual adventurousness which is at the same time related to the sense of a given community: these, however, are ...”