“... found working through them ‘arduous’ if ‘fascinating’. Because of their great bulk he took ten years to finish his biography (having, in a manner worthy of Place himself, worked simultaneously as a night security guard – even now his main employment is said to be ‘as a computer manager and commercial researcher’). The British Museum material ...”

“... Infinitely more profound and productive than his nearest 18th-century equivalent, Henry St John, Viscount Bolingbroke, he was also far more prominent in national politics over a much longer span than John Milton or the 3rd Earl of Shaftesbury in the 17th century, J.S. Mill in the 19th century, and Bertrand Russell ...”

“... although it seems no live recordings survive from their heyday – that is, before Lou Reed kicked John Cale out of the band, ending three years of almost symbiotic closeness. John Cale was born in the small Welsh coal town of Garnant, between Swansea and Carmarthen, in 1942. His father was a miner; his mother had worked in ...”

“... escapes; middle-class students planted bombs and robbed banks. In August that year, Richard Nixon took a break from a four-day conference on crime control to address reporters. His subject was the spell that outlaw behaviour had apparently cast on the youth of America. In a characteristically sideways rhetorical manoeuvre, he began with a disclaimer: What I ...”

“... The painter​ Gwen John suffered from jealousy in her relationship with the sculptor Auguste Rodin. She was 27 when she started to model for him. He was 63. Rodin slept with a lot of women during his lifetime and the women he slept with also posed for him. John was jealous of Rodin’s other women ...”

“... liberalising force of the Gorbachev years, thanks to his brief in the Politburo – Ideology – took the podium first. His limp is one of the rare memories nowadays of the Great Patriotic War. The Communists and nationalists who grew to hate him in the late Eighties were always slightly inhibited by it. I did a long interview with him in 1995, when he was ...”

“... over into the commercial white mainstream – succeeded precisely because their tone and diction took race out of their voices; they swung but without soul, which made the songs and the singers ‘easy listening’. ‘Easy’ wasn’t a word that was ever associated with Simone. In her life and in her lyrics, she always found drama. The feelings she called ...”

“... without representation’ became a political demand for liberty, changed everything. Major John Cartwright (who was later to advise the Manchester radicals) and Thomas Paine were influenced by the American programme in their arguments for domestic reform, Take Your Choice! and Common Sense. Yet it was the French Revolution that made the working classes ...”

“... voters in 1945; or a better comparison might be with the United States in 1960, when the dazzling John F. Kennedy seemed to represent the beginning of a new age after what his supporters saw as the suffocating and mediocre years of President Eisenhower. The under-forties in particular, in Australia in 1972 as in the United States in 1960, suddenly felt ...”

“... saint, the greatest Pope of all. They were clearly in love with him. The Christian Brothers who took me in hand from the age of nine felt the same way but, being great whippers and floggers, they empathised more with his stern authority, those hard unsmiling eyes behind the glasses; in all the thousands of pictures of Pius thrust before us I don’t ...”

“... Like most biographies nowadays, David Nokes’s John Gay is very long, but unlike some of the others it is not much longer than it needed to be. Gay devoted so much of his attention to people grander than himself that his life story can’t be told without allusion to those of more complicated and ambitious figures like Pope, Swift and Addison ...”

“... in a tradition of Scottish eccentricity that includes James Hogg’s The Shepherd’s Calendar, John Galt’s ‘theoretical histories’ and Margaret Oliphant’s tales of terror. It’s common to think of Blackwood’s as a stolid redoubt of middlebrow English respectability, the kind of torpid organ invoked by Orwell in ‘England Your England’: ‘If ...”

“... an elaborate theatrical spectacle, appealing to the emotions instead of reason. At the centre of John Barrell’s exhaustive study of treason in the mid-1790s is a brilliantly sustained argument about the struggle to fix the character of the word ‘imagination’. Unlike the battle then being fought over such important political terms as ...”

“... the servant girl whose most vivid memory of the encounter which left her with child was that it took place ‘in a ground where pulse growed’. In most of these stories, however, this kind of directness is absent. Instead, and as Stone points out, his characters seem frequently to have employed the mannered and sentimental language of contemporary ...”

“... aspired to the throne and, ‘stimulated by ambition and revenge’, plotted to murder her brother John in order to seize it. When her plans were foiled, the guilty princess tried to console herself with writing, but her history ‘betrays in every page the vanity of a female author’ (male authors apparently being exempt from that vice). Subsequent ...”