Pamela

Alan Brien, 5 December 1985

Orson Welles 
by Barbara Leaming.
Weidenfeld, 562 pp., £14.95, October 1985, 0 297 78476 5
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The Making of ‘Citizen Kane’ 
by Robert Carringer.
Murray, 180 pp., £8.95, October 1985, 0 7195 4248 0
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Spike Milligan 
by Pauline Scudamore.
Granada, 318 pp., £8.95, October 1985, 0 246 12275 7
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Nancy Mitford 
by Selina Hastings.
Hamish Hamilton, 274 pp., £12.50, October 1985, 0 241 11684 8
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Rebel: The Short Life of Esmond Romilly 
by Kevin Ingram.
Weidenfeld, 252 pp., £12.95, October 1985, 0 297 78707 1
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The Mitford Family Album 
by Sophia Murphy.
Sidgwick, 160 pp., £12.95, November 1985, 0 283 99115 1
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... an aging prodigy, the Mozart of celluloid, putting himself and his troupe through the hoops with self-conscious bravado. He irradiated the entire project with a glancing mockery that might have reminded a bookish provincial lad of Don Juan or the Dunciad, but of nothing he had previously encountered, or expected, in the cinema. At least where I lived, these ...

Dazed and Confused

Paul Laity: Are the English human?, 28 November 2002

Patriots: National Identity in Britain 1940-2000 
by Richard Weight.
Macmillan, 866 pp., £25, May 2002, 0 333 73462 9
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Pariah: Misfortunes of the British Kingdom 
by Tom Nairn.
Verso, 176 pp., £13, September 2002, 1 85984 657 2
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Identity of England 
by Robert Colls.
Oxford, 422 pp., £25, October 2002, 0 19 924519 3
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Albion: The Origins of the English Imagination 
by Peter Ackroyd.
Chatto, 518 pp., £25, October 2002, 1 85619 716 6
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... vapidities of the Greenwich Dome – a Festival of Britain manqué – to reveal that such self-confidence has dissolved. Our ‘crisis’ of national identity has become an old friend. It’s 25 years since Tom Nairn first willed the ‘Break-Up of Britain’, and ten since Linda Colley influentially explained that Britons were the product of ...

Bananas Book

Eric Korn, 22 November 1979

Saturday Night Reader 
edited by Emma Tennant.
W.H. Allen, 246 pp., £5.95
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... is hard to uproot. Beverly Treasure? Chelsea Herbert? Lloriston Grant? Caroline Blackwood and Robert Lowell have a conversation about Ford Madox Ford? (Well, all right, but what’s it doing among ‘Traveller’s Tales’?)Chelsea Herbert is real too, and writes the best piece in the ‘Children in the City’ section: a funny, simple, and probably ...

Short Cuts

Daniel Soar: Remote Killing, 24 September 2015

... took place, the legal justification for the kill order – that it was an act of national self-defence against an imminent threat, as described in Article 51 of the UN Charter – looked shaky, to say the least, and will be challenged. Aerial drones have somehow come to stand for the scary future of war. They hover invisibly overhead, and can fire ...

Short Cuts

Thomas Jones: Ukip’s wrinkly glitz, 4 November 2004

... So Robert Kilroy-Silk, the fallen idol of daytime TV, has failed to win the backing of a majority of the United Kingdom Independence Party’s local chairmen in his bid to replace Roger Knapman as Ukip’s leader. The party’s highest-profile MEP isn’t going to let a ‘farcical’ straw poll stand in his way, however ...

Short Cuts

John Sturrock: Don't Bother to Read, 22 March 2007

... might just perhaps ensure that he won’t get lazily shelved down the cultural end, if any, of the self-help bay in the book stores, when what he has written is in no sense a bluffer’s guide, full of practical tips on how to stay afloat at the next bookish conversazione you get sucked into. Rather, he wants us to know that it doesn’t in actual fact matter ...

Vendlerising

John Kerrigan, 2 April 1987

The Faber Book of Contemporary American Poetry 
edited by Helen Vendler.
Faber, 440 pp., £9.95, November 1986, 0 571 13945 0
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Selected Poems 
by John Ashbery.
Carcanet, 348 pp., £16.95, April 1986, 0 85635 666 2
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The Poetry Book Society Anthology 1986/87 
edited by Jonathan Barker.
Hutchinson, 94 pp., £4.95, November 1986, 0 09 165961 2
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Two Horse Wagon Going By 
by Christopher Middleton.
Carcanet, 143 pp., £5.95, October 1986, 0 85635 661 1
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... print by jamming them together and running them into one another.’ Yet here is her Faber Book, a self-confessed anthology which, attempting to present 35 poets ‘whole’, aspires to be a collection of Collecteds. Probably we should leave the editor alone with her conscience and just be grateful to have the poems. But a hostile finger must be pointed at the ...

Alphabetophile

Michael Hofmann: Eley Williams, 7 September 2017

Attrib. and Other Stories 
by Eley Williams.
Influx, 169 pp., £9.99, March 2017, 978 1 910312 16 2
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Frit 
by Eley Williams.
Sad, 35 pp., £6, April 2017
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... mind is almost its own subject, where the place of narrative or character is mostly taken by the self-conscious or self-delighting mind, and where you yourself are put in mind of the quivery automatic graph-paper machines that register earthquakes or the humidity in museums (seismometers or hygrometers), is demanding to ...

At the Barbican

Saul Nelson: Jean-Michel Basquiat, 4 January 2018

... a jagged strip of canvas left bare at the top. It’s reminiscent of Clyfford Still, or one of Robert Motherwell’s blue paintings: the old Abstract Expressionist elite, New York’s first artistic avant-garde, are seldom far from Basquiat’s large-scale works. His favourite painter, apart from Cy Twombly, was Franz Kline. But, as in Twombly’s ...

Schadenfreude

R.W. Johnson, 2 December 1993

The Downing Street Years 
by Margaret Thatcher.
HarperCollins, 914 pp., £25, October 1993, 0 00 255049 0
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... public reaction to the book has centred too narrowly on its slighting references to ex-colleagues. Robert Harris’s furious depiction of it (in the Independent on Sunday) as spluttering with ‘rage, malice, contempt and hatred’ is probably the extreme case. The memoirs of other premiers, Harris notes, have shown saintly restraint towards erstwhile ...

Touching the music

Paul Driver, 4 January 1996

Stravinsky: Chronicle of a Friendship 
by Robert Craft.
Vanderbilt, 588 pp., £35.95, October 1994, 0 8265 1258 5
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... Extracts, or pericopes – to borrow his typically ornate term – from Robert Craft’s diary of his years with Stravinsky first appeared in the famous series of their conversation books issued throughout the Sixties. In 1972, after the composer’s death, a far bigger selection was published as Stravinsky: Chronicle of a Friendship, 1948-1971 ...

Which red is the real red?

Hal Foster, 2 December 2021

Jasper Johns: Mind/Mirror 
Whitney Museum of American Art/Philadelphia Museum of Art, until 13 February 2022Show More
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... in the army, Jasper Johns, aged 23, moved back to New York City. There, a few months later, he met Robert Rauschenberg. Their artistic and romantic partnership would last until 1961; the company they kept included John Cage and Merce Cunningham. In this heady atmosphere, Johns chose, in autumn 1954, to destroy all his prior work, and to begin the paintings ...

At the Hayward

Marina Warner: Tracey Emin, 25 August 2011

... child might be one of her terminated conceptions, but it’s more probable that it’s her former self. The poignancy works – just – because she has plunged us so deeply into her story, into her soul (a term she uses without irony). She does manage to hold her work this side of mawkishness and self-pity, and when she ...

Diary

W.G. Runciman: Like a Prep School, 10 January 1991

... had introduced Cannadine and Cannadine had given us an encouragingly comical puff for his book, Robert Rhodes James reminded us that Lloyd George, despite doing so much to reduce the Upper House to impotence and discredit, had ended his days as Earl Lloyd George of Dwyfor, and then led us off down miles of corridors to a cellar under St Stephen’s Hall ...

Honey and Water

Michael Irwin, 7 August 1980

The Beekeepers 
by Peter Redgrove.
Routledge, 156 pp., £5.50, July 1980, 0 7100 0473 7
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F for Ferg 
by Ian Cochrane.
Gollancz, 117 pp., £5.95, July 1980, 0 575 02862 9
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Events Beyond the Heartlands 
by Robert Watson.
Heinemann, 241 pp., £6.50, July 1980, 0 434 84200 1
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... suspect that it is ‘an image of a place or condition they wished one day to arrive at, in full self-possession’. This belief renders the poet’s function pretty obscure. To credit the intuitive writer, as Redgrove seems to, with intuitive physical powers seems both sentimental and negative. It is as though a poet were no more than a dowser or ...