“... houses with mahogany furniture and deep carpets and silent servants; the heavy meals starting with brown Windsor soup and ending with Cabinet pudding; broadcloth and tweed, shooting and croquet and tennis, and holidays in huge hotels in Torquay or the South of France. There is a splendidly evocative picture of Galsworthy ‘in his Oxford rooms’ with a ...”

“... cliché, echoed privately by the Shadow Chancellor and one-time Mandelson intimate, Gordon Brown, that Mandelson is Labour’s real deputy leader. His grip on strategy and policy direction, as well as campaigning and presentation, is increasingly tight. When Mandelson mutters that he is unhappy, say, with Labour plans to abolish compulsory competitive ...”

“... to play fifty years ago) were also billed, alongside veterans from the founding festival: Santana, David Crosby, Country Joe McDonald, the remains of the Grateful Dead, Canned Heat and others. But Lang’s fifty-up began to unravel when his top-dog investor, the Japanese digicoms company Dentsu Aegis, announced from its London HQ that it was pulling ...”

“... the nearly blank expressions, the eloquent intervals, the airy combination of dusty pink, chestnut brown, pale blue and white: all mark this painting as the earliest and perhaps the most interesting example of Piero’s influence on a great modern artist. In Young Spartans, which belongs to the same years and is now in the National Gallery, the group of elders ...”

“... told, the victory against Jim Crow began with the Supreme Court’s landmark 1954 ruling in Brown v. Board of Education that racially segregated schools were constitutionally impermissible. The grassroots movement for civil rights became visible in 1955, when blacks in Montgomery, Alabama boycotted the city’s public transport system after Rosa Parks ...”

“... art museums they designed (the list includes Gehry, Hollein, Nouvel, Stirling and Venturi-Scott Brown). ‘The two Swiss,’ Newhouse observed, ‘are convinced that artists have keener perceptive abilities than architects’ and, in consequence, have frequently worked with artists as advisers. She also commented on the importance of such Minimalist artists ...”

“... the state liable to pay damages for serious abuses of power. The leading British commentary, Brown and Bell, holds that ‘the surprising feature’ of French administrative law, given its Napoleonic origin, is the fact that ‘it has survived to provide one of the most systematic guarantees of the liberties of the individual against the state anywhere ...”

“... valley’s first major firm, Hewlett-Packard, was a military contractor. One of its co-founders, David Packard, was an undersecretary of defence in the Nixon administration; his signal contribution as a civil servant was a paper about overriding the laws preventing the imposition of martial law. Many defence contractors have flourished in Silicon Valley in ...”

“... and reached the Colorado River, far to its east. T.S. Eliot’s Mississippi was a ‘strong brown god’: the Colorado River is more like a ruddy writhing serpent. Or was, since the snake has now been chopped into segments by dams, notably by Glen Canyon Dam above the Grand Canyon, and Hoover Dam south of Vegas, each with a gigantic reservoir backed up ...”

“... During the break-up with Kimberly Quinn that precipitated his break-up with the Home Office, David Blunkett is reported to have warned her: ‘The law is on my side. I know because I made the law.’ It doesn’t quite have the melodramatic chill of Judge Dredd’s ‘I am the law,’ but it comes close. And it’s easy to imagine Blunkett saying it, for it nicely sums up the tragically self-important view he took of himself, and of the executive branch of government, during his time in office ...”

“... things, the phone went. It was Jason Jenson, known to the police as Wet-Dog, his old friend from Brown, former drug-pusher, cat-burglar, mail fraudster and insurance scam artist, one-time inmate of Lorton penitentiary, now a computer whizz kid with EkaSystems Inc, and earning at least half a million a year . . . Alas, much of Zadie Smith’s second novel ...”

“... and interactivity, which are used as plot points and even as formal constraints (this began with David Foster Wallace’s conception of the maddening video called ‘the entertainment’ in Infinite Jest). Live news segments are pivotal set pieces in Such a Fun Age, and the video of Emira at the grocery store sets the story going. It’s funny that this is ...”

“... on a stock image developed over centuries, by painters especially. Brueghel in the 16th century, David Teniers in the 17th, and Joseph Wright in the 18th, all painted grimy scenes of reclusion and penury, with hints of mad obsession and radiant wonder. Cornelis Pietersz Bega’s alchemist, from 1663, adds pathos to the mix: were it not for the delicately ...”

“... which had allowed them to produce six classic films in six years. The Hollywood moguls David O. Selznick and Sam Goldwyn were less successful partners: Gone to Earth (1950), a Hardyesque pastoral, became a bizarre vehicle for Selznick’s wife, Jennifer Jones; The Elusive Pimpernel (1950) was recut by Goldwyn, who demanded straight adventure and ...”

“... life, growth and decay, and particularly of wood and lumber and mulch, of red and green and brown leaves. Of ‘a house eats up the wood that made it,’ of ‘We live, two trees,’ of ‘the leaves light up, still green, this afternoon,/and burn to frittered reds,’ of ‘the mind, which is also flesh’, of the scriptural ‘all flesh is grass, and ...”