“... don’t fight – enlightenment. This strange Carlylean vision (wonderfully echoed much later by Frank McGuinness’s play Observe the Sons of Ulster Marching towards the Somme) met with as much incomprehension south of the new border as across the Irish Sea; one Fianna Fáil TD suggested in the Dail during 1938 ‘storing up sufficient poison gas’ on the ...”

“... I do much more in Sedaris than quote Sedaris, much more than simply ‘rhapsodise’ (to quote Frank Lentricchia). I analyse the man. I synthesise him. I provide what both Marxists and Freudians call ‘symptomatic readings’. But beyond that, beyond what all literary critics (including Lentricchia) are supposed to do, I – well, let me quote Winton ...”

“... make an uncertain comment when the surrounding water shines. The birds evoked in her elegy for Robert Lowell, ‘North Haven’, have no trouble performing their elegiac function: The Goldfinches are back, or others like them, and the White-throated Sparrow’s five-note song, pleading and pleading, brings tears to the eyes. More distracting is the ...”

“... a little aloof (‘a kind of hidden stranger among his New York intellectual peers’, Robert Alter very perceptively said of him, in a slightly different context), was prepared to write the story of his generation. When he had lived long enough and seen enough, when the fates of his contemporaries had played themselves out enough, it fell to Kazin ...”

“... style, echoing Aldous Huxley’s Crome Yellow, whose satirical nihilism was all the rage. Pym and Robert Liddell, a close friend from Oxford, wrote reams to each other in Ivy Compton-Burnett’s brittle manner, relishing her exposure of the tyranny of family relations; she had a Stevie Smith phase too, mimicking the bubbling prose of Novel on Yellow ...”

“... you now is like/seeing a god or a king/naked and starving in a field,’ the poet Rebecca Morgan Frank wrote in ‘Monk Automaton, c.1560’ (2021), an ode to the machine. But clothed and activated the monk becomes uncanny, even whimsical. When placed on a table it traces the path of a seven-pointed shape. With its head turning left to right, and its eyes ...”

“... in this edition. Those interested in creative writing may consult ‘Two Housman Torsos’ by Robert Conquest, TLS, 19 Oct. 1973. Those with a taste for highly creative writing should seek out A.E. Housman: New Poems [sic] ed. [sic] by John Edmunds, with a preface and notes by Hilary Bacon (San Francisco, 1985).Every word, bracket and comma here is so ...”

“... of what precedes or comes after it. Its heroine is a servant, Félicité, one of the excluded whom Frank O’Connor invoked in discussing the genre (‘the short story has never had a hero. What it has instead is a submerged population group’). Flaubert describes the arc of her life – a canvas as broad as a novel – with extreme concision. Large nuances ...”

“... that much less probable, as was widely recognised. However, such attempts are still being made. Robert Boyle SJ, in the Quiry, points out the liturgical grandeur of the language at the parting of Bloom and Stephen, as they purge themselves by pissing together in the garden with their eyes on the lighted blind which shows that Molly (the Holy Ghost) is not ...”

“... what they have increasingly come to regard as an embarrassing anachronism. When the manager Robert Newman and the young Henry Wood inaugurated an eight-week season of Promenade Concerts in 1895, they were not doing anything very novel. Such ‘promenades’ had been a permanent yet ephemeral part of London cultural life for the best part of sixty ...”

“... Labour paper should not succeed, as the Herald did under the inspiring editorship of Robert Blatchford and George Lansbury – provided only that the Labour movement is sufficiently enlightened to set up a newspaper trust which would guarantee its editors as much freedom as that enjoyed by the editor of the Economist, say, or the Guardian or, in ...”

“... The hairdresser gave me this weird short haircut. Why don’t you ever take me to a gay bar? Frank utterances such as these once prompted prolonged stays in the Cave of Spleen; now I can’t be trusted to keep a straight face when reminded of them. To whom – or to what – can this salutory change be ascribed? First, foremost and for ever (blushes ...”

“... tried it closer to home at least once. On 1 August 1939 Kathleen and her friend Julia Vickers met Frank Martin, who took them driving around Charleston, West Virginia in his grey Packard convertible. At Valley Bell Dairy he bought them cheese, and at Dan’s Beer Parlor he got them pints. Kathleen said they ought to rent a room somewhere; it would cost ...”

“... of Roosevelt, Black draws on the work of pioneering scholars such as William Leuchtenburg, Frank Freidel and Arthur Schlesinger, but he also incorporates a large amount of original material from the Roosevelt Library. And although Black credits a number of research assistants, the argument bears his personal stamp. For FDR, somewhat improbably, turns ...”

“... a return to the historic quartier as the basis of urban planning in Europe; on the other side were Robert Venturi, Denise Scott Brown and Steven Izenour, who embraced the commercial strip (‘billboards are almost all right,’ they proclaimed in 1972 in Learning from Las Vegas, a manifesto to which Delirious New York is an indirect riposte). Koolhaas could ...”