“... in a review by Kingsley, Ricks notices the witty conflation of Bonnie Prince Charlie and the King Charles spaniel in I ix – but others are of real significance. Ricks doesn’t cite Tennyson’s revealing comment that the narrator’s belief in the innate patriotism of the commercial classes (‘For I trust if an enemy’s fleet came yonder round by the ...”

“... sent tamed exotic birds back to Europe as precious gifts. In 1518, Alonso de Zuazo sent Emperor Charles V parrots, turkeys, hawks and falcons. In 1525, Gonzalo Fernández de Oviedo sent the emperor ‘thirty or more parrots’, most of which ‘could speak very well’. They didn’t just send birds: in 1528, Hernán Cortés arranged the delivery of a ...”

“... with a lot of anxious and eager kids all wanting to hear they’re the greatest thing since, say, Charles Olson.’ This might be Larkin to Kingsley Amis, and it’s a nice sting in the tail that we can be sure Heaney and Longley thought Olson no great thing. Even less expected is a postcard to David Hammond, a singer and TV director and one of Heaney’s ...”

“... DC. Another player made up an occasional fourth man. Isaiah Berlin was happy, at least when Charles (Chip) Bohlen was unavailable, to furnish an urbane ditto to their ruthlessness. Almost as if to show that academics and intellectuals may be tough guys, too – the most lethal temptation to which the contemplative can fall victim – Berlin’s ...”

“... the machines people build for more everyday tasks. Even now, when the carparks at Heathrow and Charles de Gaulle are filled with sleek creations, art-directed to the max by Mercedes and Renault to convey futurity, Concorde still looks as if a crack has opened in the fabric of the Universe and a message from tomorrow has been poked through. Age ...”

“... on the first chapter. Violence was never Fanon’s remedy for the Third World; it was a rite of passage for colonised communities and individuals who had become mentally ill, in his view, as a result of the settler-colonial project, itself saturated with violence and racism. Like Walter Benjamin, Fanon believed that for the oppressed, the ‘“state of ...”

“... is the first of the suite Embryons desséchés (at the top of the score there’s a short passage telling you what a holothurie is – ‘ignorant people call them sea cucumbers’). It begins with a simple semiquaver figure in the left hand; ‘It is raining,’ the score says, and Satie adds in a plangent descending figure in thirds in the right ...”

“... life from his literary output: fact and fiction repeatedly inform each other. He told Charles Scribner II, his publisher, that his next novel, The Beautiful and Damned (1922), concerned ‘the life of one Anthony Patch between his 25th and 33rd years. He is one of those many with the tastes and weaknesses of an artist but with no actual creative ...”

“... of non-co-operation. Dorothy Comingore (now mostly remembered for her part as the second wife of Charles Foster Kane) had been disgusted by the friendly testimony of her ex-husband, Richard Collins. ‘So,’ she said, ‘I went out and had my hair shaved off.’ Comingore joined the picket line outside the HUAC sessions in Los Angeles, appeared as an ...”

“... most fashionable of environmental causes. There were international petitions and boycotts; Prince Charles and Al Gore were outspoken in their support. The campaign pivoted around the figure of Manser, the ‘Wild Man of Borneo’ or ‘Swiss Tarzan’, whose life possessed a Conradian glamour rarely glimpsed in an age of jet travel and media ...”

“... Darker jokes, which do have to do with the appetite for violence, flicker around memories of Charles Manson. Mickey worries that his TV ratings are lower than those for a Manson programme, but consoles himself: ‘Yeah, it’s pretty hard to beat the king.’ A group of interviewees for the TV show, identified in the screenplay simply as ‘three ...”

“... of refrigerators. He’s blasting with warmth out back.Mason & Dixon is the story of two men, Charles Mason (1728-86) and Jeremiah Dixon (1733-79). Both are drawn from history, as is the outline of their doings, and as are many of the acquaintances they happen upon en route. Mason begins the tale as an astronomer at Greenwich; Dixon as a journeyman ...”

“... by Michael Winner in 1978. Humphrey Bogart’s momentum, his Jacobean wit, is transformed by the passage of time into Robert Mitchum’s monumental disdain. Mitchum is breathless, sculptural. He moves with extreme reluctance, as if charging an excess tariff for every step. Sallis understands how it’s done, he’s been to the classes. He’s learnt how to ...”

“... women whose bodies have an enviable integrity and a fleshy, non-replicative beauty that razzes Charles Darwin.’ For Greer these are ‘failed women’, ‘spurious females’, and the chapter of The Whole Woman in which they appear, along with mainly male-to-female transsexuals, has the title ‘Pantomime Dames’. We might pause at that ...”

“... Banti’s presence in the narrative is at the heart – is the heart – of the novel. In another passage, Banti is imagining the notorious drama of Artemisia’s adolescence, when she was already an artist of startlingly large accomplishment: her rape in 1611 by a painter colleague of her eminent father; the decision to take the rapist to court; the ...”