Utterly Oyster

Andrew O’Hagan: Fergie-alike, 12 August 2021

The Bench 
by Meghan, Duchess of Sussex, illustrated by Christian Robinson.
Puffin, 40 pp., £12.99, May 2021, 978 0 241 54221 7
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Her Heart for a Compass 
by Sarah, Duchess of York.
Mills & Boon, 549 pp., £14.99, August 2021, 978 0 00 838360 2
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... her). Crawfie was cast out of the femly. Her book does reveal a shocking amount about the girls’ reading habits: ‘There was in the bookshelves a complete set of Beatrix Potter’s books. One in Welsh!’ J.M. Barrie, something of an expert on children who never grow up, came to read to them at Glamis. Crawfie was the first of the Windsor grasses – in her ...

The view from the street

John Barrell, 7 April 1994

Hogarth. Vol. I: The ‘Modern Moral Subject’, 1697-1732 
by Ronald Paulson.
Lutterworth, 411 pp., £35, May 1992, 0 7188 2854 2
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... two different sides of his double identity. The only contemporary support Paulson adduces for this reading of Hogarth comes from those to whom the subtext of his popular prints was addressed – the London apprentices and the London poor. Such people may have seen Hogarth’s engravings in the windows of print-shops or on the walls of taverns, and though no ...

Anything that Burns

John Bayley, 3 July 1997

Moscow Stations 
by Venedikt Yerofeev, translated by Stephen Mulrine.
Faber, 131 pp., £14.99, January 1996, 0 571 19004 9
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... of Turgenev, who much admired her, seems never really to have caught on with the Russian reading public.Although there are one or two hard-drinking ladies in Venedikt Yerofeev’s Moscow Stations, it presents a man’s world, a world of booze. Completed in 1970 during the Brezhnev era, the ‘time of stagnation’, it was not published until the ...

Ackerville

Gary Indiana: Nymphomania, antic incest and metaphysical torment, 14 December 2006

Lust for Life: On the Writings of Kathy Acker 
edited by Amy Scholder, Carla Harryman and Avital Ronell.
Verso, 120 pp., £10.99, May 2006, 9781844670666
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... send-ups of classical texts and mythological references to create droll, disorienting collages. Reading this early work was like being stoned in a taxi speeding through an unfamiliar city. The writings were disseminated as ‘mail art’, then distributed in chapbooks. She became the diminutive darling of a coterie of punk musicians, a few academic ...

That’s a body

Chris Power: On Cristina Rivera Garza, 19 February 2026

Death Takes Me 
by Cristina Rivera Garza, translated by Sarah Booker and Robin Myers.
Bloomsbury, 290 pp., £9.99, March, 978 1 5266 4945 4
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... holds the key to the case. It certainly provides the key to the novel, or to understanding why reading it is such a joyless and baffling experience. Rivera Garza describes Pizarnik as a frustrated novelist whose prose writing lies far from ‘the linearity that is generally associated with fiction and beyond the field of influence of the plot’. She might ...

Swanker

Ronald Bryden, 10 December 1987

The Life of Kenneth Tynan 
by Kathleen Tynan.
Weidenfeld, 407 pp., £16.95, September 1987, 9780297790822
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... were it not for the biographer looking over her shoulder. Almost as often, one finds oneself reading passages of straight reporting as if they were playing the tricks of a novel, using flatness to imply feeling, disguising as unruffled objectivity the chilled revulsion of a wife. For this is not, it must have leaked out by now, the traditional saint’s ...

In the Chair

Edward Said, 17 July 1997

Glenn Gould: The Ecstasy and the Tragedy of Genius 
by Peter Ostwald.
Norton, 368 pp., $29.95, May 1997, 0 393 04077 1
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When the Music Stops: Managers, Maestros and the Corporate Murder of Classical Music 
by Norman Lebrecht.
Simon and Schuster, 400 pp., £7.99, July 1997, 0 671 01025 5
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... he favoured. The latest biographical and interpretative analysis of Gould is by the psychiatrist Peter Ostwald, the author of interesting psycho-biographies of Nijinsky and Robert Schumann; a good amateur violinist, and a friend of the pianist, Ostwald died of cancer before his book was published, but was apparently able to finish his manuscript despite the ...

Diary

Leo Robson: What I Saw at the Movies, 6 November 2025

... a ‘legendary period in movies’. In The Last Picture Show, Welles’s friend and protégé Peter Bogdanovich had made ‘a film for everybody’. The Godfather was an ideal merging of ‘commerce and art’. Martin Scorsese’s Mean Streets was ‘a triumph of personal filmmaking’ and a gripping thriller. For Sontag, these films were merely a case of ...

Cutting it short

John Bayley, 3 November 1983

Alexander Pushkin: Complete Prose Fiction 
by Paul Debreczeny, translated by Walter Arndt.
Stanford, 545 pp., $38.50, May 1983, 0 8047 1142 9
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The Other Pushkin: A Study of Alexander Pushkin’s Prose Fiction 
by Paul Debreczeny.
Stanford, 386 pp., $32.50, May 1983, 0 8047 1143 7
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... this kind of effect and those that are sought by Barry Cornwall in his ‘dramatic fragments’, a reading of which in French had given Pushkin his model. Very much in the spirit of the age, Cornwall had sought to wring every ounce of romantic melodrama out of the situations he treated. Pushkin does just the opposite: he arrests the mechanism of the melodrama ...

Himbo

James Davidson: Apollonios Rhodios, 5 March 1998

Apollonios Rhodios: The Argonautika 
translated by Peter Green.
California, 480 pp., £45, November 1997, 0 520 07686 9
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... the poem, as well as the Argo, is delayed by a long digresson on the origin of the Etesian winds. Peter Green, meanwhile, a historian of the Hellenistic world, has spent the best part of a decade producing his annotated translation and uses his excellent Introduction to zoom in on Apollonius’ use of the fantastic. All of them challenge the notion of the ...

Topping Entertainment

Frank Kermode: Britten, 28 January 2010

Journeying Boy: The Diaries of the Young Benjamin Britten 
edited by John Evans.
Faber, 576 pp., £25, November 2009, 978 0 571 23883 5
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... music he was listening to on the radio or on records or studying on scores. His more general reading was desultory and gives the editor little trouble. It is of interest, however, that he was, as a schoolboy, greatly taken with Henry James’s ‘impressive but terribly eerie’ story The Turn of the Screw. The presentation of the notes in this volume is ...

The Guru of Suburbia

Elaine Showalter, 16 December 1993

My Father’s Guru: A Journey Through Spirituality and Disillusionment 
by Jeffrey Masson.
HarperCollins, 174 pp., £16.99, August 1993, 0 00 255126 8
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... his sister had had to settle for being the sister of the Messiah. I thought of David often in reading Jeffrey Masson’s My Father’s Guru. In the conclusion of Final Analysis (1990), his comic and indignant account of becoming and unbecoming a psychoanalyst, Masson dropped some hints about his peculiar childhood, explaining that he was naturally ...

2000 AD

Anne Sofer, 2 August 1984

The British General Election of 1983 
by David Butler and Dennis Kavanagh.
Macmillan, 388 pp., £25, May 1984, 0 333 34578 9
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Militant 
by Michael Crick.
Faber, 242 pp., £3.95, June 1984, 0 571 13256 1
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... future historians come to write about the 1983 General Election, these two books will be essential reading. One is a thorough compilation of the evidence, and the other a brilliant line drawing of a maverick who streaked dramatically across the scene causing all heads to turn and significantly affecting the outcome. I recommend to the researcher of the year ...

What’s the problem with critical art?

Hal Foster: Rancière’s Aesthetics, 10 October 2013

Aisthesis: Scenes from the Aesthetic Regime of Art 
by Jacques Rancière, translated by Zakir Paul.
Verso, 272 pp., £20, June 2013, 978 1 78168 089 6
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... University of Paris-VIII. Rancière emerged at the age of 25 as a co-author, with Althusser, of Reading ‘Capital’ (1965), but broke with him over the revolts of May 1968: Althusser took the Party line, accusing the participants of ‘infantile leftism’. For Rancière ‘the lesson of Althusser’ (the title of his 1969 critique of his former ...

Titian’s Mythologies

Thomas Puttfarken, 2 April 1981

Titian 
by Charles Hope.
Jupiter Books, 170 pp., £12.50, June 1980, 0 906379 09 1
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... altarpieces, among them the ‘Assunta’ and the ‘Pesaro-Madonna’ for the Frari and the ‘St Peter Martyr’ for Zanipolo, without which the development of Baroque religious painting would be inconceivable. At the same time, he painted his celebrated mythologies for Alfonso d’Este (among them the ‘Bacchus and Ariadne’ in London), a cycle for which ...