Mon Charabia
Olivier Todd: Bad Duras, 4 March 1999
“... mysterious sequences leading to the heart of ‘the human predicament’, with unattainable love, self-consuming desire, the intertwining of past, present and future. The protagonists never know what has actually happened to them. Nor, frequently, do Duras’s viewers or readers. When she got control of a camera herself, her films became ... ”