“... in its subtitle as the biography of its subject, the next best thing is for it to appear as a self-help book. Alain de Botton’s Consolations of Philosophy, a model of its kind, came out in paperback in the spring. Playing, in a manner of speaking, Achilles to de Botton’s tortoise, Nicholas Fearn’s Zeno and the Tortoise: How to Think like a ...”

“... they had better well be timeless, and if they were not going to be linky, they had better well be self-contained.’ In other words, for an anthology of blogs to work, the blogs it contains have to be as unbloglike – as booklike – as possible. Boxer retreats behind an argument about style: all the pieces she’s chosen are ‘distinctly bloggy’, by ...”

“... read over or scrumpled up, it is a reflective business. At the moment of composition the loving self and the writing self divide, interrogating each other, recombining only at the moment of signature. Love letters are, of their essence, about absence, the absence of the loved one: but the author’s selves multiply to ...”

“... worst thing he can imagine happening to him. The photograph changed the story for me: Salinger’s self-banishment wasn’t a preference or a whim, it was an existentially critical act of self-protection. I came to think that, like and admire Hamilton though I did, he shouldn’t have written that book: that if someone needs ...”

“... take them lightly.The chief lumberer throughout the movie is Leon (Thomas Schubert), a man whose self-absorption seems like a parody of itself. Everything the film has him do ought in theory to make him unpleasant and unwatchable, but he just comes across as grumpy and helpless. He and his friend Felix (Langston Uibel) are on a working holiday by the Baltic ...”

“... reckless spending, high living, marital battles, fights with bouncers and cabbies, drunken self-pity and bouts of remorse. Take his courtship of Edith Wharton, one of his literary heroes. At their first meeting, in 1920, he prostrated himself, kneeling ‘at her feet in a showy adulation’. Invited to lunch at Wharton’s French château, he ...”

“... Vanity Fair is a lot meaner than one imagines. Some of Orwell’s impoverishment, to be sure, was self-inflicted: while a few of his fellow Etonians (Cyril Connolly, Harold Acton) were bursting precociously into print, Orwell chose to slave away in Parisian kitchens even when he was coughing up blood, sleep in dosshouses while cadging the odd ten shillings ...”

“... of the disease becomes a voyage of discovery – about the disease and its treatment – and of self-discovery. The mood not only never touches on self-pity, but makes one embarrassed for having entertained such a thought. Ivan Vaughan is as excited by his experiences, and his reactions to them, as a dog let loose in a ...”

“... around me as a battlefield full of mines that might blow me up,’ Padilla says of his earlier self. ‘I preferred that to the unyielding disease of routine.’ It isn’t easy to distinguish with certitude between a genuine concern for social justice and a love of hearing one’s own voice echoing through the corridors of powerlessness – or between a ...”

“... citizenship by mutation and mutilation, dragged into a windy, see-through, Protestant world where self-acceptance became possible. The boy who once scraped at his skin with a razor to remove the brown – his Indian looks being a source of regret to the family – becomes a man jogging in the sun. But right from the start of the process, communication at home ...”

“... eschew ‘the old critical condescension towards Richardson’ as ‘bourgeois printer’ or ‘self-righteous moralist’. While more than one essayist refers to Ian Watt’s description of Pamela as a ‘mixture of sermon and striptease’, none admits the view to be correct. None, however, sets out to refute it. Instead, there are essays on the London ...”

“... From The Comic Sense of Henry James (1960) through A World Elsewhere (1966) and The Performing Self (1971) to Robert Frost: The Work of Knowing (1977), Poirier has pursued a consistent and inventive enquiry into literary language, and into the politics of literary language. ‘When a writer is most strongly engaged by what he is doing, as if struggling for ...”

“... Board, why should he bother with an essay on its operation during the apartheid regime? It is self-censorship which really rivets his attention: how repression infects writers and turns even their defiance into self-mutilation. Coetzee asks us to imagine the inner world of the writer as if it were a zoo, ‘in which a ...”

“... by the NGOs as they almost invariably push for small-scale ‘local’, ‘democratic’, ‘self-sufficient’ initiatives and ‘public-private partnerships’. Now, however, the collective agenda has become so grand, so sweeping that it cannot be presented as merely a set of demands on the traditional political class. Consider the scale and duration ...”

“... daemon, the imp, the spirit, the all-too-full bladder) to reveal unacknowledged parts of the self. Of course it does; but who else would put it that way? ‘My friend says it’s bad poetry to write a book/And I agree with her/I agree with her … … … … in principle,’ Bird says: she makes only minimal compromises with the formal demands of ...”