“... off from Gérard Depardieu, or Georges, the insidious, attractive fortysomething we remember in Peter Weir’s Green Card (1990). The idea that Depardieu has gone or is going anywhere is endlessly tantalising: he has never been more insistent, more palpably at home or preposterous than he is now, as he promises the French he’ll be waddling off in ...”

“... consists of the black children of the island, whose schoolmasters, together with the rest of the white population, have fled. The children’s parents hope that Pop Eye’s version of school might distract the children from the rumours of atrocities committed by the redskin soldiers (‘redskin’ because the ‘soldiers looked like people leached up out of ...”

“... Slotkin writes, rested primarily on racism, which he describes as ‘the division of Black and white, slave and free, into different orders of humanity’. What did this mean for the Myth of the Founding, which, as an aspiration if not in practice, took as its basic premise Jefferson’s words in the Declaration of Independence, ‘All men are created ...”

“... other things, we pick up information about the Glandford Shell Museum, the Little Auk, Gilbert White, sea fishing, the Elephant Man, Edwardian Sheringham, Valentine Ackland and Sylvia Townsend Warner, embroidery technique, Edward Meyerstein, Walt Disney, the Norfolk Giant, the pituitary gland, diabetes, MI5, and Einstein, who stayed at a (not ...”

“... would end in marriage. It did not. She married instead a 30-year-old advertising copywriter called Peter Porter. He was an Australian immigrant in London, and had written a lot of poems, but published relatively few; she was a nurse who seemed ‘very English’ in accent and tastes, and was admired for having a figure like a ballet dancer. They set up home ...”

“... Some of his colleagues are already saying it. Looking almost smooth – the Prime Minister, Peter Jenkins reports, has had occasion to tell him to ‘get a haircut’ – Nigel Lawson reassured his audience at the Mansion House in the autumn that revenues were high and the Public Sector Borrowing Requirement could soon be reduced to about a billion a ...”

“... and with New York City, where work takes place in countless small manufacturing establishments and white-collar offices, not in the mass-production factories on which most historians of 20th-century labour have concentrated. Working-Class New York begins with an evocative portrait of the now forgotten city that emerged from World War Two. In the words of John ...”

“... fabrics and hangs upside down in the Hayward’s brutalist stairwell, arms extended like Saint Peter, tiny round breasts protruding. High up, over a doorway, Legs (2001) is a cluster of three enormous red patchwork limbs suspended from metal wires; in the centre of another room hangs Spiral Woman (2003), faded black fabrics stuffed and sewn in a spiral ...”

“... Like a slender white ocean liner slipping beneath the waves, the most elegant international cricketing career of this or perhaps any generation was finally scuppered at Lord’s on 7 September. It is said, is it not, that when a butterfly flaps its wings in what is left of the Amazon rainforest, it leads to a typhoon in the China Sea or wherever ...”

“... of refuge and fantasy’. It is one of those destinations – ‘like the South of France before Peter Mayle, and Tuscany before champagne socialists’ – which, it is assumed, is ‘unspoilt by the American coffee shops and the malls and the ring roads that have ruined Arnoldian England’. But as Sansom discovers, the Ireland of middle-class English ...”

“... on Biblical narrative, Robertson Davies’s The Rebel Angels, William Golding’s The Paper Men, Peter Brooks’s Reading for the Plot, and John Updike’s Hugging the Shore. There are also essays on Ring Lardner, on D.H. Lawrence, and on Structuralism, which Lodge as late as 1980 regarded as ‘the most significant intellectual movement of our time’. Such ...”

“... years later, she married a future postmaster; they had three children – Basil and Winifred and Peter. She published a few stories in magazines, and was sneered at by her husband’s relatives. In her sixties she wrote three books which made her famous as an articulate inhabitant of that strange planet, the countryside. The books in the trilogy called Lark ...”

“... seven or eight. My sister reckons that we watched it together on our grandmother’s black and white portable TV. I doubt that the stories corrupted me, but they did play on my young mind. When we visited Maidstone Carriage Museum, a sign on a coach door read ‘room for one more inside’ (or something similar), which was too eerily like the line spoken ...”

“... else. Two authors are credited: ‘by Robert Katz’ is coupled with, in smaller type, ‘and Peter Berling’. The latter is a German film producer, who, says Katz, ‘cannot be called a Fassbinder person’. This formula is used throughout the book (sometimes reduced to FPs) to designate a groupie. Berling, however, is said to possess impressive ...”

“... combing the beach for rare quartz, rose and amethyst grains amid the millions that are black, white, tan and grey, can a poem be released into the dizzy freedom of the ‘rainbow-bird’ of one of her final poems, ‘Sonnet’, ‘flying wherever/it feels like, gay!’ ‘Writing poetry,’ she declares sternly in a lecture drafted in the 1960s but never ...”