Resistance Days
Derek Mahon, 25 April 2002
“... musing on the lights below, soft-focus studio filter work, the glow and heartening realism of Robert Doisneau (industrial suburbs, the great aerial one of the Renault plant beside the Bois de Boulogne, pensioners, tramps, young lovers in a park, a kiss at rush-hour or a dance in the dark); and on the history shelves the ... ”