“... would be graceless to grumble; and the cold eye seems disconcertingly aware of what our reactions may be, frequently addressing us as ‘Reader’, with a little flip of the wrist. In any case, the reader interested in the American stage and screen in the Thirties would certainly be gripped by the last quarter of the book, for Mary McCarthy’s first husband ...”

“... of his audience’s living morality into Tolstoy’s canonical fiction is very like what readers may feel who prefer their village vignettes drawn with a sharper pen. The breadth of Hocking’s sympathy imposes a strain. Even the voice in the book which comes closest to being the author’s – that of Michael’s aunt, a writer, typically found suppressing ...”

“... poems. His work exhibits little of the ostentatious virtuosity of better-known formalists such as Richard Wilbur and Anthony Hecht, with whom he is so often, and rather unfortunately, grouped. Rather, Justice’s poems delicately induce the hypnotic state that Bishop described as her artistic ideal in a letter to Anne Stevenson: ‘What one seems to want in ...”

“... terrorist attack, I often wonder what these people hope to achieve. In a depressingly timely book, Richard English tries to answer that question for a number of important cases, in order to address the broader question of his title. First, he has to specify what would count as ‘working’, and then he has to look at the historical facts to determine what the ...”

“... perfunctory kisses’ and ‘breath that stank of beer and caries and onions’. The ‘au pair’ may have been a whitish lie.Trev wanted desperately to do the right thing by his housemaid, and it is not inconceivable that he was sent to the Hermitage – as she was sent ‘into London somewhere’ – to separate them. While he was at the Hermitage, he heard ...”

“... Barton, ranging from American luminaries like Jonas Barish and Stephen Orgel to newcomers like Richard Rowland (who contributes a thumpingly good piece on Heywood). Shakespeare is still the most challenging object in the literary canon, the most generous with meaning and, at the same time, the most apt to find out folly in those who would interpret ...”

“... On 22 February 1965, the fifth month of Harold Wilson’s first ministry, Richard Crossman recorded the following in his Diaries of a Cabinet Minister: Then Harold Wilson raised the issue of Anthony Howard. He has just been appointed by the Sunday Times to be the first Whitehall correspondent in history, looking into the secrets of the Civil Service rather than leaking the secrets of the politicians ...”

“... to the work of Tolstoy and Dostoevsky, but also condemned as a melodramatic mishmash. First, Richard Bernstein (last December in the New York Times) called it ‘a startling, piercing work of fiction with a strong claim to being Singer’s masterpiece’. Bernstein kvelled about its ‘largeness, the depth and complexity of its exorbitantly ...”

“... Beatrice Potter was born in 1858 at Standish on the edge of the Cotswolds. Her father, Richard Potter, was a well-to-do (mainly self-made) businessman to whom she was devoted. Relations with her mother seem, however, to have been uneasy: the diary mentions ‘a kind of feeling of dislike and distrust which I believe is mutual ...”

“... clash head-on. The lectures were given by Charles Taylor (‘Philosophy and its History’ and by Richard Rorty (‘The Historiography of Philosophy: Four Genres’). They disagree not just over the ‘relation of philosophy to its history’ but in their conception of the kind of society we live in and of the kind of society we should aim for: they ...”

“... of the entrepreneurial spirit to the rise of literary criticism. And yet it sounds so curious. We may worry about imports, like Henry Ryecroft, but we don’t infer morality from butter. We may worry about war, like Lord Salisbury, but we don’t infer rivalry between nations from a Darwinian rivalry between species. Those ...”

“... best. This has happened to the new British Library, which belongs stylistically to the Sixties and may not be fully functioning even in the mid-Nineties. Such effects, common to all arts, are emphasised in architecture. Buildings are unavoidably present; a book can go to the stacks for a generation but the ups and downs of a building’s reputation are ...”

“... The story of the making of the atomic bomb has been told countless times before, most notably by Richard Rhodes, but Baggott’s book is rare in giving details not just of the successful Anglo-Canadian-American effort at Los Alamos, but the competing efforts in Germany, Japan and the USSR, culminating with the explosion of Joe-1 (the first Soviet bomb) in ...”

“... famous because it seemed to recount her adventures with Liszt. Few people now have heard of it. As Richard Bolster and Stock-Morton both observe, her novels are as mediocre as most 19th-century romans à clé. According to Stock-Morton, a modern Marie d’Agoult would probably have visited a psychotherapist instead of writing fiction. No one should regret the ...”

“... situation of 1930s Germany, with the architect modelling the relationship of ‘Hans Pfitzner or Richard Strauss, or Furtwängler, or Paul Hindemith to a patron resembling Goebbels’. He suggests that Prince’s early poetic experiments were ‘influenced by the styles of political, economic and literary criticism as these were presented – or, as some ...”