I am Prince Mishkin

Mark Ford, 23 April 1987

‘Howl’: Original Draft Facsimile 
by Allen Ginsberg, edited by Barry Miles.
Viking, 194 pp., £16.95, February 1987, 0 670 81599 3
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White Shroud: Poems 1980-1985 
by Allen Ginsberg.
Viking, 89 pp., £10.95, February 1987, 0 670 81598 5
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... was guaranteed to increase its underground following. It was Ginsberg’s old Columbia colleagues, John Hollander, Norman Podhoretz and Louis Simpson, all cutting their teeth in the New York literary scene under the approving auspices of Lionel and Diana Trilling, who led the charge against the Beats. ‘It is only fair to Allen Ginsberg to remark on the utter ...

Dunbar’s Disappearance

Sally Mapstone: William Dunbar, 24 May 2001

The Poems of William Dunbar 
edited by Priscilla Bawcutt.
Association for Scottish Literary Studies, £70, May 1999, 0 948877 38 3
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... its merchants, their wives, its virgins and, naturally, its mayor: He ys exempler, loodster and Guy [guide] Pryncypall patron, & Rose orygynall Above all mayrys, as mastyr most worthy – London thow art the flowyr of Cytees all. Dunbar has periodically been fingered as the Scottish priest. Not without reason – the poem has a rhyme scheme that he ...

Thatcher’s Artists

Peter Wollen, 30 October 1997

Sensation: Young British Artists from the Saatchi Collection 
by Norman Rosenthal.
Thames and Hudson, 222 pp., £29.95, September 1997, 0 500 23752 2
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... fashion, film, graphics and display have begun to dissolve. The ‘society of the spectacle’, as Guy Debord dubbed it in the Sixties, has engulfed every facet of visual communication. At the same time, the speed and scope of communication have intensified so that images of every type are disseminated much more rapidly, both within what remain of specific ...

‘You May!’

Slavoj Žižek: The post-modern superego, 18 March 1999

... and dressed himself up as the respectable chairman. In Bill Gates, Small Brother, the average ugly guy coincides with and contains the figure of evil genius who aims for total control of our lives. In early James Bond movies, the evil genius was an eccentric figure, dressed extravagantly, or alternatively, in the grey uniform of the Maoist commissar. In the ...

Do Anything, Say Anything

James Meek: On the New TV, 4 January 2024

Pandora’s Box: The Greed, Lust and Lies that Broke Television 
by Peter Biskind.
Allen Lane, 383 pp., £25, November, 978 0 241 44390 3
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... the cinematography or the design.It was the beginning of the off-network TV tsunami that John Landgraf, the head of FX, calls peak TV. By 2022, he estimates that there were 559 scripted original shows on American television. HBO followed The Sopranos with Curb Your Enthusiasm, Six Feet Under, The Wire, Deadwood, Entourage, True Blood, Boardwalk ...

It’s already happened

James Meek: The NHS Goes Private, 22 September 2011

... the private sector sets aside for corporate sheen, although it does have a museum dedicated to John Charnley, who, almost half a century ago, pioneered the popular benchmark of the NHS’s success or failure, the hip replacement operation. They still do hips at Wrightington, and knees, and elbows, and shoulders. They deal with joint problems that are too ...

King of Razz

Alfred Appel Jr: Homage to Fats Waller, 9 May 2002

... pastoral balm akin to the American Scene Regionalist paintings of Thomas Hart Benton and John Steuart Curry. ‘You hear those banjoes ringin’, darkies singin’’ Armstrong continues, the lyrics almost washed away by his majestic trumpet solo. The song looks worse, literally, in a 1935 movie short by trumpeter Red Nichols and His Five ...

I only want the OM

Christopher Tayler: Somerset Maugham, 1 September 2005

Somerset Maugham: A Life 
by Jeffrey Meyers.
Vintage, 411 pp., £12, April 2005, 1 4000 3052 8
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... he would have been disappointed. There was some half-hearted praise from Movement types, but when John Carey, for example, needed an honourable popular writer to batter the highbrows with in The Intellectuals and the Masses (1992), he turned to Arnold Bennett. Morgan’s biography had a memorable centrepiece: a description of the senile Maugham crapping on ...

Desire Was Everywhere

Adam Shatz, 16 December 2010

Gilles Deleuze and Felix Guattari: Intersecting Lives 
by François Dosse, translated by Deborah Glassman.
Columbia, 651 pp., £26, August 2010, 978 0 231 14560 2
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... he complained in his diaries. ‘I’m sort of an inveterate autodidact, a do-it-yourself guy, a sort of Jules Verne.’ Guattari resented ‘being strapped onto Gilles’, and felt ‘overcoded’ by the ‘perfection that he brought to the most unlikely book’. What he really wanted to do was ‘say stupid shit. Barf out the ...

He was the man

Robert Crawford: Ezra Pound, 30 June 2016

Ezra Pound: Poet: A Portrait of the Man and his Work: Vol. III: The Tragic Years, 1939-72 
by A. David Moody.
Oxford, 654 pp., £30, September 2015, 978 0 19 870436 2
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... He sieved biographies, letters and accounts of those he considered great men – whether John Adams or Confucius – to produce poems with distinct overtones of hero-worship. In politics this tendency led to his admiration for Mussolini, and even to that view of Hitler as ‘a Saint’. While caged in Pisa in the closing days of the war, he set to ...

Snap among the Witherlings

Michael Hofmann: Wallace Stevens, 22 September 2016

The Whole Harmonium: The Life of Wallace Stevens 
by Paul Mariani.
Simon and Schuster, 512 pp., £23, May 2016, 978 1 4516 2437 3
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... the more persistent, reliable, searching composite view of the man. Stevens was the ‘grindingest guy they had there in executive row’ at the Hartford Accident and Indemnity Company; in his letters he was precise but ‘only colourful when he was writing to some old friend’; he kept no photos of wife or daughter in his office. You read about his regularly ...

Orificial Events

Adam Mars-Jones: ‘The Promise’, 4 November 2021

The Promise 
by Damon Galgut.
Chatto, 293 pp., £16.99, June, 978 1 78474 406 9
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... The yoking of supposedly high and low aspects of life isn’t new, it’s there in Lawrence, and John Cowper Powys finds in it a sort of transgressive holiness, but here it represents no more than a reflex of disgust.Before the ceremony a grieving relative had insisted on the coffin being opened, motivated supposedly by ‘a Huisgenoot article she read last ...

Diary

Julian Barnes: People Will Hate Us Again, 20 April 2017

... Europe’s ‘plan’ for us was like Hitler’s (Gove also used the Nazi analogy). Along with John Redwood – he of the velveteen disdain (‘That’s a very BBC question,’ he tells Kirsty Wark patronisingly) – Johnson has been a big proponent of the ‘prosecco and cheese’ argument: that the Italians and the French will be so scared of losing the ...

English Art and English Rubbish

Peter Campbell, 20 March 1986

C.R. Ashbee: Architect, Designer and Romantic Socialist 
by Alan Crawford.
Yale, 500 pp., £35, November 1985, 0 300 03467 9
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The Laughter and the Urn: The Life of Rex Whistler 
by Laurence Whistler.
Weidenfeld, 321 pp., £14.95, October 1985, 0 297 78603 2
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The Originality of Thomas Jones 
by Lawrence Gowing.
Thames and Hudson, 64 pp., £4.95, February 1986, 0 500 55017 4
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Art beyond the Gallery in Early 20th-century England 
by Richard Cork.
Yale, 332 pp., £40, April 1985, 0 300 03236 6
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Alfred Gilbert 
by Richard Dorment.
Yale, 350 pp., £9.95, March 1986, 0 300 03388 5
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... been positively avoided, not just disregarded. When the war came, Whistler, like Charles Ryder and Guy Crouchback, found himself a rather old soldier. But he wanted an honourable war, and even if the War Artists’ Committee had called on him, he might well have chosen regimental service. He died in France in 1944, in his first tank battle. He is not a painter ...

Catacomb Graffiti

Clive James, 20 December 1979

Poems and Journeys 
by Charles Johnston.
Bodley Head, 97 pp., £3.90
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Eugene Onegin 
by Alexander Pushkin, translated by Charles Johnston.
Penguin Classics, 238 pp., £1.50
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... Johnston’s best things. It loses nothing by its air of doomed gentility. The narrator could be Guy Crouchback talking: there was a seductive glamour about the squires going off to war, and a potent sorrow when they did not come home. But though Johnston can be impersonal about himself, he cannot be that way about his brother. The poem tries to find outlets ...