“... no fewer than 6.2 million working-class electors had voted for Churchill in 1951, how was it, as Peter Shore was plaintively to ask in a Labour Party pamphlet of 1952, that so many who were neither wealthy nor privileged had been recruited to a cause which was not their own? The answers, at the individual level, are many and various. Family ...”

“... and portraitists of high society, von Stuck, von Lenbach, those habitual dinner guests of the king of Bavaria, all too painfully evident figures in Mann’s Munich, where no writer had ever received any such honour. ‘Von’ Aschenbach was displaced wishful thinking (though ‘Thomas von Mann’ would have sounded grotesque). From the perspective of ...”

“... written archives must by now fall open at the right places, marked perhaps by a spent match Peter Black inserted in 1971 or a shrivelled potato chip left behind by Asa Briggs. As for the one or two specific issues Scannell and Cardiff are able to enlarge upon, notably the treatment of unemployment and poverty, they have done so by venturing beyond the ...”

“... and backgrounds of corrupted and corrupt. Between the feudal union boss, Andy Cunningham, the King of Durham, the gifted, charming civil servant George Pottinger, and the compassionate hospital administrator George Braithwaite, there was little in common except a willingness to sell the stewardship of their offices for the backhanders of an unqualified ...”

“... would have agreed. The godly were wont to describe anything they disliked as ‘popery’; but, as Peter Lake has observed, that doesn’t mean they were right. Their use of the label was often inaccurate – a phenomenon that my graduate students at a Catholic university notice with amusement. The Plain Man’s Pathways to Heaven leaves local and regional ...”

“... Became Shakespeare.2 As such it undeniably knocks Greenblatt’s effort, not to mention Peter Ackroyd’s generalising and overlong Shakespeare: The Biography,3 into a cocked jester’s cap. The ploy of concentrating on the events of a single exciting year neatly leaves out much of what can make the average cradle-to-grave life of Shakespeare seem ...”

“... and concludes nervously: ‘that man inspires by fear.’ Chapter 7, ‘At the Court of the Sun King’, spells it out. The generous, inspiring proprietor who so charmingly persuaded those journalists not to turn against their editor, is transformed by his protégé into Rupert Fear. He is, to start with, ‘much more right-wing than is generally ...”

“... is at constant risk from a bout of amnesia. In his recent book on the office of Prime Minister, Peter Hennessy tells the story of how Whitehall forgot how to declare war.* When officials thought it might be useful to know how to do it, just after the invasion of the Falkland Islands by Argentina in 1982, they found that the relevant file was missing. It ...”

“... must be offered. There is no point, Williams says, in imagining oneself as ‘Kant at the court of King Arthur’, judging its institutions from a universal standpoint. This is the ‘relativism of distance’ that Williams put forward in Ethics and the Limits of Philosophy (1985). It is one of his most controversial claims, and goes together with the thesis ...”

“... a few months after Princess Ratibor became his fifth wife, he complained to her cousin, the actor Peter Eyre, that she could be ratty and was frequently boring. Then he made a pass at Eyre. He took on tougher opposition with Number Six, the ferocious minx Barbara Skelton, part-original of the lethal Pamela Flitton in A Dance to the Music of Time. She had ...”

“... again a willed brightness was overtaking Pym as he listened to the many voices in his mind. To be king, he repeated to himself. To look with favour on this child that was myself. To love his defects and his strivings, and pity his simplicity.’ Adults spy on childhood just as children spy on them. The childhood apprehensions of Jane Eyre or Pip from Great ...”

“... to stay and look. ‘Why do you think we have suddenly become so interested in early cinema?’ Peter Wollen asks at the end of the new edition of his Signs and Meaning in the Cinema. ‘It’s more than archaeology. It is to regain a sense of cinema as potential, not yet frozen into the world spectacle. It is to imagine a renaissance.’ Bordwell, I ...”

“... goes by initials. Hilda Doolittle also wrote under pen names – Delia Alton, Edith Gray, Rhoda Peter and Helga Dart – but she never published under any of them. Inscribing herself as H.D.  (well before Ezra Pound ushered her into literary history as ‘H.D. Imagiste’) she wasn’t swerving from prejudicial gendering so much as ridicule ...”

“... had unexpected former careers: one was an ex-pickpocket, and one a highwayman who had turned king’s evidence to save his neck. Others came from thoroughly peaceable trades: a hatter, a pastry-cook, a button-maker, a saddler and a shoemaker all signed up in the course of the next few decades. The court at Bow Street was on the ground floor of the ...”

“... him, isn’t he?’ my granny would say. ‘Always had a dark side. Probably got it from his uncle Peter. He was like that as well. Morbid.’ ‘You’re just trying to draw attention to yourself,’ my father would say. ‘If something ever happens to you, I suppose you’ll want one of them statues to yourself up in the Glasgow Necropolis.’ ‘Yes,’ I ...”