“... Hitchcock​ liked assembly lines. In the long, consistently revealing interview he gave to François Truffaut in the summer of 1962, he described a scene he had thought of including in North by Northwest (1959), but didn’t. Roger O. Thornhill (Cary Grant) is on his way from New York to Chicago. Why not have him stop off at Detroit, then still in its Motor City heyday? I wanted to have a long dialogue scene between Cary Grant and one of the factory workers as they walk along the assembly line ...”

“... When I was younger I used to support a football team that no longer exists, called Wimbledon FC. They played at Plough Lane, a small, ramshackle ground in an ugly bit of South London (some way off from the Wimbledon where the tennis happens), and they played a rough, rumbustious style of football that didn’t endear them to outsiders but warmed the hearts of their fans, especially when it enabled them to turn over fancier, more fastidious teams, who often seemed to perform at Plough Lane as though they had clothes-pegs on their noses ...”

“... Among the many things that changed after 11 September was the policy on obituaries in the New York Times. Since the attack on the World Trade Center, the newspaper has been printing fifteen or so brief remembrances a day of some of the approximately five thousand people who died in the towers, in the planes and during the rescue efforts. The leaders of corporations and other more or less public figures who are ordinarily assured a place on the obituary page continue to appear there ...”

“... This is​ the age of anger. It is also the age of regret. While voters are busy channelling their rage at the way things are going, more and more public figures are giving voice to their private regrets. Men in Hollywood deeply regret the way they’ve been treating women for years and promise to do better in future. In NGOs, at the BBC, in businesses and at universities there are plenty of people who can now see that things that once might have seemed OK aren’t OK anymore, and they regret their earlier behaviour ...”

“... In the summer​ of 2024, Donald Trump played a round of golf at Bedminster, a course he owns in New Jersey, in the company of Bryson DeChambeau, twice winner of the US Open. The ostensible aim was to raise money for charity by teaming up to ‘break 50’ on a par 72 course. The YouTube video of the event reveals that there were indeed some shots played, to the accompaniment of whoops and the occasional slightly mangled fist-bump ...”

“... and its eclectic membership included the philosopher Bernard Williams, the sports commentator David Coleman and the agony aunt Marje Proops. The report they produced two years later was measured, intelligent, elegantly written, slightly agonised and almost wholly ineffectual. The Rothschild Commission accepted that the law on gambling in Britain remained ...”

“... it: ‘In a less confused world, his glory would be greater than his guilt.’ In a similar mood, David Thomson published a biography in which every chapter ends with a dialogue of self-examination by the critic, and in which Welles’s best-known innovation is side-swiped and helped to its feet all in the course of a sentence: ‘In truth, there was more ...”

“... in the war included – alongside Mitterrand – Pinochet, King Hussein of Jordan and David Owen of the SDP. (Owen seems to have been one of the surprisingly large number of men who found Thatcher intensely sexually desirable. Moore reports him telling the TV interviewer Brian Walden, off the record: ‘The whiff of that perfume, the sweet smell ...”

“... to dictate ‘situation reports’, the teletext having jammed ‘temporarily’, according to David in the ‘ops’ room. I thought, perhaps, that with all the bad news, it had simply shown some human feeling and committed suicide. St George’s Day was my 28th birthday. This meant that my salary increased by one increment on the Assistant Governor grade ...”

“... Scottish nationhood never quite dies but hibernates, latent in all those millions of people and thousands of texts, ready to be potentiated by various events, some more accountable or predictable than others: the Union of the Parliaments (1707), the Scottish Renaissance embodied in MacDiarmid and Grassic Gibbon (1922-35), the flow of oil and gas from the bed of the North Sea (1977 ...”

“... In the Birth of Tragedy Nietzsche maintains that life and the world are justifiable only aesthetically. The world is to be understood the way an artwork is, and life can become an artwork. If life depends on art rather than art merely reflecting life, the claim is not merely that artists live the best life. The paradigm is the work of art and not the historical, biographical artist: Der Mensch, says Nietzsche in section one, ist nicht mehr Künstler, er ist Kunstwerk geworden ...”

“... Derrida likes to surprise, and the first surprise of this book is the title itself. The common assumption that the French Post-Structuralists abandoned the interest of their phenomenological predecessors in consciousness, subjectivity and the entire philosophical vocabulary including words like ‘spirit’ and ‘soul’ is challenged by the titles of the two recent books by Derrida, De l’esprit and Psyché, both published in France in 1987 ...”

“... The moment in the 18th century when Anglo-French relations reached their lowest point was probably 29 May 1794 – 10 Prairial, Year II, as the French then styled it. On that day, the Jacobin Bertrand Barère delivered a typically long-winded and overheated speech to France’s National Convention on his favourite subject, English perfidy. He accused English soldiers of unprecedented atrocities in Europe, North America and India ...”

“... Shakespeare one gets acquainted with without knowing how. It is part of an Englishman’s constitution.’ Henry Crawford’s comment in Mansfield Park is a reminder that ‘Shakespeare’ is more than an individual writer: ‘it’ is an institution, a body of texts whose study, from O-level to the highest reaches of academia, is a means of legitimating social advancement and whose production on the stage and on television makes a powerful contribution to Britain’s invisible exports ...”

“... People always liked Jimmy Stewart and were amazed by his good luck. In the late 1930s, he worked under contract for the studio moguls at MGM. Almost alone in the industry, he later professed to have pleasant memories of the experience. He had affairs with many of his leading ladies, including Ginger Rogers and Marlene Dietrich, as well as Norma Shearer, Olivia de Havilland and others, with no hard feelings on either side except in the case of Dietrich ...”