“... Sarpi through Augustine, Cicero, Vasari, Winckelmann, Flaxman, Hegel, Heine, Baudelaire, Semper, Scott, Riegl, Feyerabend, Simone Weil and Adorno, ending with Roberto Longhi. In another, from Viktor Shklovsky through Tolstoy, Marcus Aurelius and popular riddles of Roman times, Antonio de Guevara and the transmission of medieval tales to the age of Charles ...”

“... imagination Carter may perform, she always comes to rest in the right ideological position,’ John Bayley wrote in a notoriously slighting 1992 review: the ballet idea works well, but otherwise he’s a bit tin-eared. A ‘moral pornographer’, Carter called herself sometimes; she could also have called herself an ideological choreographer. It’s not ...”

“... person, once launched on adult life? Spurling observes of the biography he produced after the war, John Aubrey and His Friends, that ‘for all the author’s evident respect and affection, its subject never comes to life as Aubrey makes his own subjects do.’ How far can the same be said of her account of him? Good-natured, amusing, affable, to many he also ...”

“... emergence … is shattered’. Barker starts with Patrick walking up to the gates of St John’s College, Cambridge. This, we say to ourselves, is where it all began.Harman prefaces her biography with a scene in the present tense. It is, she tells us, ‘1 September 1843 and a 27-year-old Englishwoman is alone at the Pensionnat Héger in ...”

“... harder edges of Thatchersim have been rubbed into a certain fubsiness by a ‘kinder, gentler’ John Major. What seems to be gathering power among the middle and professional classes is a new republicanism, a desire for a complete political representation of the Whig dream. This was Margaret Thatcher’s dream also, and why she cried (when given the ...”

“... states such as Ukraine have no choice but to submit to the nearest great power, has run its course.John Mearsheimer’s argument of recent weeks that what we are seeing played out is ‘not imperialism [but] great-power politics’ will strike many as a distinction without a difference. Imperial history has far more to teach us than our decaying Atlantic ...”

“... I see his loving gaze falling on the objects in it: a conch shell on a side table, a painting by John Piper (a wedding gift). Home is never a neutral place, it is a very specific context, an animated expression of the presence it contains. Why can’t it be loved?‘You can’t love an inanimate object.’ I don’t know where he got the sentence from. My ...”