Proust and the Pet Goat

Michael Wood: The Proustian Grail, 7 October 2021

Les Soixante-Quinze Feuillets: Et autres manuscrits inédits 
by Marcel Proust, edited by Nathalie Mauriac Dyer.
Gallimard, 384 pp., €21, April 2021, 978 2 07 293171 0
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“... for her ‘in the shadow like a thief’, hoping to steal his goodnight kiss:She was wearing a white cloth dressing gown, her admirable loosened black hair, containing all the gentleness and all the power of her nature, and which survived for so long like an unconscious vegetable growth of ruins that she protected tenderly at the cost of her happiness and ...”

Delay

Michael Neve, 17 October 1985

Hamlet Closely Observed 
by Martin Dodsworth.
Athlone, 316 pp., £18, July 1985, 0 485 11283 3
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Hamlet 
edited by Philip Edwards.
Cambridge, 245 pp., £15, June 1985, 9780521221511
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The Renaissance Hamlet: Issues and Responses in 1600 
by Roland Mushat Frye.
Princeton, 398 pp., £23.75, December 1983, 0 691 06579 9
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“... into an ideology, neutralising living questions, and flattening them into the equivalent of the White Paper. And, yes, I admit that I want my Hamlet critics to have at least some sense of sex and violence, some power to evoke what Empson, in his 1953 essay, called Hamlet’s ‘crazy magical behaviour’. Various doubts creep in about the account of the ...”

The Heart’s Cause

Michael Wood, 9 February 1995

The Beginning of the Journey: The Marriage of Diana and Lionel Trilling 
by Diana Trilling.
Harcourt Brace, 442 pp., $24.95, May 1994, 0 15 111685 7
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“... dignity and self-respect, and thinks they have a case against American society – but thinks the white student radicals were just spoilt and ungrateful kids, peeing on the carpet that welcomed them. One of these delinquents, famously photographed during the occupation smoking a cigar, with his feet on the university president’s desk, later called to ask ...”

In Love

Michael Wood, 25 January 1996

Essays in Dissent: Church, Chapel and the Unitarian Conspiracy 
by Donald Davie.
Carcanet, 264 pp., £25, October 1995, 1 85754 123 5
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“... back the frontier of magic, and in doing so provided some clues how to distinguish white magic from black, the honest mystery from the dishonest one’, he writes as one sympathetic to magics, but the word ‘honest’ locates him in just the tradition Thompson was talking about. Davie spoke of the later 18th century as possessing the ‘will ...”

There’s a porpoise close behind us

Michael Dobson, 13 November 1997

The Origins of English Nonsense 
by Noel Malcolm.
HarperCollins, 329 pp., £18, May 1997, 0 00 255827 0
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“... treading on my tail’), Humpty Dumpty’s little fishes who would not listen to advice and the White Knight’s old man who hunts for haddocks’ eyes among the heather bright, and sets limed twigs for crabs. Can the English genius for nonsense really be explained simply by the fact that this is an island, set in what was until quite recently a ...”

On Thinning Ice

Michael Byers: When the Ice Melts, 6 January 2005

Impacts of a Warming Arctic: Arctic Climate Impact Assessment 
Cambridge, 139 pp., £19.99, February 2005, 0 521 61778 2Show More
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“... has since been reported that Downing Street is proposing a ‘Kyoto-lite’ agreement, whereby the White House would simply admit that climate change is a problem. In Canada, where I live, greenhouse gas emissions need to fall to 6 per cent below 1990 levels if we are to meet our Kyoto commitments. Canadian emissions have been rising steadily; to reach the ...”

Just Folks

Michael Wood: Philip Roth’s counter-historical bestseller, 4 November 2004

The Plot against America 
by Philip Roth.
Cape, 391 pp., £16.99, September 2004, 0 224 07453 9
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“... and receives a letter from Lindbergh on the occasion. She is very happy to be invited to the White House when Ribbentrop comes to visit. Mr Roth leaves his job with Metropolitan Life Insurance rather than be transferred to Kentucky. Philip tries to run away from his collapsing world, and is kicked in the head by a horse – and, worse still, saved by a ...”

Diary

Michael Taussig: In Colombia, 5 October 2006

“... cordillera vibrates in the distance at the edge of the plain, a bucolic scene complete with the white spirits of whirling plastic bags and the spasmodic craziness of driven cattle. Black wisps of ash float down as the sugar plantations, the dominant force in the valley, owned by a tiny handful of whites, insist now on burning some of the crop before harvest ...”

Freedom to Tango

Michael Wood: Contemporary Indian English novels, 19 April 2001

Babu Fictions: Alienation in Contemporary Indian English Novels 
by Tabish Khair.
Oxford, 407 pp., £21.50, March 2001, 0 19 565296 7
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An Obedient Father 
by Akhil Sharma.
Faber, 282 pp., £9.99, January 2001, 0 571 20673 5
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The Death of Vishnu 
by Manil Suri.
Bloomsbury, 329 pp., £16.99, February 2001, 0 7475 5270 3
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The Glass Palace 
by Amitav Ghosh.
HarperCollins, 551 pp., £16.99, July 2000, 0 00 226102 2
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“... in one of the armchairs and watched the ghostly shadows of coconut palms swaying on the room’s white plaster walls. In this room the hours would accumulate like grains of sand until they buried him.’ There is more, though. The King’s captors are (mainly) English, but the British Army which took his kingdom was largely Indian. Why would Indian soldiers ...”

In a Cold Country

Michael Wood: Coetzee’s Grumpy Voice, 4 October 2007

Diary of a Bad Year 
by J.M. Coetzee.
Harvill, 231 pp., £16.99, September 2007, 978 1 84655 120 8
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Inner Workings: Essays 2000-2005 
by J.M. Coetzee.
Harvill, 304 pp., £17.99, March 2007, 978 1 84655 045 4
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“... in places like Germany and France people still tend to drop to their knees before sages with white beards.This is gross, but not different in substance from what Elizabeth Costello’s sister, a nun in Africa, tells her about the value of literature: ‘I do not need to consult novels to know what pettiness, what baseness, what cruelty human beings are ...”

At the Barbican

John-Paul Stonard: ‘Postwar Modern’, 23 June 2022

“... who might be figures from the play, appear bound together by lines gouged in the dirty white paint – ‘modern cave paintings’, in the words of one contemporary critic. Themerson often included an upside-down figure representing herself in her paintings – as elemental a metaphor for the émigré experience as you could hope for. If her ...”

Ellipticity

C.K. Stead, 10 June 1993

Remembering Babylon 
by David Malouf.
Chatto, 200 pp., £14.99, May 1993, 0 7011 5883 2
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“... you lose it? Not just language, but it. It.’ The space between their sense of a duty to a White who has endured such misfortune, and their response to one who looks, smells and behaves like a Black, is the screen on which the nature of racism is projected. But Malouf is more deeply concerned with the relation of humankind to the Australian ...”

Diary

Christian Lorentzen: Are books like nappies?, 2 August 2012

“... THE GOVERNMENT BELIEVES IN GOD – WHY DON’T YOU? a preacher was flanked by two young women in white spandex bodysuits with wings on their backs. More angels were roaming the floor. Queues at the signing booths led to authors of romance novels. The displays suggested that people want to know how to get along with their spouses, attend to their children’s ...”

Sweetly Terminal

Edward Pearce, 5 August 1993

Diaries 
by Alan Clark.
Weidenfeld, 421 pp., £20, June 1993, 0 297 81352 8
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“... of touch’ (yeah) I am, will lose my seat, SDP wave of the future, usual balls. Actually, little White (Ambassador to Chile) isn’t so bad. A bit guarded, but that’s probably down to the secret FCO biog. which precedes me at all destinations. I am not getting on with his wife though. There is this certain type of woman who simultaneously demands that you ...”

On not liking Tsvetaeva

Clarence Brown, 8 September 1994

Marina Tsvetaeva: Poetics of Appropriation 
by Michael Makin.
Oxford, 355 pp., £40, January 1994, 0 19 815164 0
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Tsvetaeva 
by Viktoria Schweitzer, translated by Robert Chandler, H.T. Willetts and Peter Norman.
Harvill, 400 pp., £20, December 1993, 0 00 272053 1
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“... with? If a musician listening to a tape can tell whether the fingers on the keys are black or white, should one tremble to acknowledge that the live voice, instantly distinguishable as male or female, leaves its imprint on the page? Russian is a language in which, given the laws of grammatical concordance, the lyrical ‘I’ must declare its gender all ...”